Maddock Films’ Dinesh Vijan urges Bollywood to embrace Indian identity over western aspiration; says, “The common man wants stories about them”

Maddock Films is enjoying a winning streak with its recent productions. Following the success of last year's Stree 2 and the blockbuster performance of Chhaava, the production house continues to deliver box office hits. Their upcoming release is the romantic comedy Bhool Chuk Maaf, featuring Rajkummar Rao and Wamiqa Gabbi. During a press conference held before the trailer launch, the head of Maddock Films shared insights on the current landscape of Bollywood and the kind of stories that deserve to be highlighted. At the press conference, Dinesh Vijan, as reported by News18, emphasized the importance of collective success in the industry. He said, “It’s very important to wish for everyone to do well. Just us doing well is not enough. I can’t tell you what I am doing, and others are not doing. We learn from whatever we are doing. We are trying to understand that right now, we are not aspirational to the West. We are very Indian in how we think. The common man wants stories about the...

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back

One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’”

Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily for £4”. His chief film role so far had been in the 1955 drama documentary The Unloved, in which he played a boy in a home for delinquent kids.

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