REVEALED: Anil Kapoor and Nana Patekar were originally intended to play cops in Housefull 5; Amitabh Bachchan was offered the role essayed by Nana

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One of the biggest multi-starrers of Hindi Cinema, Housefull 5, was released on Friday and has been well-received. This was evident with the hold on Monday. The film has nearly 19 major actors - Akshay Kumar, Abhishek A Bachchan, Riteish Deshmukh, Jacqueline Fernandez, Sonam Bajwa, Nargis Fakhri, Sanjay Dutt, Jackie Shroff, Nana Patekar, Chitrangada Singh, Fardeen Khan, Chunky Pandey, Johnny Lever, Shreyas Talpade, Dino Morea, Ranjeet, Soundarya Sharma, Nikitin Dheer and Akashdeep Sabir. If producer Sajid Nadiadwala had his way, he would have expanded this already sprawling star cast. Bollywood Hungama has learned that two veteran actors, Anil Kapoor and Amitabh Bachchan, were also offered roles in Housefull 5. A source told Bollywood Hungama, “Initially, the plan was to have Anil Kapoor and Nana Patekar play the cops. These roles were ultimately played by Sanjay Dutt and Jackie Shroff. The idea was to have Uday-Majnu kind of banter between Anil and Nana.” The sour...
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‘Has this guy ever made a movie before?’ Francis Ford Coppola’s 40-year battle to film Megalopolis

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The director has spent half his life and $120m of his own money to make his sci-fi epic. Just days ahead of its debut in Cannes, some of his crew members are questioning his methods

‘My greatest fear is to make a really shitty, embarrassing, pompous film on an important subject, and I am doing it,” Francis Ford Coppola said in 1978. “I will tell you right straight from the most sincere depths of my heart, the film will not be good.” The film was Apocalypse Now, and it was good, and the rest is history.

Part of that history has been Coppola’s reputation as an intrepid adventurer who was prepared to risk everything, to defy the studio suits, to go to the brink of ruin and madness, all for the sake of art. The making of Apocalypse Now cemented that legend – the epic scale, the jungle insanity, the heart attacks, the unbiddable weather and even less biddable actors – all of which was captured by his wife, Eleanor, in the 1991 documentary Hearts of Darkness. Coppola’s anti-establishment approach has produced some of cinema’s greatest triumphs (The Godfather trilogy, The Conversation, Dracula) but also some of its worst failures (One From the Heart, The Cotton Club).

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