Apne producer Deepak Mukut miffed with Anil Sharma for calling off Apne 2: "He is not authorized to make such a rash statement"

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Producer Deepak Mukut is extremely miffed with director Anil Sharma for saying that the sequel to the Deols’ family film Apne cannot be made without the patriarch of the family. Affirmed Deepak Mukut, “On the contrary, Apne must be made now, more than ever before. We were working on the project with Dharam ji. Now Sunny (Deol) and I are going to work on Apne as a homage to Dharam ji. He will be there in the project in spirit. Apne featured Dharam ji with Sunny and Bobby. Apne 2 will also have Sunny’s son Karan in stellar role. I will be sitting down with Sunny over this as soon as the mourning period finishes.” Mukut is surprised and annoyed at Anil Sharma’s announcement on Apne 2 being called off after Dharam ji’s death. “He is not authorized to make such a rash statement. I wonder why he said this. He denies having made such a statement. But how can he be quoted on something so sensitive if he didn’t say it? It is not Anil Sharma’s c...
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Dance Revolutionaries review – performers dance like nobody’s watching

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This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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