Diane Keaton’s nail clippers for $960: what’s behind the new boom in celebrity estate auctions?

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With beloved stars’ personal items increasingly up for grabs after they die, a new generation of fans are bidding on everything from bowler hats to dog bowls From Diane Keaton’s bowler hats and polka dot scarfs, to Gene Hackman’s used paint brushes, to Terence Stamp’s love letters from Jean Shrimpton and even Matthew Perry’s black leather wallet (his credit cards and AAA membership card still inside), fans are being offered – at a price – increasingly personal items from the estates of dead celebrities. The growing trend for auctions of deceased famous people’s personal items – which has boomed ever since the hugely popular Marilyn Monroe estate sale in 1999 – has even attracted its own portmanteau: “deleb” as in dead celebrity. Continue reading... from Film | The Guardian https://ift.tt/4Yh215g via IFTTT
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Never Let Go review – Halle Berry takes hold of uneven woodland horror

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The Oscar winner is a sturdy presence in an intriguing post-apocalyptic puzzle that can’t quite find all of the pieces

There’s something nasty down in the woods again, just months after a deranged killer, some deranged fairies and a deranged attempt to resurrect IP all re-reminded us to steer well clear. In Alexandre Aja’s diverting yet overly derivative new horror Never Let Go, Halle Berry is a mother trying to keep her twin sons safe in a post-apocalyptic hellscape, hidden from whatever is left of the wider world. There are exhaustive rules told in an exhausting fashion, the most important of which is to never leave their remote shack without a rope attached, maintaining a connection with the holiness of home at all times. If they find themselves untethered then they’re at the mercy of a malevolent and inventive evil that will consume them.

But it’s an evil that only she can see, telling the boys that they will only see it when they get older, a caveat that starts to grow a seed of suspicion in the mind of Nolan (Percy Daggs IV, an excellent newcomer), the less unquestionably loyal of the pair, who faces opposition from brother Samuel (Anthony B Jenkins). As food starts to dwindle (a dinner of fried bark bits is an undeniable low point) and tensions starts to rise, the fraught family dynamic is put to the test.

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