‘The masturbation scene wasn’t a big deal’: Théodore Pellerin on tackling his new film Nino’s challenges

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Locked out of his apartment, a cancer-stricken Parisian is caught in a race against time to freeze his sperm. The rising star who plays him explains how he tackled a very initimate quest Just six months after the world rallied to defend poor Paul Dano , vulnerability may now be a hot commodity for an actor. What is “weak sauce” for Quentin Tarantino, who attacked Dano, can be mighty savoury for others. So it’s good timing that Théodore Pellerin, with his gangly frame and huge eyes, exudes that quality in the new French character study Nino. Gauche, hesitant and withholding, Pellerin is magnetic as a young Parisian locked out of his apartment for a weekend after a papillomavirus (HPV)-related cancer diagnosis. Pellerin explains Nino’s predicament, his inability to be candid with his loved ones, almost down to the cellular level. “His throat cancer isn’t insignificant,” he says. “It’s the part that links the head to the body. There’s a dissociation from the body – a distancing of his emo...
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‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

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He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back

One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’”

Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily for £4”. His chief film role so far had been in the 1955 drama documentary The Unloved, in which he played a boy in a home for delinquent kids.

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