Conan O’Brien jokes about Ted Sarandos, Timothée Chalamet and ‘frightening times’ in Oscars monologue

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Host bobs and weaves through a number of third-rail topics in Academy Awards speech that’s at turns silly and sincere Oscars 2026 – follow the action live! The winners: the full list – updating live Conan O’Brien’s opening monologue at the 98th Academy Awards cheekily paid tribute to many nominated films – and then some – while acknowledging the tense US political situation and cracks at Timothée Chalamet, Amazon and US healthcare. After a snappily edited, old-school montage in which O’Brien, dressed as best supporting actress winner Amy Madigan ’s character in Weapons (“I look like Bette Davis with lupus,” he joked), stormed through each of the nominated films trailed by children à la Weapons, the second-time host bobbed and weaved through a number of pressing topics, from political divides to AI to Jeffrey Epstein. “I am Conan O’Brien, and I am honored to be the last human host of the Academy Awards,” he quipped. “Next year it’s going to be a Waymo in a tux.” Continue read...
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Streaming: the best biker movies

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The Bikeriders, Jeff Nichols’s drama starring Jodie Comer, Austin Butler and Tom Hardy, follows in the leather-clad slipstream of Easy Rider, Quadrophenia and more

At 41, there’s still time for my midlife crisis to take an unexpected turn, but as yet I must confess that I have never known the pleasure of riding a motorcycle. As a London cyclist I can’t exactly claim danger avoidance as a reason, and as a keen driver I’d love to feel the open road minus the sensation barriers of doors and a windscreen. Still, biking is one of those things that movies have rendered so untouchably cool that real life can only make it less so – and even on my best day I’m not going to resemble midcentury Marlon Brando in head-to-toe leather.

Nor Austin Butler and Tom Hardy, for that matter, though while Jeff Nichols’s very entertaining The Bikeriders, now on VOD, to some extent continues cinema’s love affair with handsome, squinting men astride their two-wheel steeds, it deromanticises the scene a bit. Set between the mid-60s and early 70s, it chronicles the evolution of a Chicago biker gang from a mindset of simple, stick-it-to-the-man rebellion to a more directionless, Vietnam-soured atmosphere of crime and violence – and the dogged efforts of Jodie Comer’s disillusioned biker wife to domesticate her tarmac-addicted man. Whatever macho wish-fulfilment The Bikeriders offers is laced with melancholy.

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