Dead Souls review – Alex Cox rides into sunset with anti-Trump spaghetti western

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Rotterdam film festival The Repo Man director relocates Gogol’s surreal novella to the old west in what he says will be his final film English film-maker Alex Cox comes riding into town with this jauntily odd and surreal western which he has indicated will be his swansong, shot on the rugged plains of Almeria in Spain and also Arizona. Cox himself is the star – an elegant, dapper presence – and his co-writer is veteran spaghetti western actor Gianni Garko. The story has obvious relevance to contemporary America, and a flash-forward makes some of this clear. But it is also inspired by the classic novella of the same name by Nikolai Gogol, a mysterious parable of greed and vanity about a man who travels around offering to buy the souls of dead serfs on various estates in pre-revolutionary Russia so landowners can lower their tax bills, but plans to claim that they are still alive and therefore pass himself off as a wealthy man. Continue reading... from Film | The Guardian https://i...
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Avant-Drag! review – queer artists light up the streets of Athens with joy and resistance

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Drag is a tool of self-expression and of protest in this kaleidoscopic portrait of the city’s vibrant underground art

The queer defiance of Fil Ieropoulos’s kaleidoscopic documentary manifests not only through its subject, but also through its form. Centring on a group of drag performers and gender-nonconforming artists in Athens, this shape-shifting film celebrates a vibrant underground scene that thrives in a homophobic system, rife with state-sanctioned discrimination and violence. Introduced through an episodic structure, figures from the community light up the screen with their artistry and activism as they carve out a safe haven of their own.

In each of the vignettes, we get a glimpse of both the joy and the peril of navigating the city as a queer person. Decked out in extravagant costumes and makeup inspired by Leigh Bowery, Kangela Tromokratisch struts in towering high heels, while her drag performances, with their vaudevillian feel, parody heteronormative ideals of motherhood and marriage. Equally irreverent is Aurora Paola Morado, who weaves her Albanian heritage into her act as she takes aim at xenophobia in Greek society. For them and other artists featured in the film, drag is both a form of self-expression and a tool of protest.

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