Pankaj Tripathi’s brother hospitalised after alleged sharp-weapon assault in Bihar

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Bijendra Nath Tiwari, the brother of acclaimed actor Pankaj Tripathi, has reportedly sustained serious injuries following an alleged attack in Bihar. According to reports, the incident took place in Belsand village, which falls under the jurisdiction of the Madhopur police station. As per information shared by news agency IANS, Tiwari was injured in a sharp-weapon assault that is believed to be connected to a long-standing dispute. Following the attack, he was initially taken to a local medical facility before being shifted to Patna for advanced treatment due to the severity of his condition. Attack on Pankaj Tripathi’s brother allegedly linked to old rivalry Reports suggest that the attackers had allegedly been waiting in the village and targeted Tiwari over an old feud. According to the complaint cited in media reports, the assailants allegedly launched a sudden attack using sharp weapons, leaving him with serious injuries. IANS shared an update on social media regarding the inciden...
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A Prince review – queer erotic drama of sexual enlightenment through … gardening

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Pierre Creton’s literary film is about the carnal blossoming of a gardener’s apprentice under the tutelage of a series of older men

This latest film from artist, film-maker, and farmer Pierre Creton evokes a tradition in French erotica in which a youthful protagonist has a series of encounters, providing carnal knowledge and sexual enlightenment as well as intellectual revelation. A Prince follows gardener’s apprentice Pierre-Joseph (Antoine Pirotte), whose love for nature leads him into the arms of two older lovers: Alberto (Vincent Barré), his botany school teacher, and Adrien (Pierre Barray), his employer.

Its literary feel is enhanced by the prioritisation of voiceover above dialogue. The characters’ inner monologues speak, often retrospectively, of transgressive erotic experiences and desires. Accounts of incestuous yearnings are laid over scenes of gardening or age-gap lovemaking, all shot in the same strikingly matter-of-fact fashion. The contrast between the provocative voiceover and the naturalistic cinematography is notable in itself, conveying a resistance to the politics of queer assimilation, which courts acceptance from the heterosexual majority.

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