Anurag Kashyap reacts to CJP protest controversy with cryptic post questioning police action

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Filmmaker Anurag Kashyap has weighed in on the ongoing controversy surrounding the Cockroach Janata Party (CJP) protest near Parliament in Delhi, which reportedly turned violent and has triggered a political debate across the country. Known for speaking candidly on social and political issues, Kashyap took to Instagram to express his views through a strongly-worded note, adding his voice to the growing reactions surrounding the incident. Sharing a post on his Instagram Stories, the filmmaker wrote in Hindi, “Wardi pehenne ke liye aatma ka, aatmiyta ka, sabka sauda karna padta hai. Maloom nahi tha. Kya ek police wala hai is desh mein jo khada ho ke bol sake main iss aadesh ka palan nahin karoonga kyonki ye galat hai (I did not know that wearing a uniform requires one to sell their soul, compassion, and everything else. Is there even one police officer in this country who can stand up and say, ‘I will not follow this order because it is wrong).”   View this post on Instagram ...
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Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

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Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

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