Sudha Reddy Likely to return to Met Gala 2026 after one-year break

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As excitement builds around the guest list for the Met Gala 2026, reports suggest that Indian business personality and philanthropist Sudha Reddy may be set for another appearance at fashion’s biggest night. According to sources, the Hyderabad-based social figure is expected to return to the iconic steps of the Metropolitan Museum of Art for her third outing after skipping last year’s edition. Sudha Reddy has previously drawn attention for representing Indian craftsmanship on an international platform. She first attended the Met Gala in 2021 wearing a bespoke look by Falguni Shane Peacock. She returned in 2024 in a handcrafted creation by Tarun Tahiliani, further strengthening her identity as one of the few Indian personalities regularly seen at the global fashion event. If reports are accurate, her 2026 look could once again place Indian design in the spotlight. Insiders claim she may collaborate with Manish Malhotra for the gala this year. Styling is reportedly expected to be overse...
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A Prince review – queer erotic drama of sexual enlightenment through … gardening

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Pierre Creton’s literary film is about the carnal blossoming of a gardener’s apprentice under the tutelage of a series of older men

This latest film from artist, film-maker, and farmer Pierre Creton evokes a tradition in French erotica in which a youthful protagonist has a series of encounters, providing carnal knowledge and sexual enlightenment as well as intellectual revelation. A Prince follows gardener’s apprentice Pierre-Joseph (Antoine Pirotte), whose love for nature leads him into the arms of two older lovers: Alberto (Vincent Barré), his botany school teacher, and Adrien (Pierre Barray), his employer.

Its literary feel is enhanced by the prioritisation of voiceover above dialogue. The characters’ inner monologues speak, often retrospectively, of transgressive erotic experiences and desires. Accounts of incestuous yearnings are laid over scenes of gardening or age-gap lovemaking, all shot in the same strikingly matter-of-fact fashion. The contrast between the provocative voiceover and the naturalistic cinematography is notable in itself, conveying a resistance to the politics of queer assimilation, which courts acceptance from the heterosexual majority.

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