EXCLUSIVE: In a SHOCKING development, CBFC deletes a WHOPPING 8 minutes of Sydney Sweeney’s frontal nudity scenes in The Housemaid

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The year 2026 will begin on a thrilling and erotic note for Indian cinegoers, thanks to the release of The Housemaid. The film released in the West on December 19 and has been appreciated for its subject, twists and turns and performances, especially that of Sydney Sweeney and Amanda Seyfried. However, Indian audiences may be disappointed to learn that the Central Board of Film Certification (CBFC) has edited out a significant portion of the film’s intimate scenes. The CBFC awarded The Housemaid an ‘A’ certificate on December 4 after asking for some modifications. The words ‘b***h’, ‘c**t’ and ‘motherf****r’ were muted, as per the recommendations of the Examining Committee. Secondly, the studio partner was asked to delete ‘nudity visuals of women's breasts…whenever it occurs’. As a result, a whopping 8 minutes of screen time have been axed, the longest cut due to censor diktats in recent times. Bollywood Hungama has learned that a long, intense lovemaking scene involving Sydney S...
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‘I’ve failed, badly – and I’m good with it’: James McAvoy on class, comfort and carnage

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He says that acting is a gamble – but is a dead cert to terrify audiences with new film Speak No Evil. The Scottish actor talks about marriage, therapy – and why Ken Loach would never cast him

He is a funny character, James McAvoy. I meet him in one of those fancy Soho hotels where the cast of films that are about to be massive assemble so they can all be interviewed on the same day. And McAvoy’s new psychological thriller, Speak No Evil, will be massive. A remake of the 2022 Danish original, it is just as terrifying, with one difference.

McAvoy, 45, is personable and urbane. He is wearing a suit, but looks like a guy who changes into cargo shorts as soon as he gets home. “I’m really lucky in a lot of ways, mainly that my granny’s all over me,” he says. “I’ve definitely got a large dose of what she has.” His parents divorced when he was 11, and his mother was ill, so he went to live with his grandparents in Drumchapel, Glasgow. Later, considering class, he describes his childhood tangentially, talking about why Ken Loach would never cast him. “I’m too much of an actor. And I’m, like: ‘I grew up on the council estate you shot half your films on!’ But I’m too much of an actor.”

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