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Bello! Why gen Alpha subconsciously speaks the language of the Minions

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From global loanwords and garbled Italian, the slang of the children of millennials doesn’t just share elements with Minionese – it may have absorbed it I was four years old when Despicable Me was released in cinemas and the banana-coloured, overall-clad Minions took the world by storm. By the time I was seven, my siblings and I were using The Official Minion Manual to teach ourselves Minionese. Minionese is, of course, the made-up language spoken by Kevin, Stuart, Bob and company, which consists of a combination of melodic gibberish and variations on genuine vocabulary from a diverse array of world languages . When the Minions shout “kanpai” (“cheers” in Japanese) or “para tú!” ( a variation on the Spanish “para ti” ), it might remind you of how gen Alpha slang, which primarily consists of nonsensical words such as “cap” and “mogging”, also draws on world languages. Consider the Bulgarian scat origins of “skibidi”, for example. Continue reading... from Film | The Guardian https...
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The Furious review – dial-shifting dadsploitation mayhem as father goes in search of kidnapped daughter

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There’s more than a whiff of Taken in Kenji Tanigaki’s exhilarating martial-arts movie, in which a handyman goes after some evil people traffickers It keeps happening: every few years, usually during a run of lethargic Hollywood spectacles, the Overton window of screen violence gets recalibrated by a muscular wonder from the east. Thundering along in the bloody footsteps of the Raid films and the Hindi punch-’em-up Kill, this martial-arts showcase from Japanese-born, Hong Kong-based director Kenji Tanigaki opens in generic dadsploitation territory. “Somewhere in Southeast Asia”, as a caption has it, mute Chinese handyman Wang Wei (Miao Xie) tears off after the traffickers who have nabbed his daughter (Enyou Yang). Having Hulk-smashed its way out of the Taken box, though, The Furious starts to crank it up. Boy, does it crank it up; the closing half-hour achieves a pummelling intensity unlikely to be matched by any other release this year. There are one or two plot developments. Cribbing...
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Jacob Elordi, Jenna Ortega and Stephen Fry among new invited Oscar voters

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Annual list of creatives invited to join the Academy also includes Josh O’Connor, Teyana Taylor and Jon Bernthal Jacob Elordi , Jenna Ortega and Stephen Fry are among the 529 creatives invited to join this year’s member class of the Academy of Motion Picture Arts and Sciences. “We are delighted to invite this remarkable group of film artists and professionals from around the world to join the Academy,” said CEO Bill Kramer and Academy president Lynette Howell Taylor in a statement. “Through their commitment to filmmaking, this year’s exceptionally talented class has made significant contributions to our global movie industry.” Continue reading... from Film | The Guardian https://ift.tt/YRBbmwh via IFTTT
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EXCLUSIVE: Ali Fazal's fierce new poster from Mirzapur: The Movie raises anticipation ahead of teaser launch

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Ahead of the teaser launch tomorrow, the makers have just dropped a striking new poster featuring Ali Fazal, from the much-awaited Mirzapur: The Movie, and it is everything fans have been waiting for. With the teaser set to drop tomorrow, the buzz around the film has officially hit fever pitch. The poster showcases Ali Fazal in his iconic avatar, radiating intensity and power. With a fierce expression and commanding presence, the character's look hints at the high-stakes drama, revenge, and power battles that have become synonymous with the Mirzapur franchise. While the poster offers no clues about the storyline, it successfully reignites excitement among fans eager to witness the return of one of the most loved characters from the Mirzapur universe. The visual serves as a reminder that the battle for power is far from over and that the world of Mirzapur is gearing up for an even grander cinematic experience. As excitement builds, all eyes are now on the teaser, which promises to ...
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Deja viewing: the return of the cheapo compilation film

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While movie mixtapes served a purpose in the pre-video era, Jackass, Demon Slayer, Peppa Pig and other theatrically released assemblages of old material risk looking like cynical cash grabs today Johnny Knoxville has declared that the fifth Jackass movie, Best and Last, will mark the end of the franchise, and the trailer suggests a victory lap celebrating 25 years of broken bones, injured genitals and general stupidity you shouldn’t try at home. There are new stunts, and conversations with the cast about growing old gracelessly as they enter their 50s, but the most striking thing is how much archive footage there is. And the cast have not been hiding in interviews that it will be heavy on scenes from prior movies. In other words, it’s the cinematic equivalent of a greatest hits album that has a couple of new songs tossed on to entice fans to part with their money. Or a clip show episode of a US sitcom which is based on flashbacks to older episodes, created so that overworked writers ca...
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Hold the Fort review – gory goings-on at the neighbours association get-together

