Farhan Akhtar’s Don 3 finally gets rolling: Ranveer Singh - Kiara Advani to shoot from January 2026, Priyanka Chopra may return

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The long-awaited Don 3, directed by Farhan Akhtar, which had been delayed for various reasons, is finally set to begin shooting in January 2026. Confirming this development, a source told Subhash K Jha, “Yes, there’s been a delay—but it couldn’t be helped. Ranveer Singh, who replaced Shah Rukh Khan in the franchise, had to deal with a wave of online trolling for ‘daring’ to step into SRK’s shoes. Farhan and Ranveer mutually decided to lie low and let the heat die down. Ranveer also needed time to physically and mentally prepare for the role, which requires rigorous martial arts training.” The source further added, “After that, Kiara Advani—who was signed on to replace Priyanka Chopra as the female lead—got pregnant. Farhan had to halt the film’s progress due to her changed circumstances. To add to that, Farhan got deeply immersed in his own acting schedule for the intense war film 120 Bahadur, where he plays Major Shaitan Singh. That film is scheduled to release on November 21, 2025.”...
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Streaming: the best of the Brat Packers

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Two 80s teen dramas, The Breakfast Club and St Elmo’s Fire, made overnight stars of a band of young actors including Molly Ringwald, Demi Moore and Rob Lowe – and Andrew McCarthy, whose new documentary looks back on those years

Depending on your age, Andrew McCarthy’s Brats (Disney+, from 5 July) will either be a cosy nostalgia trip or a window into another era of celebrity. As someone who was two years old at their zenith, I’ve only ever known the Brat Pack as a past buzzword: a gaggle of then-young American actors who became a collective cultural phenomenon before just as quickly dispersing into a very different array of career fortunes. To look back on that now, as McCarthy’s documentary does, is to learn more about 80s-era media and publicity machinery than anything particularly crucial about American cinema.

The Brat Pack was defined in 1985 by a pair of coming-of-age films, The Breakfast Club and St Elmo’s Fire — one about high-schoolers, one about college grads, though made months apart with heavily overlapping casts. Neither has aged especially well except as a time capsule: the former is at least distinguished by the signature snarky snap of John Hughes’s writing and the fizzy pulse of Simple Minds’ Don’t You (Forget About Me), but the wispy soap opera of St Elmo’s Fire (complete with John Parr’s uncool title song) really has only the eager charisma of its ensemble to recommend it today.

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