Sharvari leads her generation's biggest film line-up; 2 massive theatrical releases set to arrive in just 28 days

Sharvari is fast emerging as one of the most exciting talents of her generation, and her growing filmography is proof that the industry’s biggest filmmakers and banners are betting big on her. The young actress has built an enviable line-up that includes Imtiaz Ali’s Main Vaapas Aaunga, Aditya Chopra’s Alpha, Sooraj Barjatya’s Yeh Prem Mol Liya, and YRF and Ali Abbas Zafar’s untitled next, in which she is paired opposite Ahaan Panday. What makes her upcoming slate even more remarkable is that Sharvari has two major theatrical releases within a span of just 28 days. While Main Vaapas Aaunga is set to arrive on June 12, Alpha will hit cinemas on July 10, giving her a huge opportunity to consolidate her place among the most promising young stars in the industry. Sharvari has already sparked a strong conversation with the teaser of Main Vaapas Aaunga, where her innocence and screen presence have stood out instantly. In fact, many on the internet are already calling her the “best-kept sur...

Avant-Drag! review – queer artists light up the streets of Athens with joy and resistance

Drag is a tool of self-expression and of protest in this kaleidoscopic portrait of the city’s vibrant underground art

The queer defiance of Fil Ieropoulos’s kaleidoscopic documentary manifests not only through its subject, but also through its form. Centring on a group of drag performers and gender-nonconforming artists in Athens, this shape-shifting film celebrates a vibrant underground scene that thrives in a homophobic system, rife with state-sanctioned discrimination and violence. Introduced through an episodic structure, figures from the community light up the screen with their artistry and activism as they carve out a safe haven of their own.

In each of the vignettes, we get a glimpse of both the joy and the peril of navigating the city as a queer person. Decked out in extravagant costumes and makeup inspired by Leigh Bowery, Kangela Tromokratisch struts in towering high heels, while her drag performances, with their vaudevillian feel, parody heteronormative ideals of motherhood and marriage. Equally irreverent is Aurora Paola Morado, who weaves her Albanian heritage into her act as she takes aim at xenophobia in Greek society. For them and other artists featured in the film, drag is both a form of self-expression and a tool of protest.

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