Amitabh Bachchan buys fourth property in Ayodhya for Rs 40 crores: Report

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Amitabh Bachchan has deepened his connection with Ayodhya by purchasing yet another plot of land in the temple town—his fourth in recent times. According to reports, the legendary actor acquired a 25,000 square foot plot for Rs 40 crore, close to the sacred Ram Janmabhoomi temple. This latest acquisition is located near the upscale Sarayu real estate project, where Bachchan had earlier invested Rs 14.5 crore. The area has become a hub of premium developments, merging spiritual significance with modern infrastructure. Amitabh Bachchan’s properties in Ayodhya Last year, just days before the grand inauguration of the Ram Mandir, Bachchan had bought a 5,372 square foot property in the same area for ₹4.54 crore. Commenting on his plans at the time, the actor had said, “This is a start of a heartfelt journey into the soul of Ayodhya, where tradition and modernity seamlessly co-exist, creating an emotional tapestry that resonates with me deeply. I am looking forward to building my home in th...
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Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

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Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

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