Neetu Kapoor denies news about Kapoor family copyrighting Rishi Kapoor's name

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A recent news report claims that the Kapoor family obtained the necessary permission to copyright the actor’s name posthumously. The decision, according to the report, ensures that any individual or organisation seeking to use Rishi Kapoor’s name in commercial, professional, or public contexts must first obtain approval from the family. However, when this writer contacted the late actor Rishi Kapoor’s wife Neetu Kapoor, she admitted she had no knowledge of any such move by the family. Mrs Kapoor replied, “Hi Subhash, I am not aware of this.” When I asked if this was false news, she replied. “I think so. I am not sure.” Close family friend and singer Nitin Mukesh said, “I don’t think this can be true. I mean Chintu, who was like my brother, didn’t have a stylized personality, unlike Raj uncle (Rishi Kapoor’s father Raj Kapoor) who was known for his mannerisms that were universally copied. Chintu was….how do I put it…inimitable.” Of late, there have been some actors known for thei...
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Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

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Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

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