Tyler Perry accused of sexual harassment and workplace gender violence

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Media mogul faces allegations of creating ‘coercive, sexually exploitative dynamic’ in lawsuit seeking $260m in damages Tyler Perry has been accused of sexual harassment, workplace gender violence and sexual assault in a lawsuit from an actor who said the media mogul used his influence and power to create a “coercive, sexually exploitative dynamic”. In the suit filed in Los Angeles last week and first reported on Tuesday, Derek Dixon, who worked on Tyler Perry’s shows Ruthless and The Oval, said Perry promised career advancement but subjected him to “escalating sexual harassment, assault and battery”. Dixon alleges he was subjected to harassment and abuse by Perry while he “held direct control over his employment, compensation, and creative opportunities” and that he faced retaliation when he did not respond favorably to his advances. Continue reading... from Film | The Guardian https://ift.tt/6VBUJkb via IFTTT
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‘I must have done something right!’: dance master Jiří Kylián on his festival, fierce critics and the Ministry of Silly Walks

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At 78, the great choreographer is enjoying a career-spanning celebration in Oslo. He reflects on his leap from dance to visual art and why he feels snubbed by Britain

A gang of young dancers, their black costumes offset by colourful hats, cascade down the sloping roof of Oslo’s opera house for a jubilant routine to a Prince song by the waterfront. The building’s huge glass facade has become an unlikely stage for sculptures, digitally scanned from dancers’ bodies, positioned as if they are plunging into the building like the nearby bathers in the fjord. Inside, there’s an eclectic bill of ballets including one inspired by a painting from the Edvard Munch museum next door. In the wings of the theatre is an installation drawing on the Buddhist Zen symbol ensō. The studio space is screening short films veering from slapstick to the profound.

But this sprawling festival, spanning more than two weeks and then partially touring, has a singular focus. These are all works by Jiří Kylián, the Czech choreographer-cum-renaissance man, who in one pre-show discussion declares himself “the happiest boy in the world”. There has never been such a celebration of his work and, he suggests with wry self-effacement, there will probably never be another.

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