EXCLUSIVE: CBFC replaces 'bachhi' with 'ladki' in Mardaani 3; modifies slapping visuals

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After the success of Mardaani (2014) and Mardaani 2 (2019), Rani Mukerji is back as the fiery inspector, Shivani Shivaji Roy, with Mardaani 3. The film, produced by Yash Raj Films (YRF), was originally scheduled to be released on February 27. Earlier this month, it was preponed and now it’ll arrive in cinemas in less than a week, on January 30. Accordingly, the makers completed the censor process in time. In this article, Bollywood Hungama will exclusively focus on the cuts suffered by the action thriller. To begin with, the Central Board of Film Certification (CBFC) asked the makers to insert drug disclaimers. The word 'bachhi' was replaced with 'ladki'. Since the scene in question involved sexual violence, the makers had to submit age proof of the actor to clarify that she was not a minor. Then, visuals of a girl being slapped were modified. The word 'wh**e' was replaced with 'trader' in the English subtitles. A derogatory reference towards mother wa...
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Dance Revolutionaries review – performers dance like nobody’s watching

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This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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