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Showing posts with the label Film | The Guardian

SCOOP: Sunny Deol-Akshaye Khanna's Netflix film Ikka expected to have fan screenings before release

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Veteran actors Sunny Deol and Akshaye Khanna are clearly on a high right now. Sunny’s career got a boost with the blockbuster success of Gadar 2 (2023). Jaat (2025) was a decent grosser while Border 2 (2026) was a huge hit, which proved that Gadar 2’s success was not a fluke. Meanwhile, Akshaye Khanna went on another level with his performance as Rehman Dakait in Dhurandhar (2025). Both these stars will now share screen space in Ikka. The film will release directly on Netflix on July 10; however, lucky fans are expected to get a chance to catch the film on the big screen. A Twitter handle named ‘LegendDeols’ revealed on June 19 that fan screenings of the film will be held in July 8 in 3-4 cities, that is, two days before the release. The handle further asked the fans to show interest in the post so that they can get tickets to this screening. Bollywood Hungama enquired about it and learned that such a screening is indeed in the works. A source told us, “The makers are indeed planning ...
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In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie

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Julian Schnabel’s combustible mix of lowlife cynicism and high art – along with cameos from Martin Scorsese and Al Pacino – powers this outrageous black comedy revolving around Dante’s Divine Comedy The worlds of Renaissance manuscript scholarship and organised crime come together like a mix of Umberto Eco and George V Higgins in this flawed but fascinating reverie from director and co-writer Julian Schnabel. Switching between monochrome and colour, and freely adapted from the Nick Tosches novel of the same name, it is hilarious and shocking, at least at first, with a quite extraordinary tough-guy role for Gerard Butler. It is a mysterious, scabrous and bizarre adventure in violent larceny and spiritual crisis which unfortunately unwinds in the end into sentimental fantasy. In the Hand of Dante amounts to an epic and self-aware jeu d’ésprit with amazing cameos from Martin Scorsese, Al Pacino and Franco Nero, beckoning its audience over to peep into the fathomless abyss of heaven and ...
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Voicemails for Isabelle review – Netflix romcom picks creepy over cute

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Zoey Deutch and Nick Robinson stumble in this mushy, overlong story of a woman leaving voicemails for her dead sister There’s a fine line between romantic comedy and creepy thriller, and while redefining the genre’s lovelorn leads as often incredibly oddball stalkers is nothing new (see the Sleepless in Seattle trailer recut as a horror movie 20 years ago), an online deluge of memes and thinkpieces have elevated post-movie bar jokes to commonly accepted theory. Some film-makers have slowly tried to catch up and capitalise – last year’s dark comedy I Love You Forever showed how epic acts of romance can be rooted in manipulation while a great deal of what makes current box office record-breaker Obsession so effective is its horror movie perversion of the day-to-day realities of all-consuming true love. Netflix’s latest romcom Voicemails for Isabelle is made with some awareness of how unsettling its premise is, as if it was originally written in the 2000s and then dusted off and tweake...
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‘The masturbation scene wasn’t a big deal’: Théodore Pellerin on tackling his new film Nino’s challenges

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Locked out of his apartment, a cancer-stricken Parisian is caught in a race against time to freeze his sperm. The rising star who plays him explains how he tackled a very initimate quest Just six months after the world rallied to defend poor Paul Dano , vulnerability may now be a hot commodity for an actor. What is “weak sauce” for Quentin Tarantino, who attacked Dano, can be mighty savoury for others. So it’s good timing that Théodore Pellerin, with his gangly frame and huge eyes, exudes that quality in the new French character study Nino. Gauche, hesitant and withholding, Pellerin is magnetic as a young Parisian locked out of his apartment for a weekend after a papillomavirus (HPV)-related cancer diagnosis. Pellerin explains Nino’s predicament, his inability to be candid with his loved ones, almost down to the cellular level. “His throat cancer isn’t insignificant,” he says. “It’s the part that links the head to the body. There’s a dissociation from the body – a distancing of his emo...
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Dry Leaf review – three-hour amble around the football pitches of Georgia in search of a daughter

