A Prince review – queer erotic drama of sexual enlightenment through … gardening

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Pierre Creton’s literary film is about the carnal blossoming of a gardener’s apprentice under the tutelage of a series of older men This latest film from artist, film-maker, and farmer Pierre Creton evokes a tradition in French erotica in which a youthful protagonist has a series of encounters, providing carnal knowledge and sexual enlightenment as well as intellectual revelation. A Prince follows gardener’s apprentice Pierre-Joseph (Antoine Pirotte), whose love for nature leads him into the arms of two older lovers: Alberto (Vincent Barré), his botany school teacher, and Adrien (Pierre Barray), his employer. Its literary feel is enhanced by the prioritisation of voiceover above dialogue. The characters’ inner monologues speak, often retrospectively, of transgressive erotic experiences and desires. Accounts of incestuous yearnings are laid over scenes of gardening or age-gap lovemaking, all shot in the same strikingly matter-of-fact fashion. The contrast between the provocative voice
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‘I wish my parents were alive so I could tell them I’m a concept’: Tilda Swinton and Julio Torres on elves, slaps and giving dignity to toilets

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Comedy auteur Torres’s surreal new opus, Problemista, is also the basis for a friendship with arthouse queen Swinton. Cinema’s oddest new couple talk South Park scatology, mortifying restaurant behaviour and cutting-edge queerness

Dressed in celestial white, her hair scraped back from her forehead, Tilda Swinton looks as serene and translucent as one of the aliens in Close Encounters of the Third Kind. The mothership has deposited her today on a striped cream sofa under a tree-filled window. “I’m in Scotland,” she tells me with crisply enunciated good cheer, before addressing the other face on our video call: Julio Torres, writer-director-star of the surreal new comedy Problemista, who just got back to Brooklyn after taking the film to Copenhagen and Guadalajara. “Julio, you probably don’t know where you are,” she says. “I’m fairly sure this is my apartment,” he replies, his youthful face and copper-tinted pixie-cut filling the screen.

The affinity between Swinton, the 63-year-old arthouse doyen and self-described “boyish, angular freak”, and Torres, the 37-year-old queer comic genius and ex-Saturday Night Live writer, is evident in the way they riff on each other’s gags, or swap favourite movie moments to mutual delight. Take it from me: you haven’t lived until you’ve heard Swinton spend two minutes painstakingly describing an old Austin Powers routine as Torres listens, wide-eyed and rapt.

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