Lalit Modi DENIES Bigg Boss 20 participation, calls reports “fake news” and issues legal notice

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Reports claiming that IPL founder and businessman Lalit Modi will enter the Bigg Boss 20 house have been denied by Modi, who has also issued a legal notice to publications and social media accounts that carried the claim. The clarification came a day after several social media accounts reported his alleged participation in the upcoming season of the Salman Khan-hosted reality show. Taking to X early on Saturday morning, Modi categorically rejected the reports and said he has neither been approached for the show nor intends to participate in it. “FAKE NEWS. PERIOD. I have NOT been approached for Bigg Boss 20. I am NOT participating in Bigg Boss 20. And I have NO intention of doing so. Amazing how a completely fabricated story can become ‘news’ without anyone bothering to ask the person concerned,” he wrote. Modi also shared a legal notice issued by his lawyers, Hirani & Associates, and warned the publications and social media accounts that had carried the reports. “Perhaps next tim...
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Dance Revolutionaries review – performers dance like nobody’s watching

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This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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