Ranveer Singh to collaborate with Birla Studios for the adaptation of Amish Tripathi’s The Immortals of Meluha trilogy: Report

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Amish Tripathi’s bestselling novel The Immortals of Meluha has remained one of the most sought-after Indian mythology adaptations for years, with several filmmakers reportedly expressing interest in bringing the epic saga to the big screen. Now, the project appears to have finally found its leading man and production backing. As per recent reports, Ranveer Singh has shown keen interest in adapting the fantasy novel under his production banner Maa Kasam Films. The actor has reportedly joined hands with Ananya Birla’s Birla Studios to develop the ambitious trilogy, which will include The Immortals of Meluha, The Secret of the Nagas, and The Oath of the Vayuputras. According to sources close to the development, the adaptation is currently in its early stages, with the team focusing heavily on writing and world-building. “Ranveer has been passionate about bringing Meluha to the big screen for a long time now. The acquisition happened recently, and the project is now officially under devel...
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Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

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Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

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