The King of Kings review – Charles Dickens retelling of the Jesus story does a serviceable job

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The famous author tells his son and their cat the story of Jesus in this mixed-bag family animation, voiced by an impressive cast This syrupy cartoon account of the life of Jesus (voiced by Oscar Isaac) is narrated, with consummate weirdness, by Charles Dickens (Kenneth Branagh). It’s in fact based on a story Dickens wrote for his children (and wasn’t published until 1934, decades after his death). The idea is that Dickens is telling the story of the New Testament to his young son Walter (Roman Griffin Davis) and Walter’s impish cat, explaining to the King Arthur-obsessed Walter how Jesus was the real King of Kings and all that. And so we see Walter and Charles, in their mid-19th-century garb, wandering through scenes of JC’s life nearly two thousand years earlier, from the nativity to the crucifixion – much like Scrooge and his spectral buddies in A Christmas Carol as they wander through past, present and future Christmases. It rather drags out what is already a pretty long running ...
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Streaming: Bridget Jones: Mad About the Boy and the best older women age-gap movies

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The recent Bridget Jones sequel, a big hit at the UK box office, celebrates the romance between its middle-aged star and her gen-Z lover, but from Babygirl to The Mother, how do women on screen with younger partners usually fare?

At this admittedly early stage of 2025, with all the noisy blockbusters of summer still ahead of us, the UK’s box-office report tells a nostalgic story. The year’s highest-grossing new release, raking in more than double its nearest rival, Captain America, is Bridget Jones: Mad About the Boy – a sequel in which its American distributors had so little confidence that they booted it straight to streaming. Brits who missed it in cinemas can finally access it on VOD this week. The film itself is something of a pleasant surprise too: a tender-hearted, flannel-cosy romcom – easily the best in the series since the first, 2001’s Bridget Jones’s Diary – now suffused with the gentle melancholy of middle age.

Age, of course, is a critical concern of this instalment, which offers Renée Zellweger’s ever-plucky Bridget, now a widowed mother of two, a pair of romantic choices: Chiwetel Ejiofor’s nice, matchingly middle-aged schoolteacher, and Leo Woodall’s flashier gen-Z Lothario. You can probably guess who prevails, though the film seems pleasingly amenable to either option: the possibility of dating across a generation or two isn’t played for shaming comedy. In that respect, this otherwise familiar bit of comfort viewing is relatively fresh.

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