"I still maintain that he DID NOT commit suicide" - The INSIDE story on the last 24 hours of Guru Dutt's life; a brother's emotional recollection

The 100th birth anniversary of one of the greatest film personalities ever, Guru Dutt, is celebrated on July 9. He died at the age of just 38 but the contribution he made to cinema has been unforgettable. No wonder that 60 years after his passing, he continues to be talked about and remembered. Some believe that he committed suicide while some don’t believe this theory at all. Devi Dutt, brother of Guru Dutt, spoke at length with Filmfare 9 years ago about why he was sure that his brother didn’t end his own life. In the April 2016 issue, a detailed interview of Devi Dutt was published in which he talked about Guru Dutt’s beginnings, his relationship with Geeta Dutt and a lot more. At one point, he explained what happened on October 9, 1964, a day before Guru Dutt was found dead. Devi Dutt said, “After Sahib Bibi Aur Ghulam (1962), Guru Dutt and Bhabhi (Geeta Dutt) had patched up. It was decided that the entire family would stay together at 48 Pali Hill once it was redeveloped. On Oct...

Pavements review – US indie rockers and their dream director run four ideas at once

Alex Ross Perry’s intriguing documentary about 90s band Pavement offers a kind of cine-quadriptych, whose effect is to obscure clarity

If ever a film-maker and a band were a match in indie heaven it is lo-fi writer-director Alex Ross Perry and 90s band Pavement, from Stockton, California (described here as “the Cleveland of California”); the latter made critically adored albums throughout the 1990s with comparisons to the Fall and Lou Reed, while never signing to a major label. Now Perry has made a film about Pavement and it seems to be his intention here to avoid, strenuously and at all costs, obviousness – and perhaps the most clunkingly obvious thing for any newbie to ask about is the name. Pavement as opposed to Sidewalk because of a Brit affectation? No: just a functional name chosen almost at random and one that sounded right.

Intriguingly, but finally a bit frustratingly, Perry is running four ideas at once, a kind of cine-quadriptych with the plurality signalled by the title. Firstly, it’s a documentary about Pavement’s return to live performance in 2022, complete with milky, blurry analogue video flashbacks to their 90s heyday. Secondly, an account of a touring museum exhibition about the band. Thirdly: a study of a jukebox musical project about Pavement called Slanted! Enchanted! after one of their albums, which had a three-day off-Broadway workshop presentation. And finally, a conventional fictional dramatisation of the band’s history, entitled Range Life, of which we see a few clips, with Joe Keery as lead singer Stephen Malkmus, Nat Wolff as guitarist Scott Kannberg, Fred Hechinger as singer Bob Nastanovich and Jason Schwartzman as Matador Records chief Chris Lombardi. But it isn’t entirely clear whether Range Life really exists as a standalone film, or how to judge or imagine its independent existence. We get a scene showing the actors doing an onstage Q&A after a screening, and it doesn’t look like a fictional spoof.

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