Le Film de Mon Père review – father’s videotape legacy sparks intergenerational dialogue
A Swiss film-maker’s parent leaves behind a visual diary that raises questions about the limitations of art in a fascinating documentary debut The genesis of Jules Guarneri’s documentary – his first – comes from an unusual gift. Having made more than 20 hours of a filmed diary, his father, Jean, entrusted the material to the budding director, hoping that it would form the building blocks for his son’s first feature. These visual journals, in which the older man addresses the camera – and ultimately Guarneri – with recollections from his past, are awash with nostalgia and regret. As Jean’s recordings are interspersed with Guarneri’s own footage of his family, what starts out as a monologue gradually transforms into an intergenerational dialogue between father and son. Filmed with a fixed camera, Jean’s diaries have a static quality that echoes the stagnancy of his life story. Christabel, his wife and Guarneri’s mother, was an heiress, and the couple lived as idle rich in the Swiss vil...
