‘America’s sweetheart’: exhibition explores Marilyn Monroe’s complex relationship to stardom

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The new exhibition at LA’s Academy museum features some of the star’s most intimate belongings that have never been available for public viewing There’s an unsettling moment in Marilyn Monroe: Hollywood Icon , a new exhibition opening in Los Angeles this weekend, where some of the star’s last recorded words emanate from the gallery walls. Her voice, gentle and unassuming, is taken from a restored audio recording of her final interview, published in Life magazine the day before she died. Continue reading... from Film | The Guardian https://ift.tt/z9eSl4O via IFTTT
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Dance Revolutionaries review – performers dance like nobody’s watching

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This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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