‘She wasn’t acting, she wanted to live it’: how a fake pregnancy resulted in the wildest true crime film of the year

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Netflix documentary A Child of My Own tells the stranger-than-fiction story of a hospital worker who went to extreme lengths in her efforts to become a mother. Its director recounts their meetings in a Mexican prison The CCTV footage of the hospital corridor is grainy but you can make out a young woman carrying an oversized gift bag. Nothing unusual there. Except that inside the bag is a newborn baby girl, just hours old. And the woman carrying the bag, walking out of the hospital’s main entrance, past two security guards who are idly chatting, is not the baby’s mother. Her name is Eleonor Alejandra Marín Mendoza, known to everyone as Alejandra. When film-maker Maite Alberdi met her in a low-security Mexican prison, Alejandra was in the final year of a 13-year jail sentence for snatching the baby. Alberdi listened rapt as Alejandra told her story: “Everything she was telling me was extraordinary, stranger than fiction.” Continue reading... from Film | The Guardian https://ift.tt/QG...
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‘I’ve failed, badly – and I’m good with it’: James McAvoy on class, comfort and carnage

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He says that acting is a gamble – but is a dead cert to terrify audiences with new film Speak No Evil. The Scottish actor talks about marriage, therapy – and why Ken Loach would never cast him

He is a funny character, James McAvoy. I meet him in one of those fancy Soho hotels where the cast of films that are about to be massive assemble so they can all be interviewed on the same day. And McAvoy’s new psychological thriller, Speak No Evil, will be massive. A remake of the 2022 Danish original, it is just as terrifying, with one difference.

McAvoy, 45, is personable and urbane. He is wearing a suit, but looks like a guy who changes into cargo shorts as soon as he gets home. “I’m really lucky in a lot of ways, mainly that my granny’s all over me,” he says. “I’ve definitely got a large dose of what she has.” His parents divorced when he was 11, and his mother was ill, so he went to live with his grandparents in Drumchapel, Glasgow. Later, considering class, he describes his childhood tangentially, talking about why Ken Loach would never cast him. “I’m too much of an actor. And I’m, like: ‘I grew up on the council estate you shot half your films on!’ But I’m too much of an actor.”

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