Emraan Hashmi resumes OG shooting after dengue recovery

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Emraan Hashmi, who was diagnosed with dengue on May 28 while filming his upcoming pan-Indian film They Call Him OG, has recovered and is back on set. He has resumed shooting in Mumbai. Emraan Hashmi shared, “I am back in action, and it feels good! I took some time off to recover from dengue, but now I am fully recovered and back on set. A big thank you to everyone for all the love and thoughtful messages! I am excited to get back to the hustle and bring something exciting to the screen soon.” It is worth mentioning here that Bollywood Hungama was the first publication to report on Emraan's health. A well-placed industry source told us, "Emraan Hashmi was shooting for OG in Aarey Colony, Goregaon, Mumbai. That’s where he contracted the disease. He was not feeling well and had dengue-like symptoms. On the recommendation of the doctors, he got his tests done. The test confirmed that he is suffering from dengue." Speaking of the project, OG will mark Emraan Hashmi’s debut ...
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Dance Revolutionaries review – performers dance like nobody’s watching

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This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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