The India Story trailer out! Kajal Aggarwal and Shreyas Talpade take on pesticide farming crisis in hard-hitting social drama

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The makers of The India Story: Slow Poison in Progress have unveiled the official trailer of the upcoming social drama, offering a glimpse into a story centred around the issue of pesticide farming and its impact on society. Starring Kajal Aggarwal and Shreyas Talpade in the lead, the film aims to bring attention to a subject that affects millions while weaving it into a dramatic narrative of truth, justice and resilience. The trailer hints at an emotionally charged story that follows characters caught in the middle of a larger crisis, while raising questions about the long-term effects of pesticide farming. With its blend of courtroom drama, social commentary and emotional conflict, the film seeks to spotlight an issue that often remains overlooked. Speaking about the film, director Chettan DK said, "The India Story is more than just a film—it's a conversation we need to have. Through this story, we wanted to shine a light on an issue that silently impacts every household. T...
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Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

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Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

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