Saiyami Kher joins shoot of Vikram Phadnis’ next with Tahir Raj Bhasin and Vineet Kumar Singh in Mumbai

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Actress Saiyami Kher is all set to begin the new year on an exciting note as she comes on board an untitled new project directed by ace designer-turned-filmmaker Vikram Phadnis. This project is produced by Reel Euphoria in association with Knight Sky Movies, has officially gone on floors, marking yet another significant milestone in Saiyami’s growing body of work. The upcoming project is a drama, with Saiyami headlining it in a powerful leading role along with Vineet Kumar Singh and Tahir Raj Bhasin. Announcing the project, Saiyami took to her Instagram to share a glimpse from her first day on set along with a spiral-bound copy of the film’s script. Captioning the post, she wrote, “And today every silent prayer finds its way home,” followed by another heartfelt note that read, “New Year, New Beginning. As always, I need all the wishes.” The post reflects both gratitude and excitement as she embarks on this new journey. This will be Vikram’s third directorial venture and his first di...
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A Prince review – queer erotic drama of sexual enlightenment through … gardening

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Pierre Creton’s literary film is about the carnal blossoming of a gardener’s apprentice under the tutelage of a series of older men

This latest film from artist, film-maker, and farmer Pierre Creton evokes a tradition in French erotica in which a youthful protagonist has a series of encounters, providing carnal knowledge and sexual enlightenment as well as intellectual revelation. A Prince follows gardener’s apprentice Pierre-Joseph (Antoine Pirotte), whose love for nature leads him into the arms of two older lovers: Alberto (Vincent Barré), his botany school teacher, and Adrien (Pierre Barray), his employer.

Its literary feel is enhanced by the prioritisation of voiceover above dialogue. The characters’ inner monologues speak, often retrospectively, of transgressive erotic experiences and desires. Accounts of incestuous yearnings are laid over scenes of gardening or age-gap lovemaking, all shot in the same strikingly matter-of-fact fashion. The contrast between the provocative voiceover and the naturalistic cinematography is notable in itself, conveying a resistance to the politics of queer assimilation, which courts acceptance from the heterosexual majority.

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