Alfredo Pourailly De La Plaza’s absorbing documentary about an ageing Chilean gold panner is meticulously detailed and doubles as its own act of visual prospecting Out on the remote archipelago of Tierra del Fuego in Chile, Toto Gesell holds on to a profession that hails from bygone times: gold prospecting. Every day, come rain or shine, he puts on his rubber boots and heads to a local creek, where he searches for specks of gold the old-fashioned way: with a pan, a shovel and a homemade sluice. His daily routines are documented with great tenderness in Alfredo Pourailly De La Plaza’s absorbing documentary, shot over nearly a decade. The camera often lingers on Toto’s wrinkled hands, as he carefully handles tiny flecks of the precious metal, or writes down his hopes and dreams in a neatly kept diary. Despite his contentment with this simple way of life, his body is etched with the physical toil of the demanding work. When Jorge, Toto’s worried son, decides to build a trommel from scratc...
Royal stinker: how Henry VIII changed from heroic to hideous on our screens
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As Jude Law’s ripe and revolting portrayal of the Tudor monarch opens in cinemas, we look at the film and TV stars who have played him – as comedian, tyrant or heart-throb
Greasy, hairy, large and smelly are not words that instantly summon up the image of Jude Law. Until now. Because the actor’s latest role, Henry VIII in the film Firebrand, will show him in an almost entirely unflattering light. And the effect will be topped off in later scenes by the pustulant ulcers shown on his legs.
Law is, perhaps unfairly, still best known for his line in clean-shaven leading men, from the inconstant Alfie to the suave Dickie Greenleaf in The Talented Mr Ripley. He has clearly relished the chance to look so unappealing on the big screen.
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