Kartik Aaryan takes legal route to protect his identity, flags online misuse

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Actor Kartik Aaryan has approached the Bombay High Court, alleging unauthorised commercial use of his personality across multiple online platforms, in a move that underscores growing concerns over digital misuse of celebrity identities. According to reports, the actor has filed an intellectual property (IP) suit seeking protection of his name, image, likeness, and other identifiable attributes, which he claims are being used without consent. The plea targets several online platforms as well as unidentified individuals, often referred to as “John Doe” parties, accused of exploiting his persona for commercial gain. In his petition, Kartik has sought a permanent injunction to restrain entities from using his identity in advertisements, merchandise, or digital content. He has also urged the court to direct platforms to take down such material and disclose details of those responsible. The actor’s legal team has argued that the misuse extends to emerging digital formats, including manipul...
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‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

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He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back

One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’”

Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily for £4”. His chief film role so far had been in the 1955 drama documentary The Unloved, in which he played a boy in a home for delinquent kids.

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