Ranveer Singh, Sara Arjun thank audiences for making Dhurandhar a RECORD grosser: "We are STILL processing it"; Ranveer proclaims, "Ab Indian cinema ka mustakbil Dhurandhar: The Revenge tay karega!"

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The music launch of Dhurandhar The Revenge, also the only event for the much-awaited film, took place on March 17 at Mumbai’s NESCO in the presence of hundreds of fans. Organized by Spotify, the event was slightly marred by mismanagement, as the team failed to provide adequate passes to mediapersons, leading to some minor chaos. Thankfully, the Dhurandhar The Revenge team made up for it with their quotes and live performances. Ranveer Singh made a dramatic entry at the very beginning and performed to the song ‘Aari Aari’, which has already become a rage. He then asked the fans, “Did you love the music of Dhurandhar Part 1? Which is your favourite song?” As fans shouted out the names of various tracks, Ranveer smiled and remarked, “Dekho, yehi toh khaas baat hai. Sab ke alag alag favourites hain.” He then touched upon the historic box office success achieved by the first part, “Thanks to your love, Dhurandhar reached a historic milestone. Thank you from our whole team to all the cinem...
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Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

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Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

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