Pink smoke, pigs and Pixar: a dozen movie Easter eggs to feast on

-
Hidden references and in-jokes in cinema can be an acquired taste, but here’s a festive selection of the best arch nods for aficionados to enjoy One of Hollywood’s most durable Easter eggs debuted in Howard Hawks’s His Girl Friday (1940) when Cary Grant’s character says: “The last man who said that to me was Archie Leach just a week before he cut his throat!” And in Arsenic and Old Lace (1944) his character sits pensively in a cemetery where Archie Leach’s gravestone is to be seen. In Charles Crichton’s A Fish Called Wanda (1988), John Cleese’s character is called Archie Leach. Leach is, of course, the real name of Cary Grant – a very goofy and unglamorous sounding name compared with the sonorous “Cary Grant” – and a rare example of Hollywood alluding to the open secret of rebranding its stars and effacing the bland ordinariness of their origins. Peter Bradshaw Continue reading... from Film | The Guardian https://ift.tt/ubNDLiM via IFTTT
Post a Comment

Never Let Go review – Halle Berry takes hold of uneven woodland horror

-

The Oscar winner is a sturdy presence in an intriguing post-apocalyptic puzzle that can’t quite find all of the pieces

There’s something nasty down in the woods again, just months after a deranged killer, some deranged fairies and a deranged attempt to resurrect IP all re-reminded us to steer well clear. In Alexandre Aja’s diverting yet overly derivative new horror Never Let Go, Halle Berry is a mother trying to keep her twin sons safe in a post-apocalyptic hellscape, hidden from whatever is left of the wider world. There are exhaustive rules told in an exhausting fashion, the most important of which is to never leave their remote shack without a rope attached, maintaining a connection with the holiness of home at all times. If they find themselves untethered then they’re at the mercy of a malevolent and inventive evil that will consume them.

But it’s an evil that only she can see, telling the boys that they will only see it when they get older, a caveat that starts to grow a seed of suspicion in the mind of Nolan (Percy Daggs IV, an excellent newcomer), the less unquestionably loyal of the pair, who faces opposition from brother Samuel (Anthony B Jenkins). As food starts to dwindle (a dinner of fried bark bits is an undeniable low point) and tensions starts to rise, the fraught family dynamic is put to the test.

Continue reading...

from Film | The Guardian https://ift.tt/yuxJ0w3
via IFTTT

Comments

Post a Comment

Popular posts from this blog

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

-
A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
Read more

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

-
He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’” Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily...
Read more

The Portable Door review – Harry Potter-ish YA fantasy carried by hardworking cast

-
Jeffrey Walker’s adaptation of the young-adult fantasy novel retains its edge thanks to its performances, but gets stuck on the whole door thing Adapted from Tom Holt’s 2003 young-adult fantasy novel, this is a passable attempt at kickstarting a new Harry Potter-style franchise set in a fusty-quirky institution, dosed up with extra Gilliamesque grotesquery. Co-produced by the Jim Henson Company, the production design is poky and intense, and the cast – with Christoph Waltz and Sam Neill larking it up – give it their all. But amid all this clutter, it sometimes has trouble moving its story forward. The Portable Door has a nice conceit: the venerable London corporation of JW Wells & Co is responsible for engineering all the daily incidents of coincidence and serendipity that happen in urban life. Not that wet-behind-the-ears intern Paul Carpenter (Patrick Gibson), desperate for any gig, knows the company’s raison d’etre when he signs up. He appears to have no discernible talents wh...
Read more