Sunny Deol to honour real-life changemakers during Batwara 1947 promotional tour across India: Report

The promotional campaign for Batwara 1947 is underway, with the film's cast travelling across multiple cities ahead of its theatrical release on August 14, 2026. Now, a new report suggests that the makers have planned a unique initiative during the city tour, with lead actor Sunny Deol expected to honour individuals who have made noteworthy contributions to society. Directed by Rajkumar Santoshi and produced under the banner of Aamir Khan Productions, Batwara 1947 stars Shabana Azmi, Sunny Deol and Preity G Zinta in leading roles. Set against the backdrop of the Partition of India, the film explores the human stories that emerged during one of the most defining moments in the subcontinent's history. According to a source associated with the project, the promotional campaign will go beyond conventional film events by recognising real-life changemakers in every city the team visits. “Makers has planned a very special initiative during the Batwara 1947 promotional city tour. In e...

Dance Revolutionaries review – performers dance like nobody’s watching

This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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