Celina Jaitly BREAKS SILENCE after Peter Haag and father-in-law sent legal notices; calls it “an attempt to divert attention”

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Actress Celina Jaitly has issued a detailed statement in response to legal notices sent by her estranged husband Peter Haag and his father, Wolfgang Haag, who have threatened to initiate defamation proceedings against her. The development comes days after Semwal & Co., acting on behalf of Peter Haag and Wolfgang Haag, confirmed that two separate legal notices had been served to the actress. The notices alleged that Celina had circulated false, defamatory and misleading statements through social media, interviews and media interactions while matrimonial and child custody proceedings remain pending before courts in Austria. Responding publicly, Celina said her legal team at Karanjawala & Co. has already submitted a formal reply. "Two legal notices have recently been sent to me by my estranged husband Peter & his father Wolfgang Haag, threatening to sue me for defamation. A response has aptly been submitted through my legal representatives, advocates at Karanjawala &...
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A Prince review – queer erotic drama of sexual enlightenment through … gardening

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Pierre Creton’s literary film is about the carnal blossoming of a gardener’s apprentice under the tutelage of a series of older men

This latest film from artist, film-maker, and farmer Pierre Creton evokes a tradition in French erotica in which a youthful protagonist has a series of encounters, providing carnal knowledge and sexual enlightenment as well as intellectual revelation. A Prince follows gardener’s apprentice Pierre-Joseph (Antoine Pirotte), whose love for nature leads him into the arms of two older lovers: Alberto (Vincent Barré), his botany school teacher, and Adrien (Pierre Barray), his employer.

Its literary feel is enhanced by the prioritisation of voiceover above dialogue. The characters’ inner monologues speak, often retrospectively, of transgressive erotic experiences and desires. Accounts of incestuous yearnings are laid over scenes of gardening or age-gap lovemaking, all shot in the same strikingly matter-of-fact fashion. The contrast between the provocative voiceover and the naturalistic cinematography is notable in itself, conveying a resistance to the politics of queer assimilation, which courts acceptance from the heterosexual majority.

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