Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

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Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...
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Medicine Man: The Stan Brock Story review – life story of America’s healthcare saviour

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From British private school outcast to anaconda-wrestling cowboy to philanthropist, Paul Michael Angell’s documentary is of a life less ordinary

As unbelievable life trajectories go, British private school outcast to South American cowboy to US primetime TV naturalist to American healthcare saviour must be up there with the weirder ones. The late philanthropist Stan Brock singlehandedly disproves the old F Scott Fitzgerald dictate about American second acts by – starting in 1985 – supplying free medical treatment to millions of uninsured people through his non-profit Remote Area Medical (RAM). Related in this documentary with flashes of Boy’s Own brio, this flip into altruism is all the more remarkable in light of Brock’s borderline-abusive upbringing that pushed him as a young man into a stony self-reliance.

Even in his 70s and ushering in-need citizens into RAM’s mobile clinics, Brock still cuts a strapping, athletic figure. In his heyday, droving on the world’s largest cattle ranch and wrestling anacondas on the savannah of then-British Guiana, he looks like something out of an H Rider Haggard novel. This was the brawny package that made for TV gold as a co-host for 1960s series Mutual of Omaha’s Wild Kingdom and, briefly, an action movie star in schlock such as 1976’s Escape from Angola.

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