‘I must document everything’: the film about the Palestinian photographer killed by missiles in Gaza

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Fatma Hassouna used poetry and photography to record the death and devastation she saw daily. Was she targeted by the IDF? We speak to the director of Put Your Soul on Your Hand and Walk, a film about the journalist Israel has sought to pursue its campaign of annihilation against Gaza and its people behind closed doors. More than 170 Palestinian journalists have been killed so far, and no outside reporters or cameras are allowed in. The effects of this policy of concealment – which the Guardian managed to pierce this week with a shocking aerial photograph that made the front page – are to ensure that the outside world only catches sight of Gaza’s horrors in small fragments, and to stifle empathy for those trapped inside by hiding them from view, obscuring their humanity. But a new documentary film, Put Your Soul on Your Hand and Walk, seeks to open a window to the unfathomable suffering inside Gaza. Continue reading... from Film | The Guardian https://ift.tt/OQNX6g1 via IFTTT
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What Marielle Knows review – teenager’s telepathic powers reveal parents’ secrets and lies

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In this fantasy-satire of bourgeois family life, a girl is suddenly able to see everything her messed-up parents are up to

Here is a high-concept satire of bourgeois family life with all its secrets and lies from German film-maker Frédéric Hambalek; it is something to remind you of the notorious Babel fish in Douglas Adams’s The Hitchhiker’s Guide to the Galaxy, which you can put in your ear and then comprehend what any creature in the universe is saying — a miraculous promotion of pure understanding which has been the cause of more and bloodier wars than anything else.

Marielle (Laeni Geiseler) is a moody and withdrawn teenager with messed-up parents. Her mum is Julia (Julia Jentsch, who 20 years ago memorably played anti-Nazi martyr Sophie Scholl) and dad is Tobias (Felix Kramer). Julia is on the verge of a furtive affair with work colleague Max (Mehmet Ateşçi) while Tobias is being turned into a beta-male joke at his publishing company – his cover design choice for a new novel is scorned by his underlings, and he’s particularly undermined by a supercilious smoothie called Sören (Moritz Treuenfels).

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