Streaming: Steven Soderbergh’s Presence and the best haunted house films

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The director’s witty supernatural thriller joins Psycho, Hereditary, The Brutalist and more – films in which buildings are characters in their own right The first more-or-less horror movie in the lengthy, genre-skimming career of director Steven Soderbergh , Presence is a film about grief, trauma, familial dysfunction and abusive masculinity. But it’s also, to a significant and compelling extent, about property. Beginning with a family’s first viewing of a handsome Victorian home in an unidentified stretch of suburbia, the film never ventures outside its walls for the next 85 minutes, as the ensuing chills make us consider the merits of that purchase. Wittily and unnervingly shot from the perspective of the restless spirit roaming its halls, it’s a haunted house film in which much of the tension feels determined by the shape and flow and light and shade of the house itself. It’s a while since I’ve seen a film where I could quite so exactly draw the floor plan of its primary location,...
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Mohit Suri shoots music festival sequence with 1,000 artistes for Ahaan Panday’s debut film: Report

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Filmmaker Mohit Suri has recreated a large-scale music festival for his next film, marking the Bollywood debut of Ahaan Panday. The sequence, shot over the past week at Vrundavan Studios in Malad, features 1,000 background artistes. It portrays Panday’s character performing on stage with a lively crowd responding to his music. Aneet Padda, last seen in Big Girls Don’t Cry (2024), is also part of the scene. Suri has designed the sequence to reflect the vibrancy of a live concert.

A Grand Music Festival Setup Music has always been an integral part of Mohit Suri’s films, from Woh Lamhe (2006) to Aashiqui 2 (2013), and his upcoming project follows the same tradition. The director has meticulously crafted a massive festival-like atmosphere with pulsating lights, LED screens, and smoke machines. A report by Mid-Day quoted a source saying, “The set-up is massive—pulsating lights, LED screens, smoke machines, and a roaring crowd of over 1,000, all moving in sync to the music.” Ahaan Panday’s Electrifying Stage Performance In the sequence, Ahaan Panday’s character takes center stage, performing in front of an energetic crowd. The scene captures an intense moment as his character jumps off the stage and interacts with the audience mid-performance. This dynamic moment is crucial to the film’s storyline, showcasing the passion and confidence of the protagonist. Final Stages of Filming The music festival sequence is one of the final scenes of the yet-untitled film. The shoot is expected to conclude by the weekend, bringing the project closer to completion. With Yash Raj Films backing the venture, Ahaan Panday’s debut is already generating anticipation. Given Suri’s expertise in music-driven narratives, this sequence is expected to be a major highlight of the film.

Also Read: Mohit Suri admits that “Recreating Galliyan was my BIGGEST mistake”; also says that a veteran filmmaker asked him to remix Aashiqui’s ‘Dheere Dheere Se’ for Aashiqui 2



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