Salman Khan in talks with Farhan Akhtar for two-part historical epic: Report

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Salman Khan's upcoming slate continues to expand. After signing an action-comedy with filmmaker duo Raj Nidimoru and Krishna D.K., and while shooting for his untitled film with director Vamshi Paidipally and co-star Nayanthara, the superstar is now reportedly exploring another major project. According to a report by Pinkvilla, Salman is currently in discussions with actor-filmmaker Farhan Akhtar for a large-scale historical action drama that could mark their first collaboration. A source close to the development told the publication, “Salman Khan and Farhan Akhtar have been meeting regularly over the last month and discussing a potential collaboration. Salman has loved what he has heard so far and has shown keen interest in the project.” The source added that conversations are still in the early stages. “The talks are still at an early stage and have not yet reached the paperwork phase, but both sides are excited about the possibility of coming together for the first time.” If the...
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Dance Revolutionaries review – performers dance like nobody’s watching

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This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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