Infinite Icon: A Visual Memoir review – Paris Hilton’s act of self-love shows there’s nothing behind the mask

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A look behind the scenes of the star’s second album turns out to reveal exactly what you’d expect, at arduous length Paris Hilton here presents us with an unbearable act of docu-self-love, avowedly a behind-the-scenes study of her second studio album, Infinite Icon, and where she’s at as a musician, survivor and mom. But maybe there is, in fact, nothing behind the scenes; judging by this, the scenes are all there is: Insta-exhibitionism, empty phrases and show. Hilton’s second album no doubt has its admirers and detractors, and her fans are perfectly happy with it. But this film, for which she is executive producer, is an indiscriminate non-curation of narcissism and torpid self-importance that seems to go on and on and on for ever; the longest two hours of anyone’s life, finally signing off with a splodge of uninteresting and unedited concert footage. Continue reading... from Film | The Guardian https://ift.tt/BNvDRxa via IFTTT
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Medicine Man: The Stan Brock Story review – life story of America’s healthcare saviour

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From British private school outcast to anaconda-wrestling cowboy to philanthropist, Paul Michael Angell’s documentary is of a life less ordinary

As unbelievable life trajectories go, British private school outcast to South American cowboy to US primetime TV naturalist to American healthcare saviour must be up there with the weirder ones. The late philanthropist Stan Brock singlehandedly disproves the old F Scott Fitzgerald dictate about American second acts by – starting in 1985 – supplying free medical treatment to millions of uninsured people through his non-profit Remote Area Medical (RAM). Related in this documentary with flashes of Boy’s Own brio, this flip into altruism is all the more remarkable in light of Brock’s borderline-abusive upbringing that pushed him as a young man into a stony self-reliance.

Even in his 70s and ushering in-need citizens into RAM’s mobile clinics, Brock still cuts a strapping, athletic figure. In his heyday, droving on the world’s largest cattle ranch and wrestling anacondas on the savannah of then-British Guiana, he looks like something out of an H Rider Haggard novel. This was the brawny package that made for TV gold as a co-host for 1960s series Mutual of Omaha’s Wild Kingdom and, briefly, an action movie star in schlock such as 1976’s Escape from Angola.

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