Prasanth Varma’s Mahakali to also release in Hindi following Akshaye Khanna’s popularity after Dhurandhar

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Akshaye Khanna is being very selective after Dhurandhar, as he used to be even before his resurrection. In his next release Mahakali, Akshaye Khanna plays Shukracharya, a manipulative sage, marking his entry into Tollywood. The film, part of the Prasanth Varma Cinematic Universe (PVCU), is directed by Puja Aparna Kolluru. Said producer Prashanth Varma, “We had signed Akshaye Sir much before Dhurandhar. He is the highlight of Mahakali.” Varma intends to highlight Akshay Khanna’s presence in the North Hindi speaking belt. Earlier, the plan was to release Mahakali in Telugu only. But now after Dhurandhar, there will be a Hindi version highlighting Akshaye Khanna in the marketing. Also Read: Feroz Abbas Khan on birthday boy Akshaye Khanna’s performance in Gandhi My Father, “His emotional investment to play the part was palpable, he has made Harilal memorable in cinema” from Latest Bollywood News | Hindi Movie News | Hindi Cinema News | Indian Movies | Films - Bollywood Hungama h...
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Dance Revolutionaries review – performers dance like nobody’s watching

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This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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