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A couple move from the city to a seemingly clean-cut suburb in this enjoyable comedy-horror that breezes through the grisly deaths of characters you won’t care about In this short, sharp, comedy-horror-siege movie, youngish couple Jenny (Haley Leary) and Lucas (Chris Mayers) are the newcomers in a clean-cut – or is it? – suburban neighbourhood, having moved away from the big city. Lucas is a world-class red-flag-ignorer, while in contrast, Jenny is adept at spotting the signs that something is off. When the perky moustachioed head of the local homeowners’ association Jerry (Julian Smith) invites the pair to a party celebrating the equinox, he assures them “it’s to DIE for!” in the tone of voice Ned Flanders might use in a Simpsons Halloween special. Jenny immediately asks the reasonable question: “Why would you say it like that?” Roles are soon reversed at said homeowners’ association party, as an ample helping of the local moonshine blunts Jenny’s natural caution, leaving Lucas to not...
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The Morrigan review – spirit of pagan demon queen unleashed in Irish burial chamber horror

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Archaeologists blunder into an ancient and unwittingly release a vengeful monster – with predictable and conventional results In Irish folklore, the Morrígan is a powerful goddess of death and war. This horror movie imagines her as an actual historical figure: a pagan queen massacred with her followers by Christians. A quick scene at the start of the film shows the dirty deed. The Morrígan’s rage against misogyny has screamed down through the centuries – so it’s a shame the film frames her not as a feminist icon but a highly conventional horror movie nemesis; a malign vengeful female to be crushed and destroyed. There is nothing to punch the air about in the end. Saffron Burrows plays an archaeologist called Fiona who has been repeatedly passed over for tenure at her US university. When Fiona presents her radical theory that the myth of the Morrígan may have a basis in real life, her slippery colleague Jonathan (Jonathan Forbes) is made the lead on the dig. Fiona is forced to bring al...
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Landship review – soldiers yearn for tinned pies in muddy first world war drama that stays inside the tank

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It’s too murky to distinguish one stiff upper lip from another in Callum Burn’s drama about a real-life mission that came unstuck Based loosely on a true story, this British first world war drama deploys a few cunning stratagems to keep the budget down – starting with setting almost the entire story inside a tank; this one is nicknamed the Fray Bentos after the popular tinned pie. In addition, whenever the British soldier characters venture outside this extremely confined space, it’s almost always night-time, or exactly the moment when a miasma of smoke and fog is so thick, you can’t see the Germans skulking behind papier-mache hillocks of mud, ready to pounce on our plucky heroes. Unfortunately, all that gloom and grot makes it a little hard to make out what is going on at times. That means the noble chaps become almost indistinguishable from each other – although over time it’s possible to work out that the officers are the ones with tidy, manly moustaches and sound posh, while the n...
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Emraan Hashmi returns to horror after 5 years with Rooh, set for 2027 release

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After redefining horror for a generation and becoming one of the most recognisable faces of the genre in Indian cinema, Emraan Hashmi is set to headline Rooh, a high-concept musical-horror spectacle designed for a theatrical experience. The film is slated for a 2027 theatrical release in Hindi, Tamil and Telugu. Directed by Mayank Sharma, the creator-director of the highly acclaimed Prime Video’s Breathe Franchise, Rooh brings together a unique blend of new-age horror, music and emotion, envisioned as a spine-chilling cinematic experience. Known for his command over psychological depth, atmosphere and character-led storytelling, Mayank brings his immersive vision to a film built for the big screen. Rooh brings Emraan Hashmi into a world that is close to his heart and deeply connected to the kind of cinema audiences have always loved him for. The film is written by Mayank Sharma and Vishal Kapoor, known for Lapachhapi and Chhorii, and produced by Vikram Khakhar and Sunny Khanna, a Vick...
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Welcome To The Jungle to have one of the WIDEST releases; distributor demands ALL shows in single screens, 3 shows per screen in 6+ screen multiplexes

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The month of June is expected to end on a comic note thanks to the release of Welcome To The Jungle. It is arguably the biggest multi-starrer of Hindi cinema and hence, the excitement is expected to be tremendous. Accordingly, the distributing partner, Star Studio18, has gone all out with the release strategy. As per the mail sent to the exhibitors, the distributor has asked for all shows in single-screen cinemas. In two-screen cinemas, they have asked for 7 or 8 shows, while they require 9 or 10 shows in three-screen cinemas. In 4-screen multiplexes, the requirement is 11 or 12 shows, while 13 or 14 shows are required in 5-screen plexes. For cinema halls with 6 screens, Welcome To The Jungle needs to be played in 15 or 16 shows. Finally, in multiplexes with more than 6 screens, the studio has asked them to play 3 shows of the comic caper per screen. A trade source told Bollywood Hungama, “Welcome To The Jungle is a grand film meant for the big screen. Due to the humour quotient and s...
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