Globalwoodnews

Gia Coppola’s drama starring Pamela Anderson peers behind the glamour of ‘the fun capital of the world’, but sin city has long seduced film-makers from Scorsese and Soderbergh to Sean Baker and Baz Luhrmann (There’s a reason why film-makers are routinely drawn to the glaring, garish lights of Las Vegas: in its spangliest strips, it feels more movie set than city, the kind of place it’s hard to imagine people living everyday lives 24/7. Gia Coppola’s The Last Showgirl – streaming on Mubi from 18 April – is quite rare in its focus on one such person: Shelly, a dancer in a long-running revue on the Vegas strip, now pushing 60 and at a crossroads when said revue announces its imminent closure. Short and light on plot, it’s a character study built on a poignant night-and-day contrast, as Shelly literally performs a glitzy Vegas dream that all looks a bit shabby by daylight in her modest bungalow in the desert suburbs. Pamela Anderson affectingly brings her own career baggage to the role o...