Allo la France review – romance of French phone booths exposes funding cuts to rural services

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In an endearingly whimsical road trip documentary, Floriane Devigne takes calls from her interview subjects in the last remaining phone boxes dotted across rural France The humble telephone box, a souvenir from the days of analogue, can also be an intriguing cinematic locus. Floriane Devigne’s road trip documentary begins with such a relic: the last public phone booth in Paris, which also appears in Jacques Rivette’s mesmerising 1981 film Le Pont du Nord. Unlike their Instagrammable British counterparts, French phone boxes are usually painted in a demure grey and blend seamlessly with their surroundings. As it moves from the capital city to more remote areas, Devigne’s film observes the vanishing of a formerly essential utility as her cross-country odyssey sparkles with an endearing whimsicality. Instead of using talking heads, Devigne ducks into various phone boxes scattered across France, as she takes calls from her interview subjects. Stories of love and longing fill these unassum...
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Joy review – warm and intensely English portrayal of the birth of IVF

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London film festival
Bill Nighy, James Norton and Thomasin McKenzie form the unlikely trio who doggedly, quietly and courageously made the discovery that would change lives around the world

There is sympathy, warmth and directness – though perhaps not much in the way of explicit joy – in this intensely English true story that made headlines and changed lives around the world.

Screenwriters Jack Thorne, Emma Gordon and Rachel Mason, and director Ben Taylor, dramatise the heartache and strain and triumph that led to the first ever birth of what the press with a mixture of hostility and awe called “a test-tube baby” – that is, a baby conceived through in vitro fertilisation – on 25 July 1978: a little girl called Louise Brown (middle name Joy).

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