France’s top film producer says it will blacklist figures who petitioned against rightwing billionaire

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Canal+ head says he will not work with hundreds of actors and directors who signed protest against Vincent Bolloré’s political sway The head of France’s biggest film producer, Canal+, has said the group will no longer work with hundreds of cinema figures who signed a petition voicing concern over the growing influence of the rightwing billionaire owner Vincent Bolloré. The open letter, published earlier this week to coincide with the opening of the Cannes film festival, was signed by more than 600 figures , including the actor-director Juliette Binoche, the director and photographer Raymond Depardon, the French-Iranian film-maker Sepideh Farsi and the director Arthur Harari , who co-wrote the Oscar-winning Anatomy of a Fall and is premiering his film The Unknown in the main competition in Cannes. Continue reading... from Film | The Guardian https://ift.tt/y3L0r7x via IFTTT
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A Prince review – queer erotic drama of sexual enlightenment through … gardening

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Pierre Creton’s literary film is about the carnal blossoming of a gardener’s apprentice under the tutelage of a series of older men

This latest film from artist, film-maker, and farmer Pierre Creton evokes a tradition in French erotica in which a youthful protagonist has a series of encounters, providing carnal knowledge and sexual enlightenment as well as intellectual revelation. A Prince follows gardener’s apprentice Pierre-Joseph (Antoine Pirotte), whose love for nature leads him into the arms of two older lovers: Alberto (Vincent Barré), his botany school teacher, and Adrien (Pierre Barray), his employer.

Its literary feel is enhanced by the prioritisation of voiceover above dialogue. The characters’ inner monologues speak, often retrospectively, of transgressive erotic experiences and desires. Accounts of incestuous yearnings are laid over scenes of gardening or age-gap lovemaking, all shot in the same strikingly matter-of-fact fashion. The contrast between the provocative voiceover and the naturalistic cinematography is notable in itself, conveying a resistance to the politics of queer assimilation, which courts acceptance from the heterosexual majority.

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