Bombay High Court dismisses copyright claim against Dream Girl 2; calls allegations ‘far-fetched’

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The Bombay High Court has thrown out a copyright infringement plea against Balaji Telefilms over its 2023 comedy Dream Girl 2, ruling that the film’s storyline is entirely different from the applicant’s work and that the claim of breach of confidence was ‘far-fetched’. The case was filed by writer Ashim Kumar Bagchi, who claimed the Ayushmann Khurrana-starrer was based on his script originally titled Kal Kisne Dekha and later re-registered as The Show Must Go On. Bagchi alleged that his story — a gender-swap comedy about a man impersonating a woman and navigating hilarious situations whenever his real identity was at risk — had been shared in confidence with one of the film’s credited writers years ago. He argued that elements of his work had been used without permission. However, the court observed that what Bagchi was seeking amounted to a monopoly over generic ideas and common comedic tropes — such as mistaken identity and disguise — that cannot be protected under copyright law. T...
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‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

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He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back

One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’”

Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily for £4”. His chief film role so far had been in the 1955 drama documentary The Unloved, in which he played a boy in a home for delinquent kids.

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