Rita Bhattacharya BREAKS SILENCE after Kumar Sanu’s Rs 50 crores defamation suit, calls for peace

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Singer Kumar Sanu and his former wife Rita Bhattacharya are once again in the spotlight as a legal dispute unfolds years after their divorce. The veteran playback singer filed a defamation suit in the Bombay High Court against Bhattacharya, alleging that recent interviews she gave contained defamatory remarks that harmed his reputation and violated the terms of their divorce agreement. In his petition, Sanu’s legal team, led by advocate Sana Raees Khan, has sought damages reported to be Rs 50 crores and has demanded that the interviews in question be taken down from various entertainment platforms. The suit claims that Bhattacharya’s statements breach a clause from their 2001 divorce settlement that prohibited either party from making allegations against the other in public. Reacting publicly for the first time since the notice was issued, Bhattacharya described her shock at the legal action, particularly the financial demand involved. In an interview with ETimes, she said, “The pape...
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Dance Revolutionaries review – performers dance like nobody’s watching

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This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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