CONFIRMED: S S Rajamouli-Mahesh Babu-Priyanka Chopra's film titled Varanasi

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S S Rajamouli recently released Baahubali: The Epic, which was a combined version of Baahubali: The Beginning (2015) and Baahubali 2: The Conclusion (2017). November is here and all his focus is on his upcoming ambitious film, starring Mahesh Babu, Priyanka Chopra and Prithviraj Sukumaran. There are reports that the name of the film, which is referred to as SSMB29, is Globetrotter. A few reports reveal that the film has been titled Varanasi. Bollywood Hungama has learned that the team of the film has locked a title. A source told us, “The name of the film is indeed Varanasi. It is said that the title rights were with somebody, but S S Rajamouli’s team reached out and secured the rights.” The source further said, “It is an apt title as per the story of the film. Hence, they were very keen on naming their film Varanasi.” Reports also state that a grand announcement event will be held on November 15 in Ramoji Rao Film City, Hyderabad. Along with S S Rajamouli, Mahesh Babu, Priyanka Cho...
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Streaming: the best biker movies

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The Bikeriders, Jeff Nichols’s drama starring Jodie Comer, Austin Butler and Tom Hardy, follows in the leather-clad slipstream of Easy Rider, Quadrophenia and more

At 41, there’s still time for my midlife crisis to take an unexpected turn, but as yet I must confess that I have never known the pleasure of riding a motorcycle. As a London cyclist I can’t exactly claim danger avoidance as a reason, and as a keen driver I’d love to feel the open road minus the sensation barriers of doors and a windscreen. Still, biking is one of those things that movies have rendered so untouchably cool that real life can only make it less so – and even on my best day I’m not going to resemble midcentury Marlon Brando in head-to-toe leather.

Nor Austin Butler and Tom Hardy, for that matter, though while Jeff Nichols’s very entertaining The Bikeriders, now on VOD, to some extent continues cinema’s love affair with handsome, squinting men astride their two-wheel steeds, it deromanticises the scene a bit. Set between the mid-60s and early 70s, it chronicles the evolution of a Chicago biker gang from a mindset of simple, stick-it-to-the-man rebellion to a more directionless, Vietnam-soured atmosphere of crime and violence – and the dogged efforts of Jodie Comer’s disillusioned biker wife to domesticate her tarmac-addicted man. Whatever macho wish-fulfilment The Bikeriders offers is laced with melancholy.

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