Ramayana FIRST LOOK Teaser introduces Ranbir Kapoor as Lord Rama; sets stage for epic Diwali 2026 release

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The much-anticipated magnum opus Ramayana has finally revealed its most crucial element — the first glimpse of Ranbir Kapoor as Lord Rama. Backed by filmmaker and producer Namit Malhotra and directed by Nitesh Tiwari, the two-part cinematic franchise is being mounted on a global scale, with the teaser offering audiences their first look at the iconic character. Positioned as a landmark cinematic moment, the ‘Rama’ teaser introduces one of mythology’s most enduring figures to a worldwide audience. The film aims to present the story with a fresh perspective while retaining the emotional depth that has made it timeless across generations. Speaking about the essence of the story, Nitesh Tiwari said, “Ramayana’s greatness lies in its emotional richness. At its heart, it is not just about good and evil, but about choices, consequences, and the weight of doing what is right. Rama’s journey is deeply human and that is what we have tried to stay true to.” Sharing his experience of stepping i...
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Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

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Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

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