FIR filed against Ranveer Singh over alleged insult to Chavundi Daiva tradition, case to be heard on April 8

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An FIR has been registered against actor Ranveer Singh at the High Grounds Police Station in Bengaluru for allegedly hurting Hindu religious sentiments and disrespecting the Chavundi Daiva tradition of coastal Karnataka, according to a report by NDTV. The case was filed on Wednesday, months after the incident that initially sparked controversy. The complaint relates to an event held on November 28, 2025, during the closing ceremony of the International Film Festival of India (IFFI) in Goa. During the event, Ranveer Singh allegedly mimicked a Daiva performance inspired by Rishab Shetty’s film Kantara: A Legend – Chapter 1. The act reportedly drew sharp criticism on social media, with many users accusing the actor of mocking a sacred ritual deeply rooted in the cultural and religious practices of coastal Karnataka. Following the backlash, Ranveer Singh had issued a public apology through his Instagram Stories, expressing regret for hurting sentiments and clarifying that there was no int...
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A Prince review – queer erotic drama of sexual enlightenment through … gardening

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Pierre Creton’s literary film is about the carnal blossoming of a gardener’s apprentice under the tutelage of a series of older men

This latest film from artist, film-maker, and farmer Pierre Creton evokes a tradition in French erotica in which a youthful protagonist has a series of encounters, providing carnal knowledge and sexual enlightenment as well as intellectual revelation. A Prince follows gardener’s apprentice Pierre-Joseph (Antoine Pirotte), whose love for nature leads him into the arms of two older lovers: Alberto (Vincent Barré), his botany school teacher, and Adrien (Pierre Barray), his employer.

Its literary feel is enhanced by the prioritisation of voiceover above dialogue. The characters’ inner monologues speak, often retrospectively, of transgressive erotic experiences and desires. Accounts of incestuous yearnings are laid over scenes of gardening or age-gap lovemaking, all shot in the same strikingly matter-of-fact fashion. The contrast between the provocative voiceover and the naturalistic cinematography is notable in itself, conveying a resistance to the politics of queer assimilation, which courts acceptance from the heterosexual majority.

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