Kirti Kulhari falls victim to cyber fraud, loses Rs 2.43 lakhs in unauthorized credit card transactions

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Actress Kirti Kulhari has reportedly become the latest celebrity to fall victim to cyber fraud after unauthorized transactions amounting to Rs 2,43,852 were allegedly made using her credit card. Following the incident, the actress approached Mumbai Police, leading to the registration of a case against unidentified persons. Authorities have now launched an investigation to trace those responsible. According to reports, the incident came to light while Kirti was at a multiplex near Fun Republic Mall in Andheri West, Mumbai. During her visit, she reportedly received an alert on her mobile phone informing her of a foreign transaction worth $2,525 on Aeromexico Airlines through her credit card. The unexpected notification immediately raised concerns, as the actress had not authorized any such payment. Realizing the transaction appeared suspicious, Kirti is said to have contacted her bank's customer care helpline without delay. During the verification process, bank officials reportedly ...
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Dance Revolutionaries review – performers dance like nobody’s watching

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This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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