Akshay Kumar DENIES Hera Pheri 3 rift with Paresh Rawal was "publicity stunt": "There were some ups and downs. But now everything is solved"

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The third instalment of the cult 2000s comedy Hera Pheri has been making headlines ever since it was announced. After months of speculation, legal battles, and statements from the cast, Akshay Kumar has finally cleared the air, bringing some much-needed good news for fans. In an exclusive chat on The Right Angle with Sonal Kalra Season 2, produced by Gautam Thakker Films, Akshay Kumar said, "Nahi, yeh publicity stunt nahi hai. The things went legal, so when legal things are involved, we cannot call it a publicity stunt; it is a real thing.” He further added, “But ab sab kuch thik ho gaya hai. Very soon, some kind of announcement can come. Yes, there were some ups and downs. But now everything is solved, and we are back together, and we have always been together. Yes, that's it!" In the same interview, Akshay Kumar also lauded the success of Saiyaara. He said, “I think it's the best thing that has happened. One of the great things for the Hindi film industry is that ...
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Allo la France review – romance of French phone booths exposes funding cuts to rural services

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In an endearingly whimsical road trip documentary, Floriane Devigne takes calls from her interview subjects in the last remaining phone boxes dotted across rural France

The humble telephone box, a souvenir from the days of analogue, can also be an intriguing cinematic locus. Floriane Devigne’s road trip documentary begins with such a relic: the last public phone booth in Paris, which also appears in Jacques Rivette’s mesmerising 1981 film Le Pont du Nord. Unlike their Instagrammable British counterparts, French phone boxes are usually painted in a demure grey and blend seamlessly with their surroundings.

As it moves from the capital city to more remote areas, Devigne’s film observes the vanishing of a formerly essential utility as her cross-country odyssey sparkles with an endearing whimsicality. Instead of using talking heads, Devigne ducks into various phone boxes scattered across France, as she takes calls from her interview subjects. Stories of love and longing fill these unassuming booths, themselves once the location of secret rendezvous and romantic trysts. The interiors of these facilities are now caked with dirt and graffiti; the lovers of yore are long gone.

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