As Dhurandhar revives Nusrat Fateh Ali Khan's magic, here's how his ICONIC creation featured in Sunny Deol and Shah Rukh Khan-starrers just 9 months apart

Nusrat Fateh Ali Khan is back in sharp focus for Hindi film audiences, thanks to Dhurandhar The Revenge. The recently released film has revived not one but two compositions associated with the legendary singer – ‘Jaan Se Guzarte Hain’ and ‘Man Atkeya Beparwah De Naal’, making Nusrat saab’s timeless sound a talking point all over again. It has once again reminded audiences of the emotional power and spiritual pull that only Nusrat Fateh Ali Khan’s music could carry. Interestingly, this renewed fascination also takes one back to an important chapter in Bollywood’s long relationship with Nusrat saab’s music. On April 18, 2026, Koyla completes 29 years, having originally been released on April 18, 1997. The Shah Rukh Khan and Madhuri Dixit starrer featured the unforgettable ‘Saanson Ki Mala’, a film adaptation that brought Nusrat saab’s immortal composition into a dramatic mainstream Bollywood setting. Even today, the song remains one of the most haunting and distinctive musical moments i...

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back

One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’”

Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily for £4”. His chief film role so far had been in the 1955 drama documentary The Unloved, in which he played a boy in a home for delinquent kids.

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