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The British actor delivers his strongest performance to date in indie film Union County as a person struggling with substance abuse trying to turn his life around Every week, Annette Deao, a drug dependency counselor, sits in the county jail and offers incarcerated people in rural Ohio a chance at recovery. One bright day she meets Cody, a young man who shuffles towards the lectern and quietly says that he’s ready to give it a shot. “His self-respect is in the basement,” said Will Poulter , the British actor who plays the character. “He doesn’t like or accept himself enough to embark on helping himself.” Directed by Adam Meeks, an Ohio native, Union County is a bruising yet poetic depiction of a real life drug recovery court in Bellefontaine, Ohio, where individuals join long-term treatment programs with daily sobriety testing. Though the film is led by Poulter and Noah Centineo as foster brothers taking steps to get clean, much of the supporting cast is made up of first-time actors wh...

The 59-year-old actor reflected on her high-profile marriages in an interview with Vogue, saying she felt ‘deeply vulnerable’ after her split from Urban Nicole Kidman has opened up about her divorce from Keith Urban and reflected on her marriage to Tom Cruise, saying she was warned being his wife would overshadow her career. In a new interview with Vogue , the 59-year-old actor spoke about going through two divorces under intense media scrutiny: with Cruise, who she married in 1990 and divorced in 2001, and musician Urban, who she married in 2006. Continue reading... from Film | The Guardian https://ift.tt/XuEzDL5 via IFTTT

Bond villain, Begbie, male stripper … the Trainspotting and Full Monty star has played everyone from Sherlock Holmes to Rumpelstiltskin. As his latest directorial project premieres in Edinburgh, he is here to answer your questions You’ll know Robert Carlyle for many things – getting his kit off in The Full Monty , being skewered through the heart with a plutonium rod as Bond villain Renard in The World Is Not Enough, playing Sherlock Holmes in Watson, joining Line of Duty as a gruff specialist firearms officer, and appearing opposite David Tennant and Toby Jones in ITV’s The Hack. He also appeared as Adolf Hitler in Hitler: The Rise of Evil and (uncredited) as John Lennon in Yesterday; as a cannibalistic soldier in Ravenous; Rumplestiltskin in Once Upon a Time; and the British prime minister in Cobra. But it’s hard to ever fully dissociate him from the fantastic moustache he sports as violent, pint-swilling psychopath Francis Begbie in Trainspotting – a moustache that is now, unbelieva...

First time director Dylan Meyer’s female twist on the genre is let down by silly stereotypes and jokes that land with a thud Want to feel old? Superbad turns 20 next year. It’s been decades since the stoner comedy ruled the box office. In fact, the genre’s best theatrically released film of recent years – the hilarious buddy movie One of Them Days – didn’t feature any weed smoking at all despite hitting all the usual outlandish beats of a stoner flick. If the streaming success of Hulu’s recent R-rated bong-ripper Pizza Movie is anything to go by, audiences would rather watch this particular strain of movie on the couch where they can spark up in peace. The Wrong Girls aims to reverse that trend with a nationwide US theatrical rollout by Neon, the arty distributor which propelled Parasite and Anora to Oscar glory. Best friends Molly ( Alia Shawkat ) and Frankie ( Kristen Stewart ) live in a PeeWee’s Playhouse-coded stoner cave with macrame decor, a life-size cutout of Céline Dion, mu...

A sex worker and a call centre employee forge an ambiguous relationship in a film of strong feelings In a tiny crumbling Mumbai apartment two women move around each other, squeezing into the kitchen to cook, or past one another in the hallway. The cramped space hems them in – just as society limits their choices. That is surely the point first-time director Anuparna Roy is making in a gentle drama set mostly in the apartment about the closeness that develops between the two women. One of the roommates is Thooya (Naaz Shaikh), an actor and part-time sex worker. The apartment belongs to a client, Nitin (Bushan Shimpi), an arrangement that outrages the neighbours. Thooya doesn’t care what they think, and has rented the second bedroom to a stranger, Shweta (Sumi Baghel), who works from home for an IT call centre. There is an awkwardness between them at first that develops into … what exactly? Romance? It looks that way, although the film’s final scene is ambiguous. Continue reading... f...

