Vishal Bhardwaj and Shaunak Sen join new film fund initiative supporting independent cinema

What are the vital ingredients an aspiring filmmaker needs when they have a story to tell but no outlet? Beyond a script, they need financial stability, production expertise, and industry access. Addressing this gap, Humans of Cinema and Safarnaama Pictures have launched a landmark feature film co-production fund of Rs 40,00,000 designed to back an emerging filmmaker with a distinct voice and a clear vision. In a significant boost to the independent ecosystem, Academy Award-nominated filmmaker Shaunak Sen (All That Breathes) and globally acclaimed auteur Vishal Bhardwaj have joined the initiative as mentors. Sen is also attached to the selected project as an Executive Producer. The high-profile jury for the fund includes actor Imran Khan, filmmaker Arati Kadav (Cargo, Mrs), producer Aman Mann (All That Breathes), and renowned author and festival director Aseem Chhabra. Harshit Bansal, Founder of Humans of Cinema, shared that the idea took shape when Nazim Momin of Safarnaama Pictures—...

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back

One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’”

Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily for £4”. His chief film role so far had been in the 1955 drama documentary The Unloved, in which he played a boy in a home for delinquent kids.

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