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For Anshula Kapoor, her mehendi was as much about meaning as it was about celebration. Hosted at home by sisters Janhvi Kapoor and Khushi Kapoor, the intimate gathering brought together close family and friends for an afternoon centred on love, tradition and togetherness, with every detail thoughtfully planned as a surprise for the bride-to-be. The occasion also marked a personal tribute to the family she is stepping into. For the ceremony, Anshula chose a bespoke teal blue lehenga by Arpita Mehta, inspired by Gujarat's rich Patola textile tradition while incorporating the designer's signature mirror work. The ensemble also marks Arpita Mehta's very first Patola-inspired bridal lehenga. Sharing the inspiration behind her look, Anshula wrote: "For my mehendi, I wanted my outfit to honour the family I was stepping into. This incredible teal blue lehenga by @arpitamehtaofficial is inspired by the rich legacy of Patola, while beautifully incorporating her signature mirror...

Akshay Kumar’s production house, Cape of Good Films LLP, has issued a public notice in the July 4, 2026 issue of Complete Cinema magazine, asserting that it is the sole and exclusive holder of the rights to produce and commercially exploit the much-awaited comedy, Hera Pheri 3. The notice has been addressed to the public at large as well as stakeholders across the Indian film trade. The notice specifically addresses distributors, exhibitors, cinema chains, OTT and streaming platforms, television broadcasters, digital platforms, advertisers, licensors, licensees, aggregators and syndicators, among others. Cape of Good Films LLP has claimed that it holds an “irrevocable, worldwide, perpetual and unencumbered licence” to produce, distribute, market, exploit, commercialize and otherwise deal with the cinematograph film presently titled Hera Pheri 3. The company has stated that its rights extend across all modes, media, platforms, technologies and formats, whether currently known or develo...

Actor Preity Zinta has approached the Bombay High Court seeking the removal of AI-generated deepfake videos, morphed images and other unauthorised content featuring her from social media and online platforms. The actress has also sought an injunction to prevent the publication and circulation of such content in the future. The matter came up for hearing before a single bench of Justice Madhav Jamdar on Friday. After hearing preliminary submissions, the court directed the parties, including the online platforms concerned, to work out a mechanism for taking down the allegedly offending material. The matter has now been listed for further hearing on July 6. Preity Zinta seeks removal of AI-generated content In her civil suit, Preity Zinta has referred to multiple instances of AI-generated deepfakes, morphed visuals and chatbot-style interactions that allegedly use her likeness without authorisation. According to the plea, the actress has sought urgent directions from the Bombay High Cour...

In April 2025, Bollywood Hungama was the first to report that after Bhooth Bangla and Haiwaan, Akshay Kumar and Priyadarshan would collaborate on yet another film. The project will be produced by Ramesh Taurani of Tips Films. Now, Bollywood Hungama is back with another exciting update on the upcoming film. We have learned that its title has been locked, and it is sure to generate tremendous excitement among fans. A source told Bollywood Hungama, “The film has been titled Wicked Sunny. The makers believe that the title does complete justice to the film’s zone as well as its lead character. Moreover, Wicked Sunny has strong recall value. It was the name of the theme played during Akshay Kumar’s scenes in Mujhse Shaadi Karogi (2004). The theme remains extremely catchy and popular even 22 years after the film’s release.” The source further said, “Wicked Sunny will feature Akshay Kumar in a wacky comic avatar, distinctly different from the characters he has played in recent comic capers su...

Actor Chandrachur Singh has found himself in the spotlight after a video of him interacting with officials during Gurugram's ongoing anti-encroachment drive surfaced on social media. The clip, which has since gone viral, shows the actor speaking with police personnel and officials from the Department of Town and Country Planning (DTCP) outside his residence in DLF. Reportedly, the interaction took place during the DTCP's large-scale enforcement drive across DLF Phases 1 to 5. The campaign is aimed at removing alleged encroachments, illegal constructions and the unauthorised commercial use of residential properties in an effort to reclaim public land and enforce urban planning regulations. Authorities also took action against an alleged illegal structure outside Chandrachur Singh's residence. During the inspection, DTP Amit Madholia reportedly briefed the actor about the enforcement being carried out. According to Navbharat Times, officials alleged that a boundary wall outs...

After confirming that he is no longer associated with Hera Pheri 3, filmmaker Priyadarshan has now shared fresh details about his decision to walk away from the much-awaited comedy franchise. The director has alleged that repeated insults from producer Firoz Nadiadwala, along with a long-running copyright dispute surrounding the franchise, convinced him that the film may never be made. The development comes shortly after Nadiadwala revealed that Priyadarshan was no longer directing Hera Pheri 3. The filmmaker later confirmed the news, telling Hindustan Times, "To the best of my knowledge, Hera Pheri 3 will never hit the screen due to lots of legal issues and personal conflicts. Whether I am involved or not is unimportant." Now, in an exclusive conversation with Mid-Day, Priyadarshan elaborated on what led to his exit and spoke candidly about his differences with the producer. Recalling his conversations with Akshay Kumar, the director said, "Firoz told Akshay, 'You ...

Their movie about marital bed death is this summer’s buzziest, funniest film. Its director and her co-star talk self-loathing, psychosexuality and unexpected eruptions Earlier this week, Edward Norton took a night flight from Los Angeles to London and felt so dreadful the next day he decided to get a massage. “I hadn’t had one in such a long time,” he says, “and I almost started crying. You’re like: ‘Oh! Ah!’” He has heard similar sounds from cinemas screening his new movie, The Invite, which is about the devastating impact of marriage on your sex life. “People are almost tearful. They’re like: ‘I haven’t had a good, adult laugh that made me feel seen in a long time.’” Continue reading... from Film | The Guardian https://ift.tt/bkTH0gN via IFTTT

25 years after Lagaan, Aamir Khan and Ashutosh Gowarikar are reuniting on another sports drama, which is scheduled to go on floors in October 2026. The film is based on the life of Lala Amarnath, and set against the backdrop of the 1947 Partition between India and Pakistan. While the prep work is going on in full swing, Bollywood Hungama has learnt from industry sources that the reunion of Aamir and Ashu has got a title, and it's sure to blow away the minds of audiences. According to reliable sources, the duo have decided to call their film Lalkaar. "After Lagaan, it's time for Lalkaar. The title instils instant recall to their cult, and also promises something new. Much like Lagaan, this one too is a strong emotional saga set against the backdrop of cricket," a source told Bollywood Hungama. Apart from Aamir, the makers are on the lookout to cast another actor as the second lead, and the announcement of the same will be made soon. The film is written by Rajkumar Hir...

In a significant development in a long-running copyright dispute, the Delhi High Court has passed an interim order in favour of music label Saregama India Ltd., restraining legendary composer Ilaiyaraaja from broadcasting or communicating songs from 134 films until further orders. The order was passed by Justice Tushar Rao Gedela, who observed that while Ilaiyaraaja continues to hold rights over his original musical compositions, those rights do not automatically extend to the sound recordings incorporated into cinematograph films. According to the court, the copyright in such sound recordings rests with the producer and, where assigned, with Saregama. As per the court's observations, Ilaiyaraaja's rights under the Copyright Act are limited to the musical work itself, which refers to the composition independent of the lyrics and the sound recording. The court noted that these rights cannot be interpreted as ownership over the complete film soundtrack. The dispute arose after S...