The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy

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Sundance film festival: Olivia Wilde, Seth Rogen, Penelope Cruz and Edward Norton are exceptional in a smart and funny winner about sex, marriage and partner-swapping Not enough people managed to see last year’s self-billed “unromantic comedy” Splitsville , a shame for how tremendously entertaining it was and for what it represents at this given moment. A rigorously well-directed, genuinely funny, relatably messy look at two couples dealing with the maelstrom of non-monogamy, it was the kind of smart, well-crafted film for adults we are constantly complaining we don’t get enough of. I had a similar thrill watching The Invite at its sold-out Sundance premiere on Saturday night. Like that film, it is also about two adult couples negotiating anxieties surrounding sex with other people – and also like that film, it’s really, consistently funny and stylishly directed, made with the kind of care and rigidity that comedies just aren’t afforded now. It doesn’t have the same absurdist slaps...
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What Marielle Knows review – teenager’s telepathic powers reveal parents’ secrets and lies

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In this fantasy-satire of bourgeois family life, a girl is suddenly able to see everything her messed-up parents are up to

Here is a high-concept satire of bourgeois family life with all its secrets and lies from German film-maker Frédéric Hambalek; it is something to remind you of the notorious Babel fish in Douglas Adams’s The Hitchhiker’s Guide to the Galaxy, which you can put in your ear and then comprehend what any creature in the universe is saying — a miraculous promotion of pure understanding which has been the cause of more and bloodier wars than anything else.

Marielle (Laeni Geiseler) is a moody and withdrawn teenager with messed-up parents. Her mum is Julia (Julia Jentsch, who 20 years ago memorably played anti-Nazi martyr Sophie Scholl) and dad is Tobias (Felix Kramer). Julia is on the verge of a furtive affair with work colleague Max (Mehmet Ateşçi) while Tobias is being turned into a beta-male joke at his publishing company – his cover design choice for a new novel is scorned by his underlings, and he’s particularly undermined by a supercilious smoothie called Sören (Moritz Treuenfels).

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