The Mission review – a surgeon saves lives in war-torn Gaza in a visceral portrait of human endurance

Mohammad Tahir and his colleagues operate through bombing and blackouts in barely functional hospitals – but there are moments of relief amid the documentary’s tragedy and gore What this documentary might lack in film-making finesse it makes up for with sheer visceral and emotional impact. British nerve surgeon Mohammad Tahir and his colleagues, who also work the cameras, toil in Gaza’s barely operational hospitals during some of the worst days and nights of the war in the winter of 2024-25. Supported by US-based charity FAJR Global , who provide medical care to the world’s most in need, Tahir operates through bombings and blackouts with a bare minimum of medical supplies, sometimes treating patients lying on the floor in puddles of blood because there are no gurneys. This is often hard to watch, and not just because of all the gore; many of the victims are children, out of whom Tahir and the others dig bullets as well as tiny tungsten cubes, new-fangled shrapnel designed to cause maxi...

Nicolas Cage: ‘I don’t think a day goes by where I’m not mistaken for Nick Cave’

As psycho-thriller The Surfer is released, the actor answers your questions about eating rats, loving pickled eggs and scaring Terry Wogan

What do you remember of that appearance on Wogan? What was Terry like in real life? Have you still got that leather jacket, and the snakeskin jacket from Wild at Heart? johnnysmooth, EddieChorepost and BigAl65
I remember Terry Wogan was a very nice man and I enjoyed the interview with him, although I thought I was both obnoxious and somewhat wild. I guess it’s no secret that I was promoting a movie called Wild at Heart, so I was sort of play acting to that. I remember, as a child, I was in a car, a guy was walking down the street, and he had a leather jacket on and no shirt on underneath. I thought: “Well, that’s an interesting look.” I don’t know why that came back to me when I went on Terry’s show, but I thought: “I’m going to create that look again.” It was incredibly absurd and irreverent. I don’t have that leather jacket any more.

I found the snakeskin jacket in a secondhand store on Melrose in Los Angeles called Aaardvark’s – it reminded me of the jacket Brando wears in The Fugitive Kind – and I knew at some point I was gonna put it in a movie. I ended up giving it to Laura Dern because she was such a terrific actor, I enjoyed our time together on that movie with David Lynch, so I wanted her to have it.

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