Modi: Three Days on the Wing of Madness review – Johnny Depp’s Modigliani as bohemian badass

A lineup including Stephen Graham and Al Pacino seem wasted on this lavish, but hackneyed drama about the Italian artist

Some very cliched roistering, life-affirming wine-drinking, bourgeois-defying artistic shenanigans here from the veteran screenwriting couple Jerzy and Mary Olson-Kromolowski who have adapted a 1980 stage play, Modigliani by Dennis McIntyre, about the Italian sculptor and painter Amedeo Modigliani, known as Modi. Johnny Depp directs and perhaps sees his subject as a bohemian badass not unlike Hunter S Thompson, whom he played in Terry Gilliam’s 1998 movie Fear and Loathing in Las Vegas – and perhaps not altogether unlike how he sees himself.

It is 1916 in Paris and the brutality of war is destroying the belle époque; Riccardo Scamarcio plays Modigliani, a brilliant, sensual but penniless artist facing poverty and casual antisemitism. Having got into a chaotic affray at a pompous posh restaurant – filmed like a deleted scene from Richard Lester’s The Three Musketeers – Modigliani has to lie low from the police and dreams of quitting Paris, to the bewilderment of his quaintly imagined artist comrades Maurice Utrillo (Bruno Gouery) and Chaïm Soutine (Ryan McParland), and his lover (and subject) Beatrice Hastings (Antonia Desplat).

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