CBFC censors ‘sex’ and ‘f**k’ in Steven Spielberg’s Disclosure Day

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On June 10, Bollywood Hungama reported that the Central Board of Film Certification (CBFC) sprang a pleasant surprise by passing three crucial films of the week with zero cuts – Bharat Bhhagya Viddhaata, Haunted – Echoes Of The Past and Backrooms. However, the sole exception was Disclosure Day. The film received its censor certificate at the eleventh hour and was required to make a few cuts. In a dialogue in the first act, the word ‘sex’ was muted. It occurs in the scene where Daniel Kellner (Josh O'Connor) learns that his girlfriend, Jane (Eve Hewson), was a nun. When asked whether she still follows the same religious commitments, Jane replies in the negative, pointing out that they’ve already had sex. It is in this dialogue that the CBFC made a change. The other word that got muted was ‘f**k’, and it occurred twice in the film. Once these changes were made, Disclosure Day was passed with a U/A 13+ certificate on June 11. The length of the film, as mentioned on the censor certifi...
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The Union review – Halle Berry and Mark Wahlberg heat up Netflix action flick

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The stars’ rapport helps retain your interest in a preposterous international caper that has something vaguely to do with justice

Like a good covert operation team, everyone involved in the latest in a long line of expensive yet generally forgettable Netflix action flicks is clear on the mission. They know their role, and what they’re being paid for. Mark Wahlberg, playing to type as a downhome blue-collar guy, enters the movie shirtless. Halle Berry, as a veteran intelligence agent, kicks ass while wearing a Catwoman-esque all-leather uniform. JK Simmons, as the head of a covert group of working-class secret agents (hence, the Union), conveys no-nonsense avuncular authority as only JK Simmons can. And Julian Farino, director of such shows as Giri/Haji and Entourage, wrings each of the many combat scenes for snappy but never stressful suspense.

The fictional purpose, besides a vague sense of justice, is never totally clear however. Nothing in The Union is subtle, including its hope that the star power of Wahlberg and Berry will paper over a set-up that feels dubious even by silly caper standards. Berry’s Roxanne is a longtime operative for this secret federal agency (maybe?) of blue-collar workers that goes under the radar, gets by on its unpretentious efficiency and disdains the CIA for its elitism. The film opens with the Union in crisis, as a mission to extract a CIA defector in Trieste goes awry, leaving several agents dead, including Roxanne’s closest partner Nick Faraday (Mike Colter). For quickly stated reasons, a “nobody” is needed to complete the mission. Enter Wahlberg’s Mike, Roxanne’s high school sweetheart.

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