Folktales review – taking on tyranny of social media as teens learn to live like hunter-gatherers

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In this documentary, high schoolers camp out in subzero temperatures, making their own fires and driving sledges in the wild The Pasvik Folk high school in remote northern Norway teaches teenagers to grow as young adults and escape the pressures of toxic social media by challenging them to get back in touch with their “stone age brain” and live like hunter-gatherers in the snowy wild. This is the subject of a documentary from Heidi Ewing and Rachel Grady. Over winter months of almost continuous darkness, the teens cleanse themselves with tasks such as camping out in subzero weather, making their own fires and driving sledges with huskies. Prior to all this of course is presumably a solemn promise to do without their phones, tablets and laptops, although there are no scenes of the kids actually having to surrender these gadgets (this isn’t rehab, after all). They have to swim in icy water; and they make it look like fun. What doesn’t look like fun is the camping out and there is one t...
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Human Traffic review – one-crazy-night 90s clubbing comedy provides euphoric rush of nostalgia

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This loved-up ensemble piece is cheerfully apolitical, pro-drugs and pro-hedonism – and features a very funny film debut from Danny Dyer

A warm nostalgic glow surrounds this likably daft and zeitgeisty one-crazy-night clubbing adventure from 1999. It’s a Cool Britannia time-capsule written and directed by Justin Kerrigan, starring John Simm, Shaun Parkes, Lorraine Pilkington, Nicola Reynolds and a cherubic young Danny Dyer making his movie debut. Dyer’s character ends up down the pub moodily swearing off drugs for ever – and if we wondered how that was going to turn out, we can flashforward to his performance this year in Nick Love’s Marching Powder, in which he does much the same thing.

Human Traffic revolves around a group of gurning mates: a classic 90s ensemble of mononymous characters – Jip, Koop, Lulu, Nina and Moff – individually introduced in freeze-frame voiceover in that distinctive 90s Britmovie style, as popularised by Danny Boyle’s Trainspotting and Guy Ritchie’s Lock, Stock and Two Smoking Barrels. But those films were from Mars and this one is from Venus. It’s a sweeter story of the loved-up. They struggle through terrible jobs in the week and prepare for a massive night out on a Friday involving landlines, smoking indoors, proto-Ali G characters, no smartphones, no social media and some cameos from Howard Marks, Carl Cox and Andrew Lincoln (in those days an icon for his role in TV’s This Life).

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