EXCLUSIVE: Dhurandhar completes its glorious run in IMAX as Avatar: Fire And Ash takes over; single screens, Gaiety-Galaxy SKIP Hollywood biggie; continue with Ranveer Singh-starrer

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Dhurandhar, which is all set to become the biggest hit of the year, enters the third week of its release today. The film overperformed in its second week and is now all set for another huge week from today. The Ranveer Singh-starrer also had a release in the IMAX version. However, its IMAX run ended yesterday, on December 18. This is because Avatar: Fire And Ash has now taken over all the IMAX screens across India and also the world. Directed by James Cameron, the fantasy drama is known for its spellbinding visuals. Hence, it makes for an ideal watch in IMAX theatres. It's no wonder that its shows in the IMAX cinemas got filled first. Nevertheless, Dhurandhar had a glorious run in the IMAX version. The film also had a big screen appeal which enticed people to check it out in IMAX. Interestingly, the film didn’t get a release in IMAX on the day of its release due to late delivery of prints. But once the issue settled, the film managed to score big time in the wide-screen cinemas. ...
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A Prince review – queer erotic drama of sexual enlightenment through … gardening

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Pierre Creton’s literary film is about the carnal blossoming of a gardener’s apprentice under the tutelage of a series of older men

This latest film from artist, film-maker, and farmer Pierre Creton evokes a tradition in French erotica in which a youthful protagonist has a series of encounters, providing carnal knowledge and sexual enlightenment as well as intellectual revelation. A Prince follows gardener’s apprentice Pierre-Joseph (Antoine Pirotte), whose love for nature leads him into the arms of two older lovers: Alberto (Vincent Barré), his botany school teacher, and Adrien (Pierre Barray), his employer.

Its literary feel is enhanced by the prioritisation of voiceover above dialogue. The characters’ inner monologues speak, often retrospectively, of transgressive erotic experiences and desires. Accounts of incestuous yearnings are laid over scenes of gardening or age-gap lovemaking, all shot in the same strikingly matter-of-fact fashion. The contrast between the provocative voiceover and the naturalistic cinematography is notable in itself, conveying a resistance to the politics of queer assimilation, which courts acceptance from the heterosexual majority.

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