Boney Kapoor adds Mercedes-Benz V-Class worth up to Rs 1.7 crore to his garage

Film producer Boney Kapoor has expanded his garage with the addition of a premium new vehicle, the Mercedes-Benz V-Class, a model widely known for its emphasis on comfort, space and chauffeur-driven luxury. The acquisition reflects a growing preference among film personalities for high-end multi-purpose vehicles designed to double as mobile work and relaxation spaces. A luxury MPV designed for comfort and privacy The Mercedes-Benz V-Class is often described as a private lounge on wheels because of its spacious cabin layout and executive-focused interiors. It is especially popular among celebrities and business leaders who rely on chauffeur-driven travel and require both comfort and discretion during commutes. In India, the vehicle is available in multiple variants, with prices typically ranging between Rs 1.4 crore and Rs 1.7 crore depending on specifications and customization options. Premium interiors with executive seating One of the defining highlights of the V-Class is its six-s...

Dance Revolutionaries review – performers dance like nobody’s watching

This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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