Stuart Craig obituary

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Oscar-winning production designer who helped recreate the fantastical world of Harry Potter in intricate detail on screen The production designer Stuart Craig, who has died aged 83 after suffering from Parkinson’s disease, played a major role in bringing the fantastical, magical world of Harry Potter to the screen. Craig’s set design skills had won him three Oscars, for Gandhi , Dangerous Liaisons and The English Patient , but creating the look of the film versions of JK Rowling’s stories about the schoolboy wizard was the crowning glory of his career. He worked on all eight films in the series, from Harry Potter and the Philosopher’s Stone in 2001 to Harry Potter and the Deathly Hallows: Part 2 in 2011, leading a large team of concept artists, art directors, set decorators, construction workers, painters and decorators, prop makers, plasterers and model makers. Continue reading... from Film | The Guardian https://ift.tt/UG5nTaB via IFTTT
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Dance Revolutionaries review – performers dance like nobody’s watching

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This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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