Hai Jawani Toh Ishq Hona Hai trailer launch's most EMOTIONAL moment: David Dhawan gets teary-eyed and says, "Everybody should have a son like Varun"

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Varun Dhawan, Pooja Hegde, Mrunal Thakur, David Dhawan, Ramesh Taurani, Anu Malik, Sameer, Maniesh Paul, Chunky Panday, Rajesh Kumar, Jimmy Sheirgill, Rajat Rawail, Ali Asgar, Girish Kumar, Kumar Taurani, writer Rumy Jafry and cinematographer Ayananka Bose attended the trailer launch of Hai Jawani Toh Ishq Hona Hai in Mumbai on May 23. David Dhawan was celebrated and every member of the cast spoke highly of him. Meanwhile, the most emotional moment of the launch was when David Dhawan got teary-eyed. Varun Dhawan said, “It’s amazing that this man (David Dhawan) is making a film at this age. We are living in times when every Friday, we are questioning cinema. We all love cinema, but we do ask, ‘Kya yeh film chalegi’. All I want to say is that this is a David Dhawan film. Yeh film inke conviction pe bani hai. It's an all-out entertainer to make you laugh. If my family has had one motto, it is to make people laugh. Mere father logon ko bas hasana chahte hai.”   View this post on Inst...
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A Prince review – queer erotic drama of sexual enlightenment through … gardening

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Pierre Creton’s literary film is about the carnal blossoming of a gardener’s apprentice under the tutelage of a series of older men

This latest film from artist, film-maker, and farmer Pierre Creton evokes a tradition in French erotica in which a youthful protagonist has a series of encounters, providing carnal knowledge and sexual enlightenment as well as intellectual revelation. A Prince follows gardener’s apprentice Pierre-Joseph (Antoine Pirotte), whose love for nature leads him into the arms of two older lovers: Alberto (Vincent Barré), his botany school teacher, and Adrien (Pierre Barray), his employer.

Its literary feel is enhanced by the prioritisation of voiceover above dialogue. The characters’ inner monologues speak, often retrospectively, of transgressive erotic experiences and desires. Accounts of incestuous yearnings are laid over scenes of gardening or age-gap lovemaking, all shot in the same strikingly matter-of-fact fashion. The contrast between the provocative voiceover and the naturalistic cinematography is notable in itself, conveying a resistance to the politics of queer assimilation, which courts acceptance from the heterosexual majority.

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