Infinite Icon: A Visual Memoir review – Paris Hilton’s act of self-love shows there’s nothing behind the mask

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A look behind the scenes of the star’s second album turns out to reveal exactly what you’d expect, at arduous length Paris Hilton here presents us with an unbearable act of docu-self-love, avowedly a behind-the-scenes study of her second studio album, Infinite Icon, and where she’s at as a musician, survivor and mom. But maybe there is, in fact, nothing behind the scenes; judging by this, the scenes are all there is: Insta-exhibitionism, empty phrases and show. Hilton’s second album no doubt has its admirers and detractors, and her fans are perfectly happy with it. But this film, for which she is executive producer, is an indiscriminate non-curation of narcissism and torpid self-importance that seems to go on and on and on for ever; the longest two hours of anyone’s life, finally signing off with a splodge of uninteresting and unedited concert footage. Continue reading... from Film | The Guardian https://ift.tt/BNvDRxa via IFTTT
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Blood Star review – young tearaway fights for survival in cat-and-mouse thriller

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Vintage-car driver is chased through New Mexico by a small-town sheriff in Lawrence Jacomelli’s snappily shot debut

Kicking off with tearaway Bobbie (Britni Camacho) zooming across the New Mexico badlands in her vintage Ford back to her no-good boyfriend, this film rides a two-lane blacktop straight for the heart of classic Americana. British director Lawrence Jacomelli dons the appropriate outlaw squint for this cat-and-mouse thriller – one that’s capable of picking out a sharp composition, too – but ultimately his debut is too disjointed to hit top gear.

Ignoring her sister’s warnings about reconciling with her violent partner, Bobbie stops for petrol and brushes off the skeezy pestering of Sheriff Bilstein (John Schwab), but the purse-lipped lawman picks her up down the road for speeding and supposedly damaging his siren. They cut a deal for her to reimburse him for the damage – and our suspicions that something dodgy is going down are confirmed back at the gas station where she withdraws the money (the prologue in which Jacomelli shows us another girl being horribly murdered was another clue).

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