BREAKING: After Sitaare Zameen Par’s HISTORIC Saturday jump, several multiplexes add post-midnight shows at 1:00 am and 3:00 am

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Sitaare Zameen Par has managed to do the unthinkable. The advance booking wasn’t upto the mark and the makers, in a unique strategy, decided not to have shows before 11:00 am on the day of release, possibly to avoid negativity over poor occupancy in these shows. The film opened at Rs. 10 crores, which was a fair opening but below par for a star like Aamir Khan. However, the positive word of mouth along with the credibility that Aamir enjoys has finally come into play. The film jumped dramatically on Saturday. The shows of Sunday also began to get full and looking at the demand, the multiplexes had to add post-midnight shows. The trend of having shows at 1:00 am, 2:00 am and 3:00 am is a post-pandemic phenomenon. The 2021 Diwali biggie Sooryavanshi was the first film to have such shows at night. Later, Gangubai Kathiawadi (2022), Drishyam 2 (2022), Gadar 2 (2023), Animal (2023), Pathaan (2023), Jawan (2023),...
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Art for Everybody review – the dark side of Thomas Kinkade, ‘painter of light’

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The extraordinarily popular painter of kitsch American scenes struggled with addiction and depression, as this documentary with access to his previously unseen works shows

You won’t find the works of Thomas Kinkade lining the walls of the Museum of Modern Art, yet the painter, who died in 2012, is one of the best-selling artists in history and his paintings hang in tens of millions of American households. Kinkade’s typical subjects – rustic landscapes, sleepy cottages, quaint gazebos – bask in an idyllic calm, a luminous callback to a fabled simpler past. Turning to his unpublished archive, Miranda Yousef’s engrossing documentary portrait unveils the dark shadows that lurked within the self-titled “painter of light”.

Through interviews with family members, close collaborators and critics, as well as Kinkade’s own words, the film traces his meteoric success in the 1980s and 90s. Shunned by the art world, he marketed his works through home-shopping television channels and a network of franchise stores to a ravenous fanbase. The Kinkade name became a brand and his pictures were plastered on to collectible plates, cookie jars and mugs. At its peak, his empire generated more than $100m a year.

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