The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’

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From franchise hits to historical epics, joyous musicals to autobiographical family sagas: Steven Spielberg has done it all. As his latest sci-fi film Disclosure Day is released, film-makers, authors and Guardian critics reveal which of his movies means the most to them Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it. In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffa...
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Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

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Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched

This is the third film in a series, after My Fault in 2023 and Your Fault in 2024, that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched.

Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their respective parents didn’t marry until Noah and Nick were well into adulthood. At the Ibiza-set wedding of comic relief best friends Jenna (Eva Ruiz) and Lion (Victor Varona), Noah and Nick bump uglies before having the inevitable row that will separate them for most of the narrative until the final-act rapprochement. In the middle part, Noah hooks up with nice (and therefore doomed to romantic failure) Simon (Fran Morcillo), and Nick goes around offices wearing suits and issuing orders in boardrooms. There’s a bad guy, Michael (Javier Morgade), who looks almost identical to Nick but with more perma-stubble, and he tries to wreak havoc on our central lovers.

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