‘An orgy of antisemitism is overtaking the west’: Son of Saul’s László Nemes on Hollywood hypocrisy

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His extraordinary Auschwitz film won every award going. Now the Hungarian director is back with new drama Orphan, as well as a Jean Moulin biopic at Cannes. He talks about resurgent global prejudice – and refusing to be lectured by the film industry ‘overclass’ We’ve been talking for less than five minutes when I spot the swastika. It’s just above the head of László Nemes, one of Europe’s most acclaimed directors, as he sits in the suite of a London hotel, talking about Orphan, his intensely personal new film that dwells on – among other things – the impact of the Holocaust on the generations that followed. It’s an ancient, Hindu swastika, part of a decorative wall-hanging – but still. I’m halfway through a question when I notice it. Nemes laughs; of course, he’d seen it immediately. “I wanted to point that out to you,” he says. “It is so funny. Before leaving this room, I will take pictures.” Mind you, he’s had worse. “When I was at the San Sebastián film festival with Son of Saul , t...
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‘I’ve failed, badly – and I’m good with it’: James McAvoy on class, comfort and carnage

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He says that acting is a gamble – but is a dead cert to terrify audiences with new film Speak No Evil. The Scottish actor talks about marriage, therapy – and why Ken Loach would never cast him

He is a funny character, James McAvoy. I meet him in one of those fancy Soho hotels where the cast of films that are about to be massive assemble so they can all be interviewed on the same day. And McAvoy’s new psychological thriller, Speak No Evil, will be massive. A remake of the 2022 Danish original, it is just as terrifying, with one difference.

McAvoy, 45, is personable and urbane. He is wearing a suit, but looks like a guy who changes into cargo shorts as soon as he gets home. “I’m really lucky in a lot of ways, mainly that my granny’s all over me,” he says. “I’ve definitely got a large dose of what she has.” His parents divorced when he was 11, and his mother was ill, so he went to live with his grandparents in Drumchapel, Glasgow. Later, considering class, he describes his childhood tangentially, talking about why Ken Loach would never cast him. “I’m too much of an actor. And I’m, like: ‘I grew up on the council estate you shot half your films on!’ But I’m too much of an actor.”

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