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Despite its interesting low-res look, Alexandre Koberidze’s mystifying film is needlessly contrived Georgian film-maker Alexandre Koberidze appeared to revive the spirit of the French New Wave with his previous film What Do We See When We Look at the Sky? – an unhurried, meandering and garrulous movie with its own cheeky sort of low-tech magic realism as it followed its nose around the city of Kutaisi. His new film is a mystifying three-hour road movie, shot (as was his debut film Let the Summer Never Come Again) on low-res video, like that of an obsolete cameraphone. It is even more challenging and I have to admit it defeated me, despite some intriguing qualities, including a dry touch of comedy. A middle-aged man called Irakli (David Koberidze) receives a letter addressed to him and his wife, Nino (Irina Chelidze), from their twentysomething photographer daughter Lisa, announcing that she wishes to disappear from their lives. A police officer tells them that Lisa is an adult who can...
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Toby Stephens: ‘I lost my dad to cirrhosis. The only difference between us was that, tragically, he couldn’t stop drinking’

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The actor on missing his late mother, Maggie Smith, being mistaken for Damian Lewis, and looking ‘like a fridge’ Born in London, Toby Stephens, 57, is the son of actors Maggie Smith and Robert Stephens. He trained at Lamda and, in 1992, made his film debut in Orlando. In 2002 he played the Bond villain in Die Another Day. His television work includes One Day, The Split and Black Sails. On stage he has performed for the RSC and the National Theatre, and he is currently starring in Equus at London’s Menier Chocolate Factory, until 4 July, and then Theatre Royal Bath, from 14-25 July. He is married to the actor Anna‑Louise Plowman, with whom he has three children, and lives in London. What is your greatest fear? To be completely alone. Continue reading... from Film | The Guardian https://ift.tt/BhbEa2J via IFTTT
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Blake Lively awarded legal fees but no damages in Justin Baldoni dispute

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The Gossip Girl star can recover legal fees and costs arising from It Ends With Us co-actor’s countersuit Blake Lively can recover some legal costs from fellow actor and director Justin Baldoni but not punitive damages and other relief she sought after settling her legal claims over their 2024 film It Ends With Us, a judge ruled on Friday. Judge Lewis J Liman said in a written ruling that Lively can recover legal fees and costs related to her defense against a countersuit Baldoni brought against her after she sued him in December 2024. Continue reading... from Film | The Guardian https://ift.tt/j7UxA9y via IFTTT
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Diane Keaton’s nail clippers for $960: what’s behind the new boom in celebrity estate auctions?

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With beloved stars’ personal items increasingly up for grabs after they die, a new generation of fans are bidding on everything from bowler hats to dog bowls From Diane Keaton’s bowler hats and polka dot scarfs, to Gene Hackman’s used paint brushes, to Terence Stamp’s love letters from Jean Shrimpton and even Matthew Perry’s black leather wallet (his credit cards and AAA membership card still inside), fans are being offered – at a price – increasingly personal items from the estates of dead celebrities. The growing trend for auctions of deceased famous people’s personal items – which has boomed ever since the hugely popular Marilyn Monroe estate sale in 1999 – has even attracted its own portmanteau: “deleb” as in dead celebrity. Continue reading... from Film | The Guardian https://ift.tt/4Yh215g via IFTTT
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First trailer for Aaron Sorkin’s Facebook sequel The Social Reckoning

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Oscar winner Mikey Madison and Jeremy Strong to star in film focused on fallout from whistleblower Frances Haugen The first trailer for Aaron Sorkin ’s eagerly anticipated follow-up to The Social Network has landed. The Social Reckoning has been described as a film that isn’t a “straight sequel” but one that will still revisit Mark Zuckerberg and Facebook. Continue reading... from Film | The Guardian https://ift.tt/qPxYzLB via IFTTT
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Peter Asher on being music’s incredible ‘Everywhere Man’: ‘The secret is simple’

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As the musician and producer reaches 82, a new documentary reveals his life working with everyone from James Taylor to Carole King to Paul McCartney Peter Asher didn’t want to do this interview. He had the same reaction several years ago when directors Dayna Goldfine and Dan Geller approached him about making a documentary about his life and career. “I don’t think so,” he recalled telling them in our interview, which wound up taking place only after several entreaties from the film’s publicist that he do this one sit-down. “My life has been startlingly devoid of the standard rock’n’roll drug-and-sex dramas,” Asher said. “So I thought a documentary about me isn’t something people will want to see. It sounds boring.” On the contrary, Asher’s story stands among the most dramatic and consequential in music history, spurred by achievements that shifted the course of pop more than once. Through Asher’s pivotal role in the lives of stars like James Taylor and Carole King, he played a key role...
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My Memory Is Full of Ghosts review – deeply moving visual hymn for the bombed-out Syrian city of Homs

