Shiv Sena (UBT) warns Shah Rukh Khan over signing a Bangladeshi cricketer in his IPL team KKR

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A political storm is brewing around Shah Rukh Khan’s IPL team Kolkata Knight Riders (KKR) after the franchise signed Bangladeshi fast bowler Mustafizur Rahman ahead of the Indian Premier League (IPL) 2026 season. The controversial decision has drawn sharp criticism not only from political leaders but also from the Shiv Sena (Uddhav Balasaheb Thackeray faction) — which warned that the player’s IPL earnings could potentially be diverted to fund terrorism. The issue erupted after KKR selected Mustafizur Rahman, the only Bangladeshi cricketer picked in the 2026 IPL auction for Rs 9.2 crores. While some commentators have framed the move as a purely sporting decision, it quickly became a political flashpoint, with critics linking the signing to broader concerns about national security and religious sentiments. Mumbai, Maharashtra: On KKR buying a Bangladeshi player, Shiv Sena (UBT) spokesperson Anand Dubey says, "...If Shah Rukh Khan removes him from his team, we will all respect him,...
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Dance Revolutionaries review – performers dance like nobody’s watching

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This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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