Conan O’Brien jokes about Ted Sarandos, Timothée Chalamet and ‘frightening times’ in Oscars monologue

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Host bobs and weaves through a number of third-rail topics in Academy Awards speech that’s at turns silly and sincere Oscars 2026 – follow the action live! The winners: the full list – updating live Conan O’Brien’s opening monologue at the 98th Academy Awards cheekily paid tribute to many nominated films – and then some – while acknowledging the tense US political situation and cracks at Timothée Chalamet, Amazon and US healthcare. After a snappily edited, old-school montage in which O’Brien, dressed as best supporting actress winner Amy Madigan ’s character in Weapons (“I look like Bette Davis with lupus,” he joked), stormed through each of the nominated films trailed by children à la Weapons, the second-time host bobbed and weaved through a number of pressing topics, from political divides to AI to Jeffrey Epstein. “I am Conan O’Brien, and I am honored to be the last human host of the Academy Awards,” he quipped. “Next year it’s going to be a Waymo in a tux.” Continue read...
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Medicine Man: The Stan Brock Story review – life story of America’s healthcare saviour

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From British private school outcast to anaconda-wrestling cowboy to philanthropist, Paul Michael Angell’s documentary is of a life less ordinary

As unbelievable life trajectories go, British private school outcast to South American cowboy to US primetime TV naturalist to American healthcare saviour must be up there with the weirder ones. The late philanthropist Stan Brock singlehandedly disproves the old F Scott Fitzgerald dictate about American second acts by – starting in 1985 – supplying free medical treatment to millions of uninsured people through his non-profit Remote Area Medical (RAM). Related in this documentary with flashes of Boy’s Own brio, this flip into altruism is all the more remarkable in light of Brock’s borderline-abusive upbringing that pushed him as a young man into a stony self-reliance.

Even in his 70s and ushering in-need citizens into RAM’s mobile clinics, Brock still cuts a strapping, athletic figure. In his heyday, droving on the world’s largest cattle ranch and wrestling anacondas on the savannah of then-British Guiana, he looks like something out of an H Rider Haggard novel. This was the brawny package that made for TV gold as a co-host for 1960s series Mutual of Omaha’s Wild Kingdom and, briefly, an action movie star in schlock such as 1976’s Escape from Angola.

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