Jio Studios and Collective Studios’ Historyverse unveil teaser of Krishna at NAB 2026 in Las Vegas

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Jio Studios and Collective Studios’ Historyverse today unveiled the global first teaser of Krishna, an upcoming theatrical feature directed by Manu Anand, at the NAB Show 2026 in Las Vegas. At the heart of Krishna lies a new cinematic pipeline developed by Galleri5, Collective Artists Network’s in-house AI platform, built on Microsoft Azure’s advanced AI and cloud capabilities. This collaboration brings together cutting-edge technology with Jio Studios’ scale, storytelling expertise, and commitment to creating globally resonant Indian content. The film’s first look and Collective Artists Network’s AI platform were featured in Microsoft’s keynote at NAB, “Powering Intelligent Media; From AI Experimentation to Real-World Impact.” Collective was highlighted as a leading Frontier organization that is moving AI beyond experimentation into real, production-scale deployment in cinema. The technology is also featured in Microsoft’s NAB booth (West Hall, Booth W1731). Krishna represents a dep...
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Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

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Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

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