‘You have to get over the me thing’: Kevin Bacon on money, marriage – and learning to live with himself

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Kevin Bacon, Hollywood’s great survivor, first set hearts fluttering in the 1984 classic Footloose. Now 65, he’s back on the big screen again. Here, he talks about his band, politics, family, embracing change and, most of all, learning selflessness… There’s a state that veteran Hollywood actors can reach, beyond ravenous ambition, but with retirement still distant, that seems to make them contented as professionals and mellow as people. Kevin Bacon, now 65, has hit that sweet spot. Continually employed for decades, he shares a Manhattan apartment as well as a Connecticut farm with his wife of 35 years, Kyra Sedgwick, and their two adult children, Travis and Sosie. Bacon is in a country band with his brother, Michael, and otherwise channels any musical overspill into adorable Instagram videos of the Family Bacon (barnyard animals included) covering pop songs old and new. The hunger of the 1980s lead-actor-in-waiting, the frustration of the bit-player in mid-career who kept a wary eye
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Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

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Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

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