O’Romeo ratings and reviews disabled on BookMyShow after court order

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The recently released film O’Romeo, starring Shahid Kapoor and Triptii Dimri, has had its audience ratings and public reviews disabled on the popular ticketing platform BookMyShow, following a court order. This marks an unusual development for a Hindi film, with official audience feedback blocked shortly after the movie’s theatrical debut on February 13, 2026. O’Romeo, directed by Vishal Bhardwaj and produced under the Nadiadwala Grandson Entertainment banner, opened to a mixed response at the box office. According to reports, the film initially displayed an audience rating on BookMyShow — starting around 6.8 and rising to about 7 by the second day — before the reviews and rating section was removed entirely. On the film’s BookMyShow page, where ratings and comments typically appear, a notice now reads: “Reviews and ratings disabled as per court order.” While neither the platform nor the makers have issued detailed statements explaining the legal reasoning, industry observers note th...
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Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

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Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

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