Ahan Shetty joins Vikram Bhatt's 1920: Cold Winter; shoot expected to begin in November: Report

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Actor Ahan Shetty may soon be seen exploring the horror genre for the first time. According to the latest reports, the Border 2 actor has reportedly come on board for filmmaker Vikram Bhatt's 1920: Cold Winter, the sixth instalment in the long-running 1920 franchise. As per a Mid-Day report, the film is currently in the scripting stage. A source quoted by the publication claimed that Ahan was looking to diversify his filmography after making his debut with Tadap and recently returning to the big screen with Border 2. "This will be Ahan's first brush with the supernatural genre. He wants to do a variety of roles, after being launched in the romantic action drama Tadap. That's why he is carefully choosing movies that belong to different genres," the source said. The report further stated that Vikram Bhatt and producer Anand Pandit are currently searching for the film's female lead. They are reportedly looking to cast a reasonably well-known actress rather than ...
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Dance Revolutionaries review – performers dance like nobody’s watching

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This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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