Diljit Dosanjh and Jackson Wang unite for BUCK - a groundbreaking cross-cultural anthem

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In a first-of-its-kind musical collaboration, Punjabi pop icon Diljit Dosanjh and global K-pop sensation Jackson Wang are all set to release their new single titled ‘BUCK’ on May 9. The track brings together two of Asia’s biggest music stars and marks a significant moment in the global music scene, celebrating a blend of cultures, styles, and fanbases. Described as a genre-defying anthem, ‘BUCK’ promises to combine the earthy energy of Punjabi music with Jackson’s signature mix of K-pop, R&B, and hip-hop. Known for their innovative artistry and massive international followings, both artistes are expected to deliver a song that will set new benchmarks in cross-cultural collaborations. The collaboration came to life after both Diljit and Jackson expressed interest in working with each other. Their mutual admiration sparked the idea, which soon developed into a full-fledged project. This musical fusion is seen as a powerful step forward in connecting diverse Asian audiences through ...
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Babe review – tale of the talking sheep-pig a charming relic of its time

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A startling novelty 30 years ago, the film’s now antique effects and strange anti-Orwell farmyard tale feel dated, but is still a quaintly comfortable place to visit

Thirty years ago, a non-Disney talking-animal adventure became a big movie talking point. Babe, adapted from Dick King-Smith’s children’s book The Sheep-Pig, features an adorable piglet who is rescued from a brutally realistic-looking agribusiness breeding shed as his mum and siblings are taken off to be slaughtered; it is then rehomed in a quaintly old-fashioned farm with lots of different animals, situated in an uncanny-valley landscape of rolling green hills which looks like Olde England but where everyone speaks in an American accent. The lead human is grumpy cap-wearing Farmer Hoggett, played by James Cromwell, later to be hard-faced Captain Dudley Smith in LA Confidential and Prince Philip in Stephen Frears’ film The Queen. The little piglet does his best to fit in and finds his destiny when it looks as if he could be a very talented sheep-herder.

But this is not animation, nor is it precisely live-action. The movie got a (justified) best visual effects Oscar for its mix of animatronics and real animals, modifying their appearance and behaviour onscreen and using CGI for their mouths. It was a startling novelty which was very much of its time. Yet Babe and its innovations didn’t really lead to anything else; they were almost a standalone phenomenon, soon superseded in mainstream family-movie terms by the digital animation of Pixar and Disney’s continuing live-action productions.

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