Post your questions for Robert Carlyle

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Bond villain, Begbie, male stripper … the Trainspotting and Full Monty star has played everyone from Sherlock Holmes to Rumpelstiltskin. As his latest directorial project premieres in Edinburgh, he is here to answer your questions You’ll know Robert Carlyle for many things – getting his kit off in The Full Monty , being skewered through the heart with a plutonium rod as Bond villain Renard in The World Is Not Enough, playing Sherlock Holmes in Watson, joining Line of Duty as a gruff specialist firearms officer, and appearing opposite David Tennant and Toby Jones in ITV’s The Hack. He also appeared as Adolf Hitler in Hitler: The Rise of Evil and (uncredited) as John Lennon in Yesterday; as a cannibalistic soldier in Ravenous; Rumplestiltskin in Once Upon a Time; and the British prime minister in Cobra. But it’s hard to ever fully dissociate him from the fantastic moustache he sports as violent, pint-swilling psychopath Francis Begbie in Trainspotting – a moustache that is now, unbelieva...
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Dance Revolutionaries review – performers dance like nobody’s watching

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This two-part homage to dance greats Robert Cohan and Kenneth MacMillan captures the intimacy of live performance

Here is a two-part documentary that pays homage to dance greats Robert Cohan and Kenneth MacMillan. Directed by David Stewart, Dance Revolutionaries essentially presents two pieces performed by dancers from the Yorke Dance Project and the Royal Ballet, and with the noble intention of making modern dance immersive and accessible.

The first part, Portraits, is choreographed by Cohan (who died in 2021) and aims to “explore life’s private moments” in six solo performances created in collaboration with its cast. In theory, you’d think a dance film would fail to capture the intimacy of a live performance, but somehow Portraits accentuates it; the uninhibited passion of the dancers and lack of direct performance to the camera make it borderline voyeuristic. Each dance is set in a public but desolate place, from office buildings, and a seafront to a graffiti-scrawled tunnel, creating a sense of vulnerability and familiarity. You feel you are peeking in on an individual’s emotional turmoil that can only be expressed through dance, and it’s hard to look away.

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