SCOOP: Shah Rukh Khan and Siddharth Anand LOCK Christmas 2026 release for King; Announcement on the way

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After the historic success of Pathaan, Shah Rukh Khan and Siddharth Anand are reuniting for the second time on King. The film rides on a stellar star-cast with Shah Rukh Khan, Deepika Padukone, Anil Kapoor, Rani Mukerji, Abhishek Bachchan, Jaideep Ahlawat, Arshad Warsi, Suhana Khan and Abhay Verma among others. Over the last few days, there has been a historic buzz around the release date of this tentpole actioner. Bollywood Hungama is bringing to all the readers an exclusive scoop on King. Reliable sources have confirmed that Shah Rukh Khan and Siddharth Anand have locked a Christmas 2026 release for King. "The duo of SRK and Sid were brainstorming several options for their release, and the two in the forefront were - December 4 and December 25. After weighing all options, they have locked a Christmas 2026 release for their action packed entertainer." The source also informed us further that the film is skipping the iconic December 4 window due to Ramayana. "SRK and S...
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Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

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Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

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