Akshay Kumar teams up with Vipul Shah for alien action thriller Samuk; Hollywood creature and action experts join project

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Actor Akshay Kumar is set to headline a new large-scale sci-fi action thriller titled Samuk, directed by Kanishk Varma and produced by Vipul Amrutlal Shah. Positioned as an ambitious alien survival thriller, the film is currently in development and is expected to go on floors soon. The project marks Akshay Kumar’s return to a full-scale action role and will reportedly combine elements of survival horror, military realism, and alien thriller storytelling. The makers are also bringing together an international technical team with experience across several Hollywood franchise films. Speaking about the project, producer Vipul Shah said, “We always try to challenge ourselves with different genres, and Samuk is something Indian cinema hasn’t attempted before. Our aim is to create a world-class alien thriller for audiences.” Director Kanishk Varma, known for projects such as Sanak and Inside Edge, revealed that the idea for the film emerged from his interest in survival thrillers and elite s...
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Dance Revolutionaries review – performers dance like nobody’s watching

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This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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