SCOOP: After Saiyaara, Mohit Suri and Ahaan Panday's next is a twisted love story for Aditya Chopra

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In 2025, Saiyaara redefined the box office, as the film marked the launch of two superstars - Ahaan Panday and Aneet Padda. The film went on to become the biggest launch pad of the modern era, and ever since, there has been curiosity to learn more about Ahaan Panday. The young superstar signed his second feature film with YRF and Ali Abbas Zafar, and the film is presently on the floor. And now we have learnt that Ahaan's next after the Ali Abbas Zafar directorial will be a twisted love story with Saiyaara director Mohit Suri. "Mohit Suri was initially looking to make an older guy and younger girl love story. But when the logistics didn't work out, he decided to redesign the project for his leading hero Ahaan Panday. The script organically flew to perfection, and gave Mohit the wings to come up with a rather twisted love story," a trade source shared with Bollywood Hungama on anonymity. The source promises that this isn't a project designed to capitalise on the p...
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‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

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He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back

One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’”

Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily for £4”. His chief film role so far had been in the 1955 drama documentary The Unloved, in which he played a boy in a home for delinquent kids.

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