King becomes a REUNION bonanza: Shah Rukh Khan to share screen with Anil Kapoor after 31 years, Rani Mukerji after 20 years and Jackie Shroff after 12 years

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It’s been almost six months since the first look teaser of King was unveiled on the occasion of Shah Rukh Khan’s 60th birthday. Yet, the excitement around the film has remained constant, even though its release is still nearly seven months away. Recently, we came across a tweet by an SRK fan that made an interesting observation – the superstar is collaborating with several members of King’s ensemble cast after a very long gap. While he is reuniting with some after a decade, others are sharing screen space with him after nearly 20 or even 30 years. In this article, Bollywood Hungama takes a closer look at this nostalgic reunion factor. Anil Kapoor will feature in a crucial role in King and he was last seen with Shah Rukh Khan in Trimurti (1995), which was released 31 years ago. This is the only film that featured both actors. With Saurabh Shukla, SRK has worked thrice — in Baadshah (1999), Hey Ram (2000) and Mohabbatein (2000). Hence, both will be seen together in a film after 26 years...
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Dance Revolutionaries review – performers dance like nobody’s watching

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This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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