Bello! Why gen Alpha subconsciously speaks the language of the Minions

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From global loanwords and garbled Italian, the slang of the children of millennials doesn’t just share elements with Minionese – it may have absorbed it I was four years old when Despicable Me was released in cinemas and the banana-coloured, overall-clad Minions took the world by storm. By the time I was seven, my siblings and I were using The Official Minion Manual to teach ourselves Minionese. Minionese is, of course, the made-up language spoken by Kevin, Stuart, Bob and company, which consists of a combination of melodic gibberish and variations on genuine vocabulary from a diverse array of world languages . When the Minions shout “kanpai” (“cheers” in Japanese) or “para tú!” ( a variation on the Spanish “para ti” ), it might remind you of how gen Alpha slang, which primarily consists of nonsensical words such as “cap” and “mogging”, also draws on world languages. Consider the Bulgarian scat origins of “skibidi”, for example. Continue reading... from Film | The Guardian https...
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Dance Revolutionaries review – performers dance like nobody’s watching

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This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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