EXCLUSIVE: Salman Khan back on Battle Of Galwan sets for 15-day additional shoot and patchwork; action scene added

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Bollywood Hungama has been at the forefront in giving out news about Salman Khan’s next, Battle Of Galwan. In December, we broke the news that the teaser of the war drama would be unveiled on Salman Khan’s birthday, on December 27. We further informed that the release date of the film will also be announced around the same time. Today, we bring you another exciting piece of information about the film. The shoot was wrapped up in December, and now, Salman is back on the sets for an additional shoot. A source told Bollywood Hungama, “Salman Khan, director Apoorva Lakhia and the team are doing patchwork for the film. At the same time, they’re also adding a few new scenes, some of which feature action. It’s a 15-day schedule.” The source explained the reason for it, “The patchwork was always intended to be done. The additional filming happened because the makers and Salman realized that those scenes are crucial to the narrative and that they would add to the impact. Salman doesn’t want t...
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A Prince review – queer erotic drama of sexual enlightenment through … gardening

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Pierre Creton’s literary film is about the carnal blossoming of a gardener’s apprentice under the tutelage of a series of older men

This latest film from artist, film-maker, and farmer Pierre Creton evokes a tradition in French erotica in which a youthful protagonist has a series of encounters, providing carnal knowledge and sexual enlightenment as well as intellectual revelation. A Prince follows gardener’s apprentice Pierre-Joseph (Antoine Pirotte), whose love for nature leads him into the arms of two older lovers: Alberto (Vincent Barré), his botany school teacher, and Adrien (Pierre Barray), his employer.

Its literary feel is enhanced by the prioritisation of voiceover above dialogue. The characters’ inner monologues speak, often retrospectively, of transgressive erotic experiences and desires. Accounts of incestuous yearnings are laid over scenes of gardening or age-gap lovemaking, all shot in the same strikingly matter-of-fact fashion. The contrast between the provocative voiceover and the naturalistic cinematography is notable in itself, conveying a resistance to the politics of queer assimilation, which courts acceptance from the heterosexual majority.

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