Shefali Shah teases something new with three-word post

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Shefali Shah, known for her quietly powerful performances and discerning choice of roles, has long been a force in Indian cinema and OTT storytelling. From her breakout role in Satya to her widely acclaimed portrayal of DCP Vartika Chaturvedi in Delhi Crime, Shah has consistently leaned into narratives that are rooted, complex, and emotionally resonant. With films like Jalsa, Darlings, and Three of Us, she has further reinforced her position as one of the most dependable performers of her generation. The actor has now stirred curiosity with a cryptic update on social media. In a recent Instagram post, Shefali Shah shared just three words — “new new new” — without any additional context. The brevity of the message has only amplified intrigue, with fans and industry watchers quickly reading between the lines and speculating about a potential new announcement.   View this post on Instagram   A post shared by Shefali Shah (@shefalishahofficial) Given her recent body of work a...
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A Prince review – queer erotic drama of sexual enlightenment through … gardening

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Pierre Creton’s literary film is about the carnal blossoming of a gardener’s apprentice under the tutelage of a series of older men

This latest film from artist, film-maker, and farmer Pierre Creton evokes a tradition in French erotica in which a youthful protagonist has a series of encounters, providing carnal knowledge and sexual enlightenment as well as intellectual revelation. A Prince follows gardener’s apprentice Pierre-Joseph (Antoine Pirotte), whose love for nature leads him into the arms of two older lovers: Alberto (Vincent Barré), his botany school teacher, and Adrien (Pierre Barray), his employer.

Its literary feel is enhanced by the prioritisation of voiceover above dialogue. The characters’ inner monologues speak, often retrospectively, of transgressive erotic experiences and desires. Accounts of incestuous yearnings are laid over scenes of gardening or age-gap lovemaking, all shot in the same strikingly matter-of-fact fashion. The contrast between the provocative voiceover and the naturalistic cinematography is notable in itself, conveying a resistance to the politics of queer assimilation, which courts acceptance from the heterosexual majority.

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