Ali Fazal reveals he instantly said yes to Thug Life; says, “A Mani Ratnam film isn’t something you get offered every day, and certainly not alongside someone as iconic as Kamal Haasan”

-
Actor Ali Fazal is set to make his South Indian cinema debut in Mani Ratnam’s upcoming film Thug Life. Starring Kamal Haasan in the lead, the film brings together a cast of actors from both Hindi and South Indian industries. It is scheduled for a theatrical release on June 5 in Tamil, Hindi, Telugu, Malayalam, and Kannada. Marking a pivotal new chapter in his versatile career, Ali Fazal revealed that it didn’t take him more than a second to say yes to the project. “There are some calls you get in your life that you know instantly are meant to change the course of your journey — this was one of them,” said Ali. “When you hear the name Mani Ratnam, you don’t just think of cinema — you think of legacy, you think of storytelling that’s transcendent, timeless, and deeply rooted in human emotion. I didn’t have to think for a moment before saying yes to Thug Life. A Mani Ratnam film isn’t something you get offered every day, and certainly not alongside someone as iconic as Kamal Haasan. The...
Post a Comment

Hanging around: how Planet of the Apes became Hollywood’s most resilient franchise

-

The success of Kingdom of the Planet of the Apes shows how, for almost 60 years, the series has managed to sustain audience interest

By pure hot-streak longevity, the most impressive feat in Hollywood franchising is the Mission: Impossible series, which began in 1996 and may – may – finally wrap up next year, after eight entries and nearly 30 years without a single continuity reboot. But true to the fictional history of the Planet of the Apes series, it may be the apes who ultimately inherit this title from the petty, small-minded humans. The original Planet of the Apes came out in 1968 – and based on first weekend box office and positive reviews for Kingdom of the Planet of the Apes, the latest installment of a rebooted series that began in 2011, the series will probably remain when the first movie reaches its 60th anniversary in just four years. This may be the most purely resilient series in Hollywood.

Yes, when you factor in reboots, the James Bond series has been kicking around for longer (though not by all that much). But the Bond movies have a lot of