Your mum’s favourite star of Four Weddings and a Funeral, Sliding Doors, Spartacus and a new GoPro-filmed thriller is ready to answer your quetions He’s your mum’s favourite, after playing the jolly nice man who is jolly nice to Gwyneth Paltrow in Sliding Doors, and the jolly nice man who delivers the heartbreaking WH Auden eulogy for his partner in Four Weddings and a Funeral . But there is far more to John Hannah than a Scottish accent, magnificent eyebrows and an unrivalled ability to look soulfully concerned. In The Mummy films, he played treasure-hunting comic relief Jonathan Carnahan. In 2002’s Dr Jekyll and Mr Hyde, he took on both halves of Robert Louis Stevenson’s character. He played a psychopathic killer in Truth or Dare, and appeared opposite Denzel Washington in The Hurricane. On TV, he has been a transhumanist scientist in Marvel’s Agents of SHIELD ; a gruff but compassionate emergency medicine chief in Transplant; and a gladiator school owner in the blood-soaked, boobs-...

Famed for playing loners, cranks and wayward angels, the Hollywood star is now a wolfish 90 – but he still jogs daily. As he takes his latest film to Edinburgh, we meet the man Hitchcock called ‘the golden calf’ ‘Can you take another story?” asks the veteran actor Bruce Dern towards the end of our talk, as though every tale is a drink and the landlord has called last orders. He doesn’t want to keep me and knows we’re running out of time. It’s just that one memory sparks another and these tales won’t tell themselves. He says that the next one is a doozy. “It’s about Marilyn Monroe.” Throw out all the questions and turn the clocks to the wall. One does not interview Dern so much as say hello, hit record and sit back. The man began his career acting alongside Montgomery Clift and Mary Astor and has collaborated with everyone from John Wayne to Tom Hanks, Hitchcock to Tarantino. He’s the lawless survivor of American movies, blown in from the past, and talking 19 to the dozen. “I’m 90 fucki...

Offerman leads a talented cast, but this preschool picture book spinoff fails to inspire Grumpy Mr Fish (Nick Offerman) has a reputation for being a sourpuss, but when he teams up with baby sea dragon Pip (Nina Oyama) to locate a wish-granting fish, it’s pretty much guaranteed that we will discover some sort of heart of gold lurking beneath his gloomy exterior. Not that a picture book for the two to four-year-old crowd can’t be expanded into a satisfying narrative feature film universe, but this high seas adventure as personal growth is fairly by-the-numbers stuff. Based on the books by Deborah Diesen and Dan Hanna, The Pout-Pout Fish’s animation lacks the charm of the books’ illustrations, and the writing is uninspired. Sample exposition-dump: “Did you not hear what they just said? Someone else is looking for Shimmer! And they’ve got a head start! If they get to her first, she won’t have any wish power left!” When the script tries to be more distinctive, you kind of wish they hadn’t...

Bitter Christmas, Late Fame and The Christophers all depict geniuses aware of their waning acclaim and terrified it will end Entertainment culture is so preoccupied with nowness that last month we were inundated with speculation about how directors under 30 topping the box office would change the industry . The flipside of a youth obsession is the conviction that age will increase irrelevance, and this is something that a new crop of films about ageing artists is zeroing in on. Specifically, Bitter Christmas , Late Fame and The Christophers are films in which artists – all male – indulge in selfishness, vanity and spite, and egotistical behaviour and a loss of creative (and masculine) virility are part of the same phenomenon. None of them is dislikable – they might be catty, pathetic or abrasive, but they’re always entertaining – but they all bend to the ego whispering in their ear, believing it will shield them from the pain of their fading art. It’s no surprise to discover that an ...

