The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

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Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role

From the dark heart of central Europe comes a midnight-movie romp through the moonlit urban glades of Euro-goth and camp from German director Ulrike Ottinger. As for the star … well, it’s the part she was born to play. Isabelle Huppert is Countess Elizabeth Báthory, 16th-century Hungarian noblewoman and serial killer, legendary for having the blood of hundreds of young girls on her hands and indeed her body, in an attempt to attain eternal youth. The “blood countess” has been variously played in the past by Ingrid Pitt, Delphine Seyrig, Paloma Picasso, Julie Delpy and many more, but surely none were as qualified as Huppert who importantly does not modify her habitual hauteur one iota for the role.

Her natural aristocratic mien and cool hint of elegant contempt were never so well matched with a part. She gives us the classic Huppert opaque gaze – part dreamy, part coldly assessing – and the politely bemused half-smile of concealed distaste, merging into a pout, at the absurdity or ill manners of someone to whom she cannot avoid being introduced. Unlike the other mere mortals in this film, Huppert’s face is lit like that of a Golden Age Hollywood star, giving her impeccable maquillage a ghostly sheen of profane sainthood.

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