Sympathetic docu-biography centres on the conceptual artist deemed ‘too shocking for punk’ who inadvertently spawned the industrial music genre Genesis P-Orridge was the performance artist, shaman and lead singer of Throbbing Gristle who was born as Neil Megson in Manchester in 1950, but from the 90s lived in the US. P-Orridge challenged gender identity but it is clear from the interviewees that there were no wrong answers when it came to pronouns: “he”, “she” and “they” are all used. This is a sympathetic and amiable official docu-biography in which the subject comes across as a mix of Aleister Crowley, Charles Manson and Screaming Lord Sutch. The “P-Orridge” surname makes me suspect that Spike Milligan might have been an indirect influence, although there’s also a bit of Klaus Kinski in there as well. Genesis P-Orridge, known to friends and family as Gen, started as a radical conceptual artist, rule-breaker, consciousness-expander and tabloid-baiter who with Throbbing Gristle influ...
Kidman, Clooney, Craig and Jolie join Venice film festival lineup
- Get link
- X
- Other Apps
Stars will descend on the Lido as Pablo Larraín’s Maria Callas biopic contends with the Joker and Beetlejuice sequels for this year’s Golden Lion
The Venice film festival will this year feature one of its starriest lineups to date, with the likes of George Clooney, Brad Pitt, Angelina Jolie, Nicole Kidman, Daniel Craig, Cate Blanchett, Joaquin Phoenix and Lady Gaga all expected to descend on the Lido.
The 81st edition of the festival, which runs from 28 August to 7 September, is back with a bang after it was deprived of its usual pomp and glamour during last year’s Hollywood strikes.
Continue reading...from Film | The Guardian https://ift.tt/QL17DXr
via IFTTT
- Get link
- X
- Other Apps
Popular posts from this blog
BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX
A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum
He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’” Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily...
The Portable Door review – Harry Potter-ish YA fantasy carried by hardworking cast
Jeffrey Walker’s adaptation of the young-adult fantasy novel retains its edge thanks to its performances, but gets stuck on the whole door thing Adapted from Tom Holt’s 2003 young-adult fantasy novel, this is a passable attempt at kickstarting a new Harry Potter-style franchise set in a fusty-quirky institution, dosed up with extra Gilliamesque grotesquery. Co-produced by the Jim Henson Company, the production design is poky and intense, and the cast – with Christoph Waltz and Sam Neill larking it up – give it their all. But amid all this clutter, it sometimes has trouble moving its story forward. The Portable Door has a nice conceit: the venerable London corporation of JW Wells & Co is responsible for engineering all the daily incidents of coincidence and serendipity that happen in urban life. Not that wet-behind-the-ears intern Paul Carpenter (Patrick Gibson), desperate for any gig, knows the company’s raison d’etre when he signs up. He appears to have no discernible talents wh...
Comments
Post a Comment