BREAKING: Dhamaal 4 ends with the promise of the next installment – Dhamaal 5

The much awaited Dhamaal 4 is all set to release tomorrow, July 10, and the excitement is tremendous due to the casting, hilarious trailer and popularity of the franchise. It seems like the makers are very confident that just like the previous parts, the fourth part of the Dhamaal franchise will also be a hit. This is because they have ended the film with a hint of a sequel. A source told Bollywood Hungama, "At the end of Dhamaal 4, there's a scene which indicates that Dhamaal 5 is also in the offing. And just like the first four parts, Dhamaal 5 is also expected to be a madcap, crazy entertainer, going by the sequence." Directed by Indra Kumar, Dhamaal 4 brings back the franchise’s core cast, including Ajay Devgn, Riteish Deshmukh, Arshad Warsi, Sanjay Mishra, and Jaaved Jaaferi. The ensemble cast also features Esha Gupta, Sanjeeda Shaikh, Anjali Anand, Upendra Limaye, Vijay Patkar, and Ravi Kishan, adding new faces to the comedy series. Dhamaal 4 is presented by Gulsha...

Dance Revolutionaries review – performers dance like nobody’s watching

This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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