Celina Jaitly responds after Delhi High Court disposes plea over brother’s refusal to communicate

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Actor Celina Jaitly has reacted after the Delhi High Court dismissed her petition seeking communication and legal assistance for her brother, Major (Retd.) Vikrant Jaitly, who is currently detained in the United Arab Emirates. According to a reports, the court disposed of the plea after being informed that Vikrant Jaitly had declined to communicate with his sister and preferred to make legal decisions in consultation with his wife, Charul Jaitly. The court was also told that he had been granted consular access on multiple occasions and had refused legal representation offered to him, including pro bono assistance. Responding to the development, Celina Jaitly shared a note on Instagram expressing concern while acknowledging the court’s decision. She wrote, “Today was the last hearing of my writ petition. I had approached the Hon’ble Court out of deep concern for the safety, security & well being of my brother.” She added, “He is in a foreign nation & as his sister, I felt it w...
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Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

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Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

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