REVEALED: In Ganga Ram, Salman Khan to play a character named Ganga, Sanjay Dutt to essay the role of Ram

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A few days ago, Bollywood Hungama broke the news that Salman Khan and Sanjay Dutt are expected to be seen in a film called Ganga Ram. As expected, the news broke the internet and spread like wild fire. Now, we bring to you another piece of information about this upcoming movie. A source told Bollywood Hungama, “After the Ganga Ram news came out, many began to wonder if Ganga Ram is the name of one person. Fans speculated that either Salman Khan or Sanjay Dutt will be playing Ganga Ram.” The source continued, “But that’s not the case. Ganga and Ram are the names of two principal characters. While Salman Khan will essay the role of a character named Ganga, Sanjay Dutt will reprise the role of a man named Ram.” The source also revealed, “Ganga Ram is mounted as a wholesome entertainer and will have lots of action. The makers are trying to ensure that the audience gets its money’s worth when they come to see this film starring two macho stars of Bollywood.” The film will be produced by...
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Sing Sing review – Colman Domingo is larger than life in big-hearted prison musical

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Inspired by a project that uses the arts for rehabilitation, this is an uplifting, energetic film – but Domingo’s showy performance is a little out of place

There’s charm, energy and optimism in this big-hearted film, inspired by the Rehabilitation Through the Arts project that teaches theatre skills to US prisoners. The movie’s genesis is an Esquire magazine article from 2005 about an ensemble fantasy-comedy musical performed by inmates of Sing Sing maximum security facility in New York state. The movie invites us to hear the words in the title as joyful imperatives. It is performed largely by genuine former inmates playing themselves, featuring rehearsal scenes interspersed with variously tense or moving private conversations. There is a resemblance to Alan Parker’s Fame, to which the film playfully alludes, although the proceedings are evidently too serious to allow for the more obvious comparison with Max Bialystock’s song Prisoners of Love at the end of The Producers.

Everything here is so uplifting that it seems churlish to find fault. But however rousing and admirably intended, there is something surreal and out of place in the characterisation of its leading role, which is dominatingly and fascinatingly played by the excellent Colman Domingo, whose many awards include the London critics’ circle prize for innovation named after the late Derek Malcolm. Domingo plays John “Divine G” Whitfield, an inmate who was in real life a visionary and inspirational driving force behind the Rehabilitation Through the Arts programme and wrote many plays for it. The real Divine G has a cameo, while the group’s star player, a serious tough guy who was transformed by his encounter with Shakespeare, is Clarence “Divine Eye” Maclin, here playing himself and doing so very capably. Most of the other roles also are played by former prisoners, but the group’s director, Brent Buell, is played by Paul Raci (known for the 2019 film Sound of Metal, in which he was the deafness-therapy counsellor being tough on Riz Ahmed).

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