BREAKING: Preity Mukhundhan to make her Bollywood debut in Naagzilla; only 7 days of shooting left for Kartik Aaryan's fantasy comedy

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Bollywood Hungama has been at the forefront in delivering exclusive news about one of the most-awaited films of 2026, Naagzilla, starring Kartik Aaryan. We are now back with another interesting piece of information – the talented actress Preity Mukhundhan, who has made a mark down South, will be launched in Bollywood with this promising flick. A source told Bollywood Hungama, "Preity Mukhundhan fits the role perfectly and the makers are quite happy to have her on board. She’ll be seen in a hilarious role and her character contributes tremendously to the narrative. She’s also excited about the role as she’ll get a chance to exhibit a different side of her to the audience.” Preity made her debut in the 2024 Telugu horror comedy Om Bheem Bush, followed by her Tamil debut in Star. Naagzilla is produced by Karan Johar’s Dharma Productions and Mahaveer Jain’s Mahaveer Jain Films. The fantasy comedy features Kartik as a shape-shifting naag and, reportedly, Ravi Kishan essays the role ...
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Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

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Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

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