Conan O’Brien jokes about Ted Sarandos, Timothée Chalamet and ‘frightening times’ in Oscars monologue

-
Host bobs and weaves through a number of third-rail topics in Academy Awards speech that’s at turns silly and sincere Oscars 2026 – follow the action live! The winners: the full list – updating live Conan O’Brien’s opening monologue at the 98th Academy Awards cheekily paid tribute to many nominated films – and then some – while acknowledging the tense US political situation and cracks at Timothée Chalamet, Amazon and US healthcare. After a snappily edited, old-school montage in which O’Brien, dressed as best supporting actress winner Amy Madigan ’s character in Weapons (“I look like Bette Davis with lupus,” he joked), stormed through each of the nominated films trailed by children à la Weapons, the second-time host bobbed and weaved through a number of pressing topics, from political divides to AI to Jeffrey Epstein. “I am Conan O’Brien, and I am honored to be the last human host of the Academy Awards,” he quipped. “Next year it’s going to be a Waymo in a tux.” Continue read...
Post a Comment

Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

-

Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot

In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom.

We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers along the way. Directors Bill Ross IV and Turner Ross are known for blending nonfiction and fiction, and their loose, free-ranging cinéma vérité style. While Gasoline Rainbow is their first fiction feature, there are elements that nod to their DIY sensibilities: the teenagers are first-time actors, share the same names as their characters, and scenes were partly improvised. The result is a movie in the tradition of “vibes” film-making, less interested in a propulsive plot than exploring the revealing and delightful moments that arise from spontaneous human interactions. The group tells onlookers that they have no plan for their journey. It is a fitting statement for the film itself, which ambles along gently, happy to be pulled in new directions, seeing what treasures emerge by chance.

Continue reading...

from Film | The Guardian https://ift.tt/xiGjMrv
via IFTTT

Comments

Post a Comment

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

-
Laura Linney is upstaged by older co-stars Smith and Kathy Bates in this sentimental tale about a group of Dublin women who go on a spiritual journey together Who’s up for a golden-hued heartwarmer set in 60s Ireland starring Kathy Bates and Maggie Smith about women with secret fears and dreams going on a church trip to Lourdes and finally finding the real miracle is their new compassion for each other? The answer to this question could well have been … me. I have a liking for a gentle tale and there is nothing necessarily wrong with, just occasionally, showing Ireland and the church of this period with something other than outrage and horror. But The Miracle Club does not at any time, to use a discredited metaphor, throw away its crutches and walk. And it’s painful to note that this is largely because of the way film can’t convincingly use that estimable actor Laura Linney in a central role. She is upstaged by the older, fruitier performances and doesn’t hold her own with a more seri...
Read more

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

-
Film-maker who directed Keaton in Something’s Gotta Give, and wrote Baby Boom and Father of the Bride, says ‘we have lost a giant’ Film-maker Nancy Meyers has paid tribute to the late Diane Keaton, her “friend of almost 40 years” and collaborator on celebrated comedies Something’s Gotta Give, Baby Boom and Father of the Bride. On Monday, Meyers wrote on Instagram that she’d had a difficult 48 hours since Keaton’s death was announced on Saturday, but “seeing all of your tributes to Diane has been a comfort.” Continue reading... from Film | The Guardian https://ift.tt/TFc820j via IFTTT
Read more

Malaika Arora scolds 16-year-old dancer for inappropriate gestures: “He is winking, giving flying kisses”

-
Bollywood diva Malaika Arora found herself at the center of an unexpected controversy during the filming of Hip Hop India Season 2. The popular dance reality show, judged by Arora alongside choreographer-director Remo D’Souza, took an awkward turn when a 16-year-old contestant made suggestive gestures toward her during his performance. The incident, which left Malaika visibly uncomfortable, was captured on video and has since gone viral. What Happened on Hip Hop India Season 2? The incident unfolded during a recent episode of Hip Hop India Season 2, which streams on Amazon MX Player and showcases India’s top hip-hop talent. While judging a contestant’s performance, Malaika noticed the young dancer directing inappropriate gestures her way, including winking and blowing flying kisses. Clearly taken aback, the actress and fitness icon didn’t hold back her disapproval. In the now-viral footage, she can be heard reprimanding the teenager, sternly demanding, “Mummy ka phone number do!” (Giv...
Read more