EXCLUSIVE: Shakti Shalini goes on floors in January 2026; Amar Kaushik explains how Aneet Padda came on board, “We saw Saiyaara and knew that she perfectly…”

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Before the audience sat down to watch the grand Diwali release, Thamma, they were treated to a 60-second-long announcement promo for Shakti Shalini. The film earlier starred Kiara Advani and there were reports that Aneet Padda of Saiyaara (2025) fame has replaced the former. The announcement teaser confirmed the speculations and also revealed that the next film of the Maddock Horror Comedy Universe will be out on December 24, 2026. In an exclusive interview with Bollywood Hungama, Amar Kaushik, the mentor of the universe and also the producer of Munjya (2024) and Thamma, opened up about this film. Earlier, the plan was to bring 2 more films of Maddock Horror Comedy Universe, namely Bhediya 2 and Chamunda, in cinemas in 2026. When asked if the plan remains or will Shakti Shalini be the sole release of the universe next year, Amar Kaushik said, “There might be just one film (from the universe in 2026). We feel that there should not be an overdose and we should not give too many films in...
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Streaming: the best of the Brat Packers

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Two 80s teen dramas, The Breakfast Club and St Elmo’s Fire, made overnight stars of a band of young actors including Molly Ringwald, Demi Moore and Rob Lowe – and Andrew McCarthy, whose new documentary looks back on those years

Depending on your age, Andrew McCarthy’s Brats (Disney+, from 5 July) will either be a cosy nostalgia trip or a window into another era of celebrity. As someone who was two years old at their zenith, I’ve only ever known the Brat Pack as a past buzzword: a gaggle of then-young American actors who became a collective cultural phenomenon before just as quickly dispersing into a very different array of career fortunes. To look back on that now, as McCarthy’s documentary does, is to learn more about 80s-era media and publicity machinery than anything particularly crucial about American cinema.

The Brat Pack was defined in 1985 by a pair of coming-of-age films, The Breakfast Club and St Elmo’s Fire — one about high-schoolers, one about college grads, though made months apart with heavily overlapping casts. Neither has aged especially well except as a time capsule: the former is at least distinguished by the signature snarky snap of John Hughes’s writing and the fizzy pulse of Simple Minds’ Don’t You (Forget About Me), but the wispy soap opera of St Elmo’s Fire (complete with John Parr’s uncool title song) really has only the eager charisma of its ensemble to recommend it today.

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