Ek Jaadugar first look: Vicky Kaushal wields magic in Shoojit Sircar’s fantasy drama

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Bollywood’s versatile heartthrob Vicky Kaushal steps into a magical new avatar in Shoojit Sircar’s upcoming fantasy drama, Ek Jaadugar. The first look poster dropped yesterday, and it's already casting a spell on fans and cinephiles alike. A Magical Makeover for Vicky Kaushal The poster features Vicky Kaushal in an enchanting magician’s get-up — a rich green velvet suit adorned with intricate embroidery, a flamboyant emerald bowtie, and a tall top hat with a green feather. His dramatic curled mustache and mischievous glint evoke the classic illusionist charm, blending vintage flair with cinematic elegance. He holds a glowing wand with a burst of blue light, seemingly conjuring a swirling green crystal orb that floats above his palm. Surrounding him are visual cues straight out of a magician’s playbook — a white dove mid-flight, a rabbit leaping from a hat, and playing cards soaring through the air. The entire scene is set against a vintage circus or theatre backdrop, complete wit...
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The Portable Door review – Harry Potter-ish YA fantasy carried by hardworking cast

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Jeffrey Walker’s adaptation of the young-adult fantasy novel retains its edge thanks to its performances, but gets stuck on the whole door thing

Adapted from Tom Holt’s 2003 young-adult fantasy novel, this is a passable attempt at kickstarting a new Harry Potter-style franchise set in a fusty-quirky institution, dosed up with extra Gilliamesque grotesquery. Co-produced by the Jim Henson Company, the production design is poky and intense, and the cast – with Christoph Waltz and Sam Neill larking it up – give it their all. But amid all this clutter, it sometimes has trouble moving its story forward.

The Portable Door has a nice conceit: the venerable London corporation of JW Wells & Co is responsible for engineering all the daily incidents of coincidence and serendipity that happen in urban life. Not that wet-behind-the-ears intern Paul Carpenter (Patrick Gibson), desperate for any gig, knows the company’s raison d’etre when he signs up. He appears to have no discernible talents whatsoever, unlike his fellow newbie Sophie (Sophie Wilde), whose ability as an empath is soon put to use in manipulating the unsuspecting public. So he’s relieved when CEO Humphrey Wells (Waltz) tasks him with finding a magic door that has gone awol somewhere in the grotto-like premises.

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