‘I must document everything’: the film about the Palestinian photographer killed by missiles in Gaza

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Fatma Hassouna used poetry and photography to record the death and devastation she saw daily. Was she targeted by the IDF? We speak to the director of Put Your Soul on Your Hand and Walk, a film about the journalist Israel has sought to pursue its campaign of annihilation against Gaza and its people behind closed doors. More than 170 Palestinian journalists have been killed so far, and no outside reporters or cameras are allowed in. The effects of this policy of concealment – which the Guardian managed to pierce this week with a shocking aerial photograph that made the front page – are to ensure that the outside world only catches sight of Gaza’s horrors in small fragments, and to stifle empathy for those trapped inside by hiding them from view, obscuring their humanity. But a new documentary film, Put Your Soul on Your Hand and Walk, seeks to open a window to the unfathomable suffering inside Gaza. Continue reading... from Film | The Guardian https://ift.tt/OQNX6g1 via IFTTT
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Mohit Suri shoots music festival sequence with 1,000 artistes for Ahaan Panday’s debut film: Report

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Filmmaker Mohit Suri has recreated a large-scale music festival for his next film, marking the Bollywood debut of Ahaan Panday. The sequence, shot over the past week at Vrundavan Studios in Malad, features 1,000 background artistes. It portrays Panday’s character performing on stage with a lively crowd responding to his music. Aneet Padda, last seen in Big Girls Don’t Cry (2024), is also part of the scene. Suri has designed the sequence to reflect the vibrancy of a live concert.

A Grand Music Festival Setup Music has always been an integral part of Mohit Suri’s films, from Woh Lamhe (2006) to Aashiqui 2 (2013), and his upcoming project follows the same tradition. The director has meticulously crafted a massive festival-like atmosphere with pulsating lights, LED screens, and smoke machines. A report by Mid-Day quoted a source saying, “The set-up is massive—pulsating lights, LED screens, smoke machines, and a roaring crowd of over 1,000, all moving in sync to the music.” Ahaan Panday’s Electrifying Stage Performance In the sequence, Ahaan Panday’s character takes center stage, performing in front of an energetic crowd. The scene captures an intense moment as his character jumps off the stage and interacts with the audience mid-performance. This dynamic moment is crucial to the film’s storyline, showcasing the passion and confidence of the protagonist. Final Stages of Filming The music festival sequence is one of the final scenes of the yet-untitled film. The shoot is expected to conclude by the weekend, bringing the project closer to completion. With Yash Raj Films backing the venture, Ahaan Panday’s debut is already generating anticipation. Given Suri’s expertise in music-driven narratives, this sequence is expected to be a major highlight of the film.

Also Read: Mohit Suri admits that “Recreating Galliyan was my BIGGEST mistake”; also says that a veteran filmmaker asked him to remix Aashiqui’s ‘Dheere Dheere Se’ for Aashiqui 2



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