Jacqueliene Fernandez to face trial as Delhi court orders framing of charges in ED’s Rs 200 crores money laundering case

On May 30, 2026, a Delhi court ordered the framing of criminal charges against Jacqueliene Fernandez, conman Sukesh Chandrashekar, and 15 others in a high-profile Rs 200-crores money laundering case. The ruling establishes that the trial against the actor and the co-accused will formally commence following their appearance in court this week. Additional Sessions Judge (ASJ) Prashant Sharma observed that the investigative findings revealed a robust legal basis to proceed with the prosecution. "Prima facie, there is sufficient material on record based upon which a strong suspicion is raised against all the accused," the ASJ stated, as per a report by PTI. The court held that Fernandez and the others are liable to be prosecuted for the offence of money laundering under Section 3 of the Prevention of Money Laundering Act (PMLA), which is punishable under Section 4 of the same Act. The judge has directed all the accused individuals to appear physically in court on June 3 for the ...

Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

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