Ahan Shetty joins Vikram Bhatt's 1920: Cold Winter; shoot expected to begin in November: Report

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Actor Ahan Shetty may soon be seen exploring the horror genre for the first time. According to the latest reports, the Border 2 actor has reportedly come on board for filmmaker Vikram Bhatt's 1920: Cold Winter, the sixth instalment in the long-running 1920 franchise. As per a Mid-Day report, the film is currently in the scripting stage. A source quoted by the publication claimed that Ahan was looking to diversify his filmography after making his debut with Tadap and recently returning to the big screen with Border 2. "This will be Ahan's first brush with the supernatural genre. He wants to do a variety of roles, after being launched in the romantic action drama Tadap. That's why he is carefully choosing movies that belong to different genres," the source said. The report further stated that Vikram Bhatt and producer Anand Pandit are currently searching for the film's female lead. They are reportedly looking to cast a reasonably well-known actress rather than ...
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Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

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Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

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