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Anas Zawahri’s documentary lays heart-wrenching testimony over languorous shots of bullet-ridden ruins and deserted streets The western Syrian city of Homs is only a husk of its former self. Previously a major industrial centre, the region became a key battleground between 2011 and 2014, for Bashar al-Assad’s army and rebel forces. Amid the immense bloodshed, hundreds of thousands of civilians were either displaced or trapped inside their own homes. Filmed in the summer of 2023, this deeply moving documentary from Palestinian-born and Syria-based film-maker Anas Zawahri maps out the collective trauma and sorrow that continue to linger, even after the shooting has stopped. Unfolding in languorous, largely static shots of bombed rubble, hollowed-out buildings, and deserted streets, the film lays bare the startling extent of wartime brutality. A sense of stillness and stagnancy hangs in the air, and almost every wall is riddled with bullet holes, urban scars that mirror the psychological ...
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‘My life is about beauty’: Julie Newmar at 92 on shocking the world as Catwoman – and caring for her son

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She starred in Seven Brides for Seven Brothers, had to stoop when she danced with Fred Astaire, then became world-famous – and a gay icon – in the original Batman series. But her life behind the scenes has been just as interesting ... Julie Newmar is showing me her secret garden: an oasis of greenery around her house in Brentwood, Los Angeles, that is crammed with trees, flowers, sculptures and labyrinthine paths. It feels like a little piece of old-school Hollywood, untouched by the world outside. “Here, try one,” Newmar says as she leans over from her mobility scooter and picks me a blueberry from a bush. “Isn’t that nice?” It’s a well-maintained jungle of begonias, jasmine, geraniums, fruit trees, and above all, roses. She has 90 varieties, she says, including one named after her. “That one’s Marilyn Monroe,” she says, pointing out a creamy pink one. “Doesn’t it look like her flesh?” Monroe’s former house is just up the road, she mentions. Newmar has lived here for decades with her ...
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The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’

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From franchise hits to historical epics, joyous musicals to autobiographical family sagas: Steven Spielberg has done it all. As his latest sci-fi film Disclosure Day is released, film-makers, authors and Guardian critics reveal which of his movies means the most to them Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it. In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffa...
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‘I’d rather read a book’: Tarantino criticises ‘flavourless sausage factory’ Hollywood

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Pulp Fiction director writes in Sight and Sound that ‘since the pandemic … it seems almost impossible for a new movie to come out that I don’t pick to death’ Quentin Tarantino has criticised contemporary Hollywood, calling it “a flavourless sausage factory”. Writing in Sight and Sound magazine, Tarantino said that “since the pandemic … it seems almost impossible for a new movie to come out that I don’t pick to death”. He added: “Flaws, implausibilities, audience pandering, miscast performers or just plain stupid shit usually torpedoes every new movie coming out of the flavourless sausage factory that used to call itself Hollywood.” Continue reading... from Film | The Guardian https://ift.tt/Q6Oz8uX via IFTTT
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Savage House review – Claire Foy and Richard E Grant sell it hard in bewigged 18th-century caper

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The leads are the most watchable thing in this raucous period yarn about a grimy pair of status-obsessed nobles Black-belt performances from Claire Foy and Richard E Grant put some vim and vigour into this haranguingly one-note and unidirectional period romp of the raucously bewigged and be-poxed 18th century. It’s written and directed by American film-maker Peter Glanz, who gives us candlelit interiors like a knockoff Barry Lyndon, and periodic deafening orchestral stabs with a touch of Amadeus as furious people in costume storm down corridors. But Grant and Foy are always there, selling it hard and there are one or two nice lines. They play Sir Chauncey and Lady Savage, who are living in a vast crumbling country estate: he’s a parvenu, an adventurer, a lover of the new Hanover dispensation who loathes Jacobites, but fundamentally a social alpinist who married for money and took his wife’s noble name. She was entranced by his roguish ways and she forgave him everything but is, however...
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What the Hellenic! Why is Christopher Nolan’s new Greek epic entirely devoid of Greeks?