The film-maker’s take on Homer’s epic has beaten his previous record holder The Dark Knight Rises The Odyssey has become the highest grossing film of Christopher Nolan’s career, having made more than US$1bn at the global box office less than a month after its release. The blockbuster, which was released on 17 July, is an adaptation of Homer’s ancient Greek epic and follows Matt Damon as Odysseus, the Greek king of Ithaca, on his perilous 10-year journey home after the Trojan war. Continue reading... from Film | The Guardian https://ift.tt/dWoDNrG via IFTTT

When discontented Lily becomes a fantastical sea creature her low-budget transformation is strikingly unconvincing, rather in tune with the whole film Mermaidcore comes to the Welsh coastline in this somewhat stilted family movie about a teenager called Lily who turns into a mermaid. You could imagine it being developed into a series for kids’ TV but as a film it unfortunately falls at the first hurdle – failing to pull off a convincing mermaid transformation. Poor Lily’s shimmering tail is very obviously made from nylon that becomes very clingy when wet, making her legs very visible under the scales. Ellie Bindman plays Lily, who has moved from London to the Welsh seaside with her family for her stepdad’s work. Resentful about leaving her friends, she is huffy, communicating with her mum Claire (Marie Wilson) primarily in eyerolls. Lily’s only friend in town is Shane (Jack Taruschio Thomas), an awkward, slightly odd trainee local reporter who is following a lead about a mermaid sighti...

Locarno film festival A couple attempting to leave Ukraine when the war encounter gender identity issues in this bold and challenging film A movie’s themes could hardly be more urgent and contemporary than those on offer in this entirely absorbing film from German director Isabelle Stever and Ukrainian critic turned screenwriter Anna Melikova. It’s a bulletin from the frontline of Russia’s war on Ukraine, and from the culture war too. It is about identity and choices made in peacetime when less was at stake. There is a bold and brilliant premise that may at first look artificially satirical but is actually inspired. When Russia begins its attack, the crisis is very specific for a scared young Ukrainian couple, recently engaged: Olya (Tania Myronyshena) and Oleh (Markus Bright). As bombs rain down, they head west in the cramped car of Olya’s elderly mum and dad – with Olya grumpily objecting to her dad’s sexist comments from behind the wheel about female drivers – to stay with Olya’s si...

The actor on being told she was no Ingrid Bergman, forgetting her lines on stage, and not caring about getting older Born in New York City, Stockard Channing, 82, played Rizzo in the 1978 film Grease. In 1985, she received a Tony for her performance in A Day in the Death of Joe Egg, and in 1994 was Oscar-nominated for her role in the film Six Degrees of Separation. She has three Emmys for her TV work, which includes The West Wing. She makes her directorial debut at the Edinburgh festival with Krapp’s Last Tape, in aid of the Wembley to Soweto Foundation, Upstairs at the Roxy until 31 August. Her latest film is Practical Magic 2. She lives in London. What is your greatest fear? Climate change. Continue reading... from Film | The Guardian https://ift.tt/tU3oZP1 via IFTTT

The Dutch creator of the controversial trilogy set to detail struggles with neurological disease in homemade documentary, after spending six years ‘as a recluse’ Tom Six, the film-maker behind schlock horror phenomenon The Human Centipede, has revealed that he has been living as “a full-blown recluse” in a darkened Amsterdam apartment for six years after being diagnosed with multiple sclerosis. In The End of Tom Six, a homemade documentary that the Dutch director said would be his final film, he says that the stress over his failure to find a distributor for the follow-up to the Centipede trilogy significantly exacerbated his condition. Continue reading... from Film | The Guardian https://ift.tt/slVcIm4 via IFTTT

At 22, Ramsey has already been on our screens for a decade, and nominated for every award going. So why do they find it strange to be called an actor? Bella Ramsey often feels more comfortable around older people. The actor, 22, who is non-binary and uses they/them pronouns, has been working professionally since they were 11, when they got their first TV job as the child noblewoman Lyanna Mormont in Game of Thrones. For half of their life, they have been in adult environments, talking to adults, working with adults. Even so, the London cafe in which Ramsey has chosen to meet makes any retirement home look like a creche. It is full of old men with their dogs, popping in for a cup of tea and a morning chat. “It feels like it belongs in the Midlands. It feels a bit, like, shit and familiar,” says Ramsey, who grew up in the East Midlands and can say that with affection. Their curly hair is short, pushed back off their face, and they have a single gold hoop in one ear. The plan had been to ...

