Sentimental Value sweeps up at European Film Awards

Joachim Trier’s drama about an ageing film-maker and his estranged actor-daughter wins top five awards Joachim Trier’s Sentimental Value swept aside its competition at the European Film Awards on Saturday night, seizing all five top prizes at a ceremony in Berlin. Sentimental Value , which won the Grand Prix at Cannes last year, went home with best film, best director, best screenwriter, best actor for Stellan Skarsgård and best actress for Renate Reinsve, as well as best composer. Continue reading... from Film | The Guardian https://ift.tt/EY6HtqU via IFTTT

‘One of the most vicious people of our century’: Maria Bakalova on Donald Trump – and playing Ivana in The Apprentice

Her breakout role in the Borat sequel grabbed attention after a scene with Rudy Giuliani on a bed. Now she’s playing Trump’s ex-wife in a controversial biopic – but insists it’s not a political film

The week Maria Bakalova was asked to consider playing Ivana Trump for the new film The Apprentice, she was in New York filming something else. With the meeting scheduled for her one day off, she spent the evening before trying to channel Donald Trump’s first wife. The film is set in the 70s and 80s, so she spent hours wading through photos of Ivana in that era. “A lot of makeup, a lot of hair,” she says. Bakalova laughs as she remembers spending the evening experimenting with a mushroom-like hairstyle and “heavy eyeliner with a lot of powder, like inches”, although she didn’t have an Ivana-esque wardrobe – “Am I gen Z or a millennial?” asks the 28-year-old. Either way, “We wear a lot of baggy clothes”, so she chose her most skintight outfit.

She met the director Ali Abbasi in the middle of the day, feeling a little clownish in her Ivana cosplay. They spoke for a couple of hours, “about people growing up in post-communist countries – because [Ivana] was from Czechoslovakia, and I was born and raised in Bulgaria – which shapes your inner world, your thoughts. We talked a lot about the similarities of our stories.”

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