Aparshakti Khurana makes his Tamil debut with sci-fi crime thriller ROOT, starring alongside Gautham Karthik

Aparshakti Khurana is set to make his debut in Tamil cinema with the sci-fi crime thriller ROOT – Running Out of Time. Known for his work as an actor, singer, and host, Aparshakti recently received appreciation for his role in Stree 2. His upcoming venture marks his entry into South Indian films, drawing attention from both audiences and the industry. In 'ROOT – Running Out of Time', Aparshakti Khurana will be seen sharing the screen with Gautham Karthik, an actor renowned for his choice of unique, performance-driven roles in films like Devarattam and Vai Raja Vai. The film is being shot in Chennai.   View this post on Instagram   A post shared by Aparshakti Khurana (@aparshakti_khurana) Speaking about his Tamil debut, Aparshakti Khurana expressed his excitement, “I am absolutely thrilled to be making my debut in Tamil cinema with 'ROOT – Running Out of Time'. It's a challenging and unique script, and I'm excited to explore this new territory. The opportuni...

Goebbels and the Führer review – private life of propagandist shows grotesque heart of Nazism

Joachim Lang’s bleak film shows a preening Goebbels and a careworn Hitler as they battle to convince the German public, and themselves, they will win the war

In an appropriate spirit of cynicism and bleakness, German director Joachim Lang has made a film about the private life of Nazi propagandist Joseph Goebbels, the Hexenmeister or chief sorcerer of lies, and his always strained relationship with Hitler. Robert Stadlober plays the preening and self-pitying Goebbels and Fritz Karl is a careworn Hitler. Franziska Weisz plays Goebbels’s wife Magda, who at first resented his infidelities with showbusiness starlets but for the sake of the Fatherland submitted to the public image of a good Nazi wife and mother of six adorable children – whom Joseph and Magda finally murdered in the bunker before killing themselves.

In its subversive, austerely satirical way, the film feels almost like a B-side to Oliver Hirschbiegel’s Downfall from 2004, and Lang has perhaps even inhaled, just a little, the numberless internet parody memes that Downfall inspired, with English subtitles reinterpreting Hitler’s impotent rage. Lang’s film shows us the fears and misgivings that quite senior Nazis had until late in the war, and is perhaps also in the spirit of The Zone of Interest; that is, the Martin Amis novel, whose knowing, ironised dialogue and drama was mostly excised by Jonathan Glazer for his film version.

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