EXCLUSIVE: Bhooth Bangla expected to be approx. 2 hours 50 minutes long; among Akshay Kumar's longest films since Holiday - A Soldier Is Never Off Duty

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Bollywood Hungama was among the first to inform readers that the Akshay Kumar-starrer Bhooth Bangla, scheduled to release on April 10, might be delayed and arrive in cinemas on April 17. The suspense over its release date continues, as the makers have yet to make an official announcement. Moreover, the trailer, which was initially expected on March 27 and later rescheduled for March 30, has not been unveiled. This has only further fuelled speculation that the horror-comedy has indeed been pushed ahead. Meanwhile, Bollywood Hungama has now learned about the film’s run time. A trade source told Bollywood Hungama, “Bhooth Bangla is around 2 hours and 50 minutes long. After the censor process, the run time may reduce or increase by a few minutes. The exact duration will be known closer to the release date, but as of now, it is said to be around 170 minutes.” If Bhooth Bangla indeed ends up with a run time of 2 hours and 50 minutes, it will be among Akshay Kumar’s longest films in the las...
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Dance Revolutionaries review – performers dance like nobody’s watching

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This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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