Farhan Akhtar’s Don 3 finally gets rolling: Ranveer Singh - Kiara Advani to shoot from January 2026, Priyanka Chopra may return

The long-awaited Don 3, directed by Farhan Akhtar, which had been delayed for various reasons, is finally set to begin shooting in January 2026. Confirming this development, a source told Subhash K Jha, “Yes, there’s been a delay—but it couldn’t be helped. Ranveer Singh, who replaced Shah Rukh Khan in the franchise, had to deal with a wave of online trolling for ‘daring’ to step into SRK’s shoes. Farhan and Ranveer mutually decided to lie low and let the heat die down. Ranveer also needed time to physically and mentally prepare for the role, which requires rigorous martial arts training.” The source further added, “After that, Kiara Advani—who was signed on to replace Priyanka Chopra as the female lead—got pregnant. Farhan had to halt the film’s progress due to her changed circumstances. To add to that, Farhan got deeply immersed in his own acting schedule for the intense war film 120 Bahadur, where he plays Major Shaitan Singh. That film is scheduled to release on November 21, 2025.”...

Streaming: Kneecap and the best hip-hop movies

The Belfast rappers’ riotous semi-biopic adds an Irish-language twist to a sub-genre that ranges from 8 Mile and Straight Outta Compton to Patti Cake$

The list of hip-hop acts who have starred in their own biopic is a short one, and it has perhaps its unlikeliest entry in Kneecap. The spiky Belfast trio’s pro-republican protest rap – much of it pointedly in the Irish language – has made them cult figures on home turf, and comedian turned film-maker Rich Peppiatt’s ebullient film, simply titled Kneecap, aims to do the same internationally. Avoiding a lot of self-important biographical tropes as it depicts their scrappy rise to fame and lays out their blunt political principles, it could easily be mistaken for fiction, with its knockabout tone and heightened comedy, though that just helps it as a mythmaking exercise. As in much of rap culture, being a little larger than life is the point.

In the ranks of hip-hop cinema, Kneecap is certainly sui generis – as is the band itself – though its emphasis on hard-up roots and streetwise authenticity of voice still put it in line with more conventional examples of the genre. Textured and empathetic, Curtis Hanson’s 2002 film 8 Mile exercised considerable less humour in lightly fictionalising the Detroit trailer-park beginnings of rap star Eminem, who plays a version of himself (here dubbed “B-Rabbit”) with rather more grit and humanity than anyone might have expected at the time, steering the film out of vanity-project territory. His protege Curtis “50 Cent” Jackson wasn’t nearly so lucky in his own thinly disguised semi-biopic, Get Rich or Die Tryin’, improbably directed by Jim Sheridan, which was all blank macho posturing and steely brand management.

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