After his breakthrough in The Holdovers in 2023, Sessa has gone back to the 70s again for Tony, the biopic of bad-boy chef and Kitchen Confidential author Bourdain. And, he says, a big part of him would like to stay there Despite being just 23, Dominic Sessa is perhaps as intimately acquainted with the 1970s as those who grew up then. Although the New Jersey-born actor has only starred in five films, two of them are marinated in the fashions, sounds and mores of the decade. In his new movie, Tony , he plays the 19-year-old Anthony Bourdain, future bad-boy celebrity chef, bestselling author of Kitchen Confidential and host of its hit TV spin-off. Tony restricts itself to one summer in 1975, when Bourdain bummed around the coastal resort of Provincetown, Massachusetts, falling in love, scrubbing pans in a seafood joint and catching the cooking bug. “For a rootless young man with sensualist inclinations,” he wrote, “it was the perfect getaway.” A 70s retro vibe also hung over Sessa’s debu...

Andrew Neel’s documentary contrasts the lavish dishes eaten by heads of repressive states – served by largely unrepentant staff – with the starvation faced by their citizens There are moments in this sly documentary that evoke regular food porn, with crisply lit footage of vegetables being chopped and simmered, meat getting grilled, fat bubbling and browning – all the culinary sizzle is on display. Then there are climactic money shots, obligatory overhead views of the finished product, elegantly garnished, accompanied by text identifying the dish as, say, a Chilean country stew, or a whole roast goat, made precisely to suit the taste of a very specific client. It’s just that the clients these chefs served were despots, including Pol Pot, Idi Amin, Saddam Hussein, Augusto Pinochet and Kim Jong-il. Charles Otonde Odera once prepared a human heart “perfectly” for Amin, though at the time he thought better than to ask where the raw offal came from. Director Andrew Neel and editor Brad Turn...

A retrospective at the Locarno film festival looks back at the era of Huac’s domination of US culture, uncovering some sobering lessons for now In September 2025, Disney and ABC announced that Jimmy Kimmel and his late-night talkshow would be taken off the air indefinitely , after a conservative backlash against the host’s comments about the murder of far-right influencer Charlie Kirk. President Donald Trump personally championed the decision, calling it “great news for America” . He further called for other programmes critical of his administration to be removed. Though Kimmel’s suspension was reversed within a week, many commentators viewed this concerning development not as a sudden escalation of crisis, but a continuation of Hollywood’s habitual acquiescence to authoritarian pressure. In a guest essay for the New York Times , journalist and Trump biopic] The Apprentice screenwriter Gabriel Sherman explicitly linked Kimmel’s cancellation to the Hollywood blacklist of the 1940s and ...

As Steal This Story, Please! charts her astonishing reports on everything from climate summits to earthquakes to massacres, Goodman talks about dissent, censorship – and her ‘magic moments’ ‘I consider an exclusive a failure,” Amy Goodman says. It is not a typical observation for a journalist to make, but it is the approach at the heart of a documentary about her career, Steal This Story, Please! If an article, item, narrative or interview is significant enough “it should be shared around the world,” she insists. This time, however, her goal is not to share a particular news story, but rather an entire professional philosophy. To do so, Goodman had to let “two Oscar-nominated stalkers into my life” in an effort to “spread the word about this critical form of independent journalism” that she has practised over four decades. Continue reading... from Film | The Guardian https://ift.tt/Skcb23h via IFTTT

The ultra-likable comedian decides to go on a chicken shop diet for 28 days, but like a gen-Z Super Size Me uncovers some dark truths behind this billion-dollar industry ‘I think you’re going to die,” says a teenager bluntly to comedian Mo Gilligan when he tells her about his plan to eat only from chicken shops for one month. Spoiler: he lives. But after 84 fried chicken meals, Gilligan is heavier, unhealthier and starting to feel depressed. In this funny, slick and accessible Netflix documentary he takes on “Big Chicken”, the industrialised poultry farming industry. Flavouring doc-journalism with his brand of ultra-likable humour, he’s gen Z’s answer to Michael Moore or Morgan Spurlock (who pulled a similar trick 20 years ago, eating nothing but McDonald’s for one month in his 2004 documentary Super Size Me). At the start of the film, there is no guilt in Gilligan’s pleasure walking into a chicken shop (“Bring on the wings!”). Growing up in a low-income household in London, a bucket o...