EXCLUSIVE: Siddharth Anand shares a special moment with Gurudev Sri Sri Ravi Shankar; says “White is the story of the GLORY of India”

In a significant meeting on January 20, India’s premier blockbuster filmmaker Siddharth Anand met global spiritual leader Gurudev Sri Sri Ravi Shankar along with producer Mahaveer Jain. Both Siddharth Anand and Gurudev Sri Sri Ravi Shankar have had several conversations before but this meeting was special. It was held in an atmosphere of deep reflection and vision, centred around the upcoming international thriller White, a project that marks a unique milestone in Indian cinema. The film, which features National Award winner Vikrant Massey alongside an international cast, is inspired by the incredible true story of the 52-year-long civil conflict in Colombia and its historic resolution through non-violence and peace. Reflecting on the film’s vision after his meeting with Gurudev, Siddharth Anand shared his excitement for the film, “In many ways, White is the story of the glory of India. At a time when the world is grappling with unprecedented division, this film is truly the need of ...

Dance Revolutionaries review – performers dance like nobody’s watching

This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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