Sudha Reddy Likely to return to Met Gala 2026 after one-year break

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As excitement builds around the guest list for the Met Gala 2026, reports suggest that Indian business personality and philanthropist Sudha Reddy may be set for another appearance at fashion’s biggest night. According to sources, the Hyderabad-based social figure is expected to return to the iconic steps of the Metropolitan Museum of Art for her third outing after skipping last year’s edition. Sudha Reddy has previously drawn attention for representing Indian craftsmanship on an international platform. She first attended the Met Gala in 2021 wearing a bespoke look by Falguni Shane Peacock. She returned in 2024 in a handcrafted creation by Tarun Tahiliani, further strengthening her identity as one of the few Indian personalities regularly seen at the global fashion event. If reports are accurate, her 2026 look could once again place Indian design in the spotlight. Insiders claim she may collaborate with Manish Malhotra for the gala this year. Styling is reportedly expected to be overse...
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Streaming: the best of the Brat Packers

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Two 80s teen dramas, The Breakfast Club and St Elmo’s Fire, made overnight stars of a band of young actors including Molly Ringwald, Demi Moore and Rob Lowe – and Andrew McCarthy, whose new documentary looks back on those years

Depending on your age, Andrew McCarthy’s Brats (Disney+, from 5 July) will either be a cosy nostalgia trip or a window into another era of celebrity. As someone who was two years old at their zenith, I’ve only ever known the Brat Pack as a past buzzword: a gaggle of then-young American actors who became a collective cultural phenomenon before just as quickly dispersing into a very different array of career fortunes. To look back on that now, as McCarthy’s documentary does, is to learn more about 80s-era media and publicity machinery than anything particularly crucial about American cinema.

The Brat Pack was defined in 1985 by a pair of coming-of-age films, The Breakfast Club and St Elmo’s Fire — one about high-schoolers, one about college grads, though made months apart with heavily overlapping casts. Neither has aged especially well except as a time capsule: the former is at least distinguished by the signature snarky snap of John Hughes’s writing and the fizzy pulse of Simple Minds’ Don’t You (Forget About Me), but the wispy soap opera of St Elmo’s Fire (complete with John Parr’s uncool title song) really has only the eager charisma of its ensemble to recommend it today.

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