Sarah Jane Dias joins the cast of Lakadbaggha 2 – The Monkey Business as Anshuman Jha welcomes her into the expanding animal-lover vigilante universe

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Actor-filmmaker Anshuman Jha has officially announced that actor and former Miss India Sarah Jane Dias has officially joined the cast of the highly anticipated sequel, Lakadbaggha 2 – The Monkey Business. The news was confirmed on Jha’s social media, where he wrote that the Lakadbaggha pack is getting “fiercer and stronger” with Sarah's entry into what he has proudly created as India’s first-ever Animal Lover Vigilante Universe. Known for her striking screen presence and versatility, Sarah has delivered powerful performances in acclaimed projects like the recent Kankhajura, the hard-hitting sports drama Inside Edge, and the internationally celebrated Angry Indian Goddesses — India’s first female buddy film that resonated with audiences worldwide. Following the success of cult action in Lakadbaggha, which introduced audiences to a unique action world where justice is served with compassion towards animals, the sequel brings even more intensity, layered characters, and high-stakes ...
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Streaming: the best of the Brat Packers

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Two 80s teen dramas, The Breakfast Club and St Elmo’s Fire, made overnight stars of a band of young actors including Molly Ringwald, Demi Moore and Rob Lowe – and Andrew McCarthy, whose new documentary looks back on those years

Depending on your age, Andrew McCarthy’s Brats (Disney+, from 5 July) will either be a cosy nostalgia trip or a window into another era of celebrity. As someone who was two years old at their zenith, I’ve only ever known the Brat Pack as a past buzzword: a gaggle of then-young American actors who became a collective cultural phenomenon before just as quickly dispersing into a very different array of career fortunes. To look back on that now, as McCarthy’s documentary does, is to learn more about 80s-era media and publicity machinery than anything particularly crucial about American cinema.

The Brat Pack was defined in 1985 by a pair of coming-of-age films, The Breakfast Club and St Elmo’s Fire — one about high-schoolers, one about college grads, though made months apart with heavily overlapping casts. Neither has aged especially well except as a time capsule: the former is at least distinguished by the signature snarky snap of John Hughes’s writing and the fizzy pulse of Simple Minds’ Don’t You (Forget About Me), but the wispy soap opera of St Elmo’s Fire (complete with John Parr’s uncool title song) really has only the eager charisma of its ensemble to recommend it today.

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