Ananya Panday’s 27th birthday to mark first look reveal of Tu Meri Main Tera…, trailer to drop on Kartik Aaryan’s big day: Report

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Actress Ananya Panday is just a day away from turning 27 on October 30, 2025. While social media hints that her birthday celebrations have already begun, fans might also have a surprise waiting for them. As per the latest buzz, the first look of her upcoming film Tu Meri Main Tera, Main Tera Tu Meri is set to be unveiled on her birthday, followed by the trailer launch on co-star Kartik Aaryan’s 35th birthday, November 22. Yes, you read that right! A report by Mid-Day quoted a source saying, “The team wanted the first-look reveal to feel special, and Ananya’s birthday felt like the perfect occasion.” The insider further added, “Through their marketing strategy, the makers want to celebrate both leads—first Ananya with the poster, then Kartik with the trailer.” Meanwhile, Kartik recently opened up about reuniting with Ananya after Pati Patni Aur Woh. In a conversation with Hindustan Times, he said, “The film has shaped up beautifully; it’s got that perfect mix of heart, fun, and festiv...
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Dance Revolutionaries review – performers dance like nobody’s watching

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This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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