The Wrong Girls review – Kristen Stewart fumbles through forgettable stoner comedy

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First time director Dylan Meyer’s female twist on the genre is let down by silly stereotypes and jokes that land with a thud Want to feel old? Superbad turns 20 next year. It’s been decades since the stoner comedy ruled the box office. In fact, the genre’s best theatrically released film of recent years – the hilarious buddy movie One of Them Days – didn’t feature any weed smoking at all despite hitting all the usual outlandish beats of a stoner flick. If the streaming success of Hulu’s recent R-rated bong-ripper Pizza Movie is anything to go by, audiences would rather watch this particular strain of movie on the couch where they can spark up in peace. The Wrong Girls aims to reverse that trend with a nationwide US theatrical rollout by Neon, the arty distributor which propelled Parasite and Anora to Oscar glory. Best friends Molly ( Alia Shawkat ) and Frankie ( Kristen Stewart ) live in a PeeWee’s Playhouse-coded stoner cave with macrame decor, a life-size cutout of Céline Dion, mu...
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‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

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He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back

One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’”

Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily for £4”. His chief film role so far had been in the 1955 drama documentary The Unloved, in which he played a boy in a home for delinquent kids.

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