MTV Splitsvilla X6 to premiere on January 9 with new format; details inside!

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Finding love has just been taken a notch higher as India’s biggest youth dating reality show, MTV Splitsvilla, returns with its 16th season, i.e. bigger, bolder and spicier. Hosted by the ultimate Queen of Hearts - Sunny Leone, who recently celebrated a decade of her iconic journey with the show, joined by her charming co-host, the King of Hearts - Karan Kundrra. This time the drama dose has doubled up with our Mischief Maker duo - Nia Sharma and Uorfi. Gear up for MTV Splitsvilla X6: Pyaar ya Paisa, set against the scenic coast of Mahabalipuram, Tamil Nadu, where 32 hot & single girls and boys step up their game to win 'Pyaar ya Paisa'. Instax Fujifilm presents MTV Splitsvilla X6 Co-powered by Sofy, NEWME, Envy Perfumes and Philips Body Groomer starting 9th January on Fri, Sat & Sun at 7 pm on MTV India and JioHotstar. ‘MTV Splitsvilla X6: Pyaar Ya Paisa’ brings a new twist, picking up from where ex-contestants Digvijay and Kashish left off last season. This time, con...
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Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

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Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

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