‘Nobody would forgive me if I told the truth’: new film about pacifist turned Nazi collaborator divides France

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In Les Rayons et les Ombres, Jean Dujardin plays a real-life press baron partying during the horrors of the second world war. Director Xavier Giannoli discusses bringing this still sensitive topic to light Xavier Giannoli’s new film Les Rayons et les Ombres (Rays and Shadows) is told from the postwar perspective of Corinne Luchaire, a French actor who was once hailed as “the new Garbo” but grew too close to the Nazis during the German occupation years. As Luchaire records her thoughts on a borrowed tape recorder, she struggles to reconcile her unfaltering devotion to her father, the once-powerful press baron Jean, with his 1946 execution for treason. Her wilful blindness collapses as the Jewish director who helped launch her career visits her cramped flat. When Corinne, played by newcomer Nastya Golubeva Carax, enquires after his sister, he reveals that she died in a concentration camp. “I didn’t know,” murmurs Corinne, only to be met with the devastating reply: “Did you even try to ...
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‘I’ve failed, badly – and I’m good with it’: James McAvoy on class, comfort and carnage

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He says that acting is a gamble – but is a dead cert to terrify audiences with new film Speak No Evil. The Scottish actor talks about marriage, therapy – and why Ken Loach would never cast him

He is a funny character, James McAvoy. I meet him in one of those fancy Soho hotels where the cast of films that are about to be massive assemble so they can all be interviewed on the same day. And McAvoy’s new psychological thriller, Speak No Evil, will be massive. A remake of the 2022 Danish original, it is just as terrifying, with one difference.

McAvoy, 45, is personable and urbane. He is wearing a suit, but looks like a guy who changes into cargo shorts as soon as he gets home. “I’m really lucky in a lot of ways, mainly that my granny’s all over me,” he says. “I’ve definitely got a large dose of what she has.” His parents divorced when he was 11, and his mother was ill, so he went to live with his grandparents in Drumchapel, Glasgow. Later, considering class, he describes his childhood tangentially, talking about why Ken Loach would never cast him. “I’m too much of an actor. And I’m, like: ‘I grew up on the council estate you shot half your films on!’ But I’m too much of an actor.”

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