Flavours of Iraq review – vivid childhood memories of 80s Baghdad from writer in Paris exile

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Powerful animation portrays experiences of a French-Iraqi journalist Feurat Alani, with anecdotes about his father, a prominent leftist exile With a title translated a little inelegantly from Le Parfum d’Irak to “flavours of Iraq” when “the perfume of Iraq” might have been simpler and better, this film is a powerful, vivid animation co-directed by Léonard Cohen with its author, French-Iraqi journalist Feurat Alani, robustly narrated in Alani’s first-person by the actor Malik Zidi. The animation style is stylised and expressionist: shapes and forms like silhouette cutouts suggest the piercingly insistent forms of memory. It is about Alani’s childhood and fractured family experience growing up in Paris in the 80s as the son of a prominent leftist Iraqi exile who was forced out of his native country on account of his opposition to Saddam Hussein. The story itself is told through a loose series of flashbacks occasioned by his father’s funeral, at which mourners, members of Iraq’s 1970s soc...
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‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

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He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back

One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’”

Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily for £4”. His chief film role so far had been in the 1955 drama documentary The Unloved, in which he played a boy in a home for delinquent kids.

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