Dear filmmakers, don’t let another Dil Pe Mat Le Yaar happen: Prasad Film Laboratories gives owners 30 days to collect negatives before PERMANENT destruction

Prasad Film Laboratories has issued a public notice in the June 20, 2026 issue of Complete Cinema magazine asking rightful owners to collect film negatives and other celluloid materials lying unclaimed at its premises in Chennai, Trivandrum, Bengaluru and Hyderabad. According to the notice, the concerned materials must be claimed within 30 days of the date of publication. The company has cautioned that any negatives or celluloid assets left uncollected after the stipulated period may be permanently destroyed in accordance with prevailing pollution-control norms. The announcement is significant for producers, studios, distributors, financiers and legal heirs who may have deposited original negatives, prints or related film material with the laboratories over the years. Since many older films were preserved primarily on physical stock, failure to retrieve such material could potentially result in the irreversible loss of valuable cinematic assets. Stakeholders have therefore been advise...

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back

One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’”

Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily for £4”. His chief film role so far had been in the 1955 drama documentary The Unloved, in which he played a boy in a home for delinquent kids.

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