Cannes looks beyond Hollywood as US film-makers mostly fail to make the grade

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The 79th edition of the influential festival boasts an auteur-heavy lineup – with one, very big, country conspicuous by its almost total absence Gillian Anderson and Cara Delevingne to hit Cannes as auteur heavyweights dominate festival lineup Has Europe fallen out of love with the US? Has Cannes fallen out of love with Hollywood? Will the festival, like Nato, become a non-American institution? Either way, the annual announcement of the Cannes selection has revealed a list that skews away from Hollywood towards a renewed dominance of world-cinema auteurs and heavy hitters, including Pedro Almodovar, Cristian Mungiu and Asghar Farhadi. There’s certainly nothing to compare with last year’s Tom Cruise Mission: Impossible extravaganza, although there are directorial debuts out of competition for Andy Garcia (also starring) with his crime drama Diamond, and John Travolta directs Propeller One-Way Night Coach, expressing his love of aviation, based on his own novel. There are no Britis...
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‘It’s the best monster ever invented’: Noah Hawley on bringing Ridley Scott’s Alien to TV

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The writer-director defied expectations to turn the film Fargo into one of the best TV shows of the decade. Now he’s taking on an even bigger franchise. Can lightning strike twice?

When it was first announced in 2013, the thought of Fargo being reimagined as a TV miniseries felt practically sacrilegious. The 1996 neo-noir starring Frances McDormand as a kindly Minnesota police chief was a singular film that had won two Oscars. Surely its distinctive Coen brothers vibe would get shredded in the woodchipper of TV adaptation?

Back then, Noah Hawley, the screenwriter who took on the job, would have agreed. “It seemed like such a terrible idea,” he says via video call from a Long Island holiday bolthole. “Which is sort of why I liked it. The risk/reward was really high.”

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