‘It felt dangerous. You got naggy’: Ethan Hawke and Richard Linklater on power, combovers and Blue Moon

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Ahead of their 11th movie together, the actor and director discuss musicals, the legacy of Philip Seymour Hoffman and what being bald and 5ft tall does to your flirting skills ‘I like this, it’s good,” Ethan Hawke tells Richard Linklater, midway through a lively digression that has already hopped from politics to the Beatles to the late films of John Huston . “What’s good?” asks Linklater. “All of this,” says Hawke, by which he means the London hotel suite with its coffee table, couch and matching upholstered armchairs; the whole chilly machinery of the international press junket. “I like that we get to spend a couple of days in a room,” he says. “It feels like a continuation of the same conversation we’ve been having for the past 32 years.” It’s all about the conversation with Linklater and Hawke. The two men like to talk; often the talk sparks a film. The director and actor first met backstage at a play in 1993 (“Sophistry, by Jon Marc Sherman,” says Linklater) and wound up chattin...
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‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

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He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back

One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’”

Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily for £4”. His chief film role so far had been in the 1955 drama documentary The Unloved, in which he played a boy in a home for delinquent kids.

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