Slade in Flame review – Midlands glam rockers offer A Hard Day’s Night meets Get Carter

The 1975 musical satire is a curious amalgam of madcap comedy and Brit realism as the band ride the giddy highs and brutal lows of the 70s music industry Here is Slade’s movie musical satire from 1975, a film with all the pungent historical presence of a pub ashtray, about an imaginary band called Flame which looked and sounded a lot like Slade, fronted by Stoker, played by Noddy Holder. It came out a year after the film’s soundtrack album was released, and now gets a rerelease for its 50-year anniversary. Slade in Flame – which is to say, Flame, starring Slade – is regarded by fans and non-fans alike with enormous affection and regard , and it certainly has a weird, goofy energy: the audio mix sometimes surreally privileging ambient sounds such as doors closing and glasses chinking, with the dialogue way in the background. It’s about an innocent working-class Midlands band getting taken up by creepy adman-type smoothie Robert Seymour, played by Tom Conti, who exploits their raw tale...

‘I’ve failed, badly – and I’m good with it’: James McAvoy on class, comfort and carnage

He says that acting is a gamble – but is a dead cert to terrify audiences with new film Speak No Evil. The Scottish actor talks about marriage, therapy – and why Ken Loach would never cast him

He is a funny character, James McAvoy. I meet him in one of those fancy Soho hotels where the cast of films that are about to be massive assemble so they can all be interviewed on the same day. And McAvoy’s new psychological thriller, Speak No Evil, will be massive. A remake of the 2022 Danish original, it is just as terrifying, with one difference.

McAvoy, 45, is personable and urbane. He is wearing a suit, but looks like a guy who changes into cargo shorts as soon as he gets home. “I’m really lucky in a lot of ways, mainly that my granny’s all over me,” he says. “I’ve definitely got a large dose of what she has.” His parents divorced when he was 11, and his mother was ill, so he went to live with his grandparents in Drumchapel, Glasgow. Later, considering class, he describes his childhood tangentially, talking about why Ken Loach would never cast him. “I’m too much of an actor. And I’m, like: ‘I grew up on the council estate you shot half your films on!’ But I’m too much of an actor.”

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