‘It deals with my own blood, my inheritance’: Asia Argento on historical trauma in Death Has No Master

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Cannes film festival: The actor’s role in Jorge Thielen Armand’s Venezuela-set surrealist thriller explores deep-rooted tensions of ownership and colonialism In Death Has No Master, Asia Argento stars as an anxious foreigner in Venezuela. Her character, Caro, is on a harried mission to reclaim inherited property from the local caretakers who still reside there. That’s the setup in a surrealist psychological thriller, in which Venezuelan-Canadian film-maker Jorge Thielen Armand unpacks personal history alongside deep-rooted and “eternal” tensions that still affect the country today. “The film has multiple layers of meaning,” says Armand, ahead of the film’s premiere in the director’s fortnight section at Cannes. “Recent events only make those multitudes greater.” Continue reading... from Film | The Guardian https://ift.tt/VutlFjb via IFTTT
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Uncanny Me review – exploration of cloning tech fraught with moral and ethical questions

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Creating a 3D avatar to increase a model’s income brings up all sorts of issues, but this documentary seems uninterested in addressing them

Doubles, doppelgangers, clones; twin visions have long fascinated directors and audiences alike. It’s unnerving, however, when technologies that once belonged to the realm of science fiction are now realised in the present. A German model called Lale is interested in creating a 3D clone of herself and this documentary from Katharina Pethke taps into a new unsettling reality.

The rationale behind the project sounds promising on the surface. As the company that offers the body scanning service to Lale explains, a 3D clone can take on a larger number of campaigns, without the hassle of paying an in-person crew, thus increasing Lale’s income. What is striking, however, is that the firm’s examples of 3D avatars are all of non-white models.With the recent push for more inclusivity in the fashion and modelling industry, could this be an easy way for brands to claim diversity without expanding their talent pool?

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