EXCLUSIVE: Amid UAE ban and PIL controversy, Sanjay Dutt starrer Aakhri Sawal heads for special screening at Rashtrapati Bhavan today

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In a major development surrounding one of the year’s most talked-about films, Sanjay Dutt starrer Aakhri Sawal is set to hold a special screening at Rashtrapati Bhavan today, Bollywood Hungama has exclusively learned. The screening comes amid mounting controversy around the film. Over the past few days, Aakhri Sawal has been making headlines after reports surfaced of the film being banned in the UAE, while a PIL was also reportedly filed against the project in India. Despite the storm surrounding the film, the makers appear unfazed and are moving ahead with an aggressive rollout strategy. Sources close to the development reveal that preparations for the Rashtrapati Bhavan screening have been underway quietly over the last few days, though details regarding the guest list and attendees remain under wraps. Directed as a hard-hitting social drama, Aakhri Sawal features an ensemble cast led by Sanjay Dutt, the film has already generated substantial curiosity because of its subject matter ...
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Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

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Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

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