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Set to be this year’s biggest blockbuster, The Odyssey’s cast has been selected to ‘represent the world’. Fair enough – except that one key country seems to have gone completely unrepresented … There are the American accents, gleaming body suits and a muddy Dunkirk palette. And then there is Lupita Nyong’o as Helen of Troy, a casting choice that recently drew racist attacks from the usual moaners of the internet , including Elon Musk, who complained it wasn’t authentic. Authenticity matters. He’s just focusing entirely in the wrong place. To many Greeks, what concerns us most about the first look at Christopher Nolan’s adaptation of Homer’s Odyssey is the whereabouts of Billy Zane. Zane, like other beloved members of the Greek diaspora in Hollywood, has recently appeared on “Alternative Odyssey” lists on the Greek side of social media, as well as over dinner table debates from Patras to Palmers Green. (Theo James, Jennifer Aniston, Hank Azaria, and Dave Bautista are among the other no...
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‘I felt I could smash my past up through sex’: the ruthlessness and redemption of Rupert Everett

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‘Brash, disingenuous, lethal’: that’s how the 67-year-old actor describes his younger self. He lied to his partners, disrespected his audiences, betrayed his friends. Has this indiscreet, unreliable heartbreaker finally grown up and settled down? Rupert Everett is struggling with the heatwave. It reminds him of the summer of 1976, when he was 17, basking in the sun, serene as a sloth, his future spread out ahead of him. It’s so different now. “When you were young, hot weather was nice. But when you’re chubby like me now, it’s not so nice,” he says. “You’re not chubby,” says his publicist, with reassuring brio. Continue reading... from Film | The Guardian https://ift.tt/JokV9l7 via IFTTT
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Beast review – down-and-out MMA fighter film is predictable but still lands punches

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Directed by Tyler Atkins and co-written by Russell Crowe, this Australian feature follows a familiar playbook – but you’ll find yourself surprisingly invested Ah, yes: the promising fighter who could’ve been a contender, could’ve been a champion. But then life intervened: bad decisions were made, promises broken, the wrong paths taken. But what if the past came knocking on his door? What if our long-in-the-tooth hero could have another crack, set things right, get in the ring one more time? To say that Tyler Atkins’ Australian martial arts drama Beast plucks moves from a well-worn playbook is putting it lightly. This is one of those genre films in which nothing surprises in broad terms; it’s the small pivots and deviations that matter. Given the ring of familiarity surrounding everything, I was surprised to find myself as invested in the film as I was, particularly because so many chest-thumping sports movies are already out there, many of which I find about as intellectually engaging ...
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‘America’s sweetheart’: exhibition explores Marilyn Monroe’s complex relationship to stardom

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The new exhibition at LA’s Academy museum features some of the star’s most intimate belongings that have never been available for public viewing There’s an unsettling moment in Marilyn Monroe: Hollywood Icon , a new exhibition opening in Los Angeles this weekend, where some of the star’s last recorded words emanate from the gallery walls. Her voice, gentle and unassuming, is taken from a restored audio recording of her final interview, published in Life magazine the day before she died. Continue reading... from Film | The Guardian https://ift.tt/z9eSl4O via IFTTT
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Hugh Skinner: ‘My most embarrassing moment? Walking on set naked when I wasn’t supposed to be’

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The actor on his fear of pigeons, his dashed boyband hopes, and having a crush on the entire male cast of Neighbours Born in London, Hugh Skinner, 41, trained at Lamda and appeared in the BBC’s Tess of the D’Urbervilles in 2008. From 2014 to 2017, he played Will in the comedy series W1A; he also appeared in Fleabag and The Windsors. His films include Les Misérables and Mamma Mia! Here We Go Again. In 2024, he starred in The Importance of Being Earnest at the National Theatre. He reprises the role of Will in Twenty Twenty Six, and stars in the new BBC drama Two Weeks in August. He lives in London. What is your grea test fear? Pigeons. One got stuck in my flat once for quite a long time and it really changed how I feel about them. Continue reading... from Film | The Guardian https://ift.tt/8jAveOL via IFTTT
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Harpo speaks! New recordings reveal mute Marx brother chatting with audience

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The comedy legend, who adopted his silent persona because of stage nerves, did occasionally address his audience, as revealed by a new archive release Groucho was the cigar-chomping wit with the improbable moustache, Chico was the piano-playing rustic grifter and Zeppo played the straight man and the lover. But as any Marx Brothers fan knows, Harpo was the pantomime, who cracked up the audience without saying a word, dressed in his tattered raincoat and curly wig. His persona was childlike and mischievous but also musical – he let his harp and his taxi horn do the talking. But now we get to see, or rather hear, a new side to Harpo Marx. A very special recording has been unearthed of Harpo in 1964 speaking to an audience, in character. Arthur “Harpo” Marx was born Adolph Marx in New York in 1888. He started performing with his brothers in 1910, and his nickname probably came about because of his instrument of choice – he was an entirely self-taught musician. By 1915, due to his nerves a...
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