Sunita Ahuja claps back at paparazzi over Govinda questions; asks, ‘Address de doon kya?’

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Sunita Ahuja made a public appearance in Mumbai recently to cheer on her daughter, Tina Ahuja, who was walking the ramp at a fashion show. Accompanied by her son Harshvardhan Ahuja, Sunita was in attendance to support Tina’s moment on the runway. However, the evening took an uncomfortable turn when the paparazzi began asking repeated questions about her husband, veteran Bollywood actor Govinda. While walking the ramp, one of the photographers called out to her, asking, “Govinda sir kahan par hai (Where is Govinda sir)?”. In response, Sunita made a ‘zip-it’ gesture’, clearly indicating that she didn’t want to entertain the question. The move left her son Harshvardhan chuckling, but the paparazzi continued to press her with questions about the 90s star’s absence. As the repeated queries persisted, Sunita’s mood visibly shifted. Irritated by the constant prodding, she eventually walked off the stage and snapped at the photographers, saying, “Address de doon kya (Should I give you the add...
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Streaming: The Last Showgirl and the best Las Vegas films

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Gia Coppola’s drama starring Pamela Anderson peers behind the glamour of ‘the fun capital of the world’, but sin city has long seduced film-makers from Scorsese and Soderbergh to Sean Baker and Baz Luhrmann

(There’s a reason why film-makers are routinely drawn to the glaring, garish lights of Las Vegas: in its spangliest strips, it feels more movie set than city, the kind of place it’s hard to imagine people living everyday lives 24/7. Gia Coppola’s The Last Showgirl – streaming on Mubi from 18 April – is quite rare in its focus on one such person: Shelly, a dancer in a long-running revue on the Vegas strip, now pushing 60 and at a crossroads when said revue announces its imminent closure. Short and light on plot, it’s a character study built on a poignant night-and-day contrast, as Shelly literally performs a glitzy Vegas dream that all looks a bit shabby by daylight in her modest bungalow in the desert suburbs. Pamela Anderson affectingly brings her own career baggage to the role of someone who takes her art more seriously than anyone takes her, in a film intent on stripping the city of some varnish.

It certainly gives Vegas showgirls a better name than, well, Showgirls, Paul Verhoeven’s tacky (and, despite the critical mauling it received in 1995, vastly entertaining) tale of a young dancer intent on working her way up a slippery pole – with all manner of exploitative svengalis and sharp-clawed rivals standing between her and her showgirl dream. If she saw Coppola’s film, she might not be so keen.

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