R. Madhavan to portray pioneering inventor GD Naidu in upcoming biopic GDN; trailer out!

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The makers of GDN, the upcoming biopic on pioneering Indian inventor G.D. Naidu, have unveiled the film's trailer, offering audiences a first look at R. Madhavan in the lead role. The film is scheduled to release in theatres on July 17. The trailer introduces Madhavan as G.D. Naidu, widely regarded as one of India's most influential inventors and industrialists. It showcases the actor in a markedly different avatar as he steps into the life of the visionary known for his contributions to engineering and innovation. Over the years, R. Madhavan has built a career across multiple film industries, working in Tamil, Hindi and other language films. Known for portraying a wide variety of characters, the actor has consistently balanced commercial entertainers with performance-driven projects. With GDN, Madhavan takes on another biographical role, portraying a real-life figure whose work left a lasting impact on India's technological landscape. The trailer hints at the challenges, ...
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A Prince review – queer erotic drama of sexual enlightenment through … gardening

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Pierre Creton’s literary film is about the carnal blossoming of a gardener’s apprentice under the tutelage of a series of older men

This latest film from artist, film-maker, and farmer Pierre Creton evokes a tradition in French erotica in which a youthful protagonist has a series of encounters, providing carnal knowledge and sexual enlightenment as well as intellectual revelation. A Prince follows gardener’s apprentice Pierre-Joseph (Antoine Pirotte), whose love for nature leads him into the arms of two older lovers: Alberto (Vincent Barré), his botany school teacher, and Adrien (Pierre Barray), his employer.

Its literary feel is enhanced by the prioritisation of voiceover above dialogue. The characters’ inner monologues speak, often retrospectively, of transgressive erotic experiences and desires. Accounts of incestuous yearnings are laid over scenes of gardening or age-gap lovemaking, all shot in the same strikingly matter-of-fact fashion. The contrast between the provocative voiceover and the naturalistic cinematography is notable in itself, conveying a resistance to the politics of queer assimilation, which courts acceptance from the heterosexual majority.

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