SCOOP: After Salman Khan’s Maatrubhumi, Ayushmann Khurrana-Sharvari’s Yeh Prem Mol Liya likely to be renamed Yeh Prem Moh Maya Hai

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A few days ago, the industry and fans got a surprise when it was announced that Salman Khan’s much-awaited next film, Battle Of Galwan, has been renamed Maatrubhumi. And now, as per the buzz in the trade, another awaited film might also go for a title change – Yeh Prem Mol Liya, directed by Sooraj Barjatya. A source told Bollywood Hungama, “There have been discussions over changing the title of the film to Yeh Prem Moh Maya Hai. If all goes well, the new title will be locked and will be announced officially in a few days.” Yeh Prem Mol Liya stars Ayushmann Khurrana and Sharvari in the lead role, along with Shaad Randhawa, Anupam Kher, Seema Pahwa, and Supriya Pathak in pivotal roles. It is presented and produced by Rajshri Productions in association with Mahaveer Jain Films and Anita Gurnani. It marks the second association for Mahaveer Jain and Sooraj Barjatya after the acclaimed flick Uunchai (2022). In December 2025, Shaad Randhawa, who left a mark with his performances in the 20...
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Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

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Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

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