EXCLUSIVE: The Odyssey’s historic IMAX run faces first major change; The End Of Oak Street gets 2 prime slots; Nolan film gets discounted IMAX pricing for FIRST time; Spider-Man joins Rs. 149 Tuesday offer

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Yesterday, Bollywood Hungama reported that The Odyssey continues to remain rock-solid at the box office despite the release of Spider-Man: Brand New Day. The Christopher Nolan-directed film has collected Rs. 166.89 crores in 24 days, of which a huge Rs. 74.21 crores has come from IMAX screens. The film, which released on July 17, has enjoyed exclusive access to IMAX shows ever since, thanks to its historic response. However, from Friday, August 14, The Odyssey will begin sharing IMAX shows with the Anne Hathaway-starrer, The End Of Oak Street. A trade source told Bollywood Hungama, “The End Of Oak Street is a big-scale film and also features dinosaurs. Hence, it’ll make for a great watch in IMAX. It is being released by Warner Bros, which also distributed Universal Pictures’ The Odyssey in India. Since the same team is handling both films, it has become easier to divide the shows between the two.” The source continued, “Warner Bros has asked IMAX theatres to play The End Of Oak Street...
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‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

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He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back

One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’”

Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily for £4”. His chief film role so far had been in the 1955 drama documentary The Unloved, in which he played a boy in a home for delinquent kids.

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