Conan O’Brien jokes about Ted Sarandos, Timothée Chalamet and ‘frightening times’ in Oscars monologue

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Host bobs and weaves through a number of third-rail topics in Academy Awards speech that’s at turns silly and sincere Oscars 2026 – follow the action live! The winners: the full list – updating live Conan O’Brien’s opening monologue at the 98th Academy Awards cheekily paid tribute to many nominated films – and then some – while acknowledging the tense US political situation and cracks at Timothée Chalamet, Amazon and US healthcare. After a snappily edited, old-school montage in which O’Brien, dressed as best supporting actress winner Amy Madigan ’s character in Weapons (“I look like Bette Davis with lupus,” he joked), stormed through each of the nominated films trailed by children à la Weapons, the second-time host bobbed and weaved through a number of pressing topics, from political divides to AI to Jeffrey Epstein. “I am Conan O’Brien, and I am honored to be the last human host of the Academy Awards,” he quipped. “Next year it’s going to be a Waymo in a tux.” Continue read...
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Alien: Romulus review – grungy, back-to-basics instalment goes over same old ground

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Fede Álvarez’s effort is scrappier than Ridley Scott’s grandiose efforts – but everyone involved would have been better employed working on something new

Fede Álvarez’s new instalment in the Alien franchise presents as a younger, grungier, back-to-basics effort, moving away from the grandiose cosmic reach of Ridley Scott’s films Prometheus (from 2012) and, five years later, Alien: Covenant while attempting a return to the downbeat conspiracy paranoia and anti-corporate satire that made the original so unforgettably good. It also, very startlingly, brings back a major character from the 1979 Alien, the actor involved having perhaps signed away CGI image use rights at the time, or conceivably their descendants have been paid a royalty fee.

The resulting movie is a technically competent piece of work; but no matter how ingenious its references to the first film (let down, however, by borrowings from the A Quiet Place franchise) it has to be said that there’s a fundamental lack of originality here which makes it frustrating. There’s isn’t a single person involved, from director to stars to people on craft services who wouldn’t have been better employed actually working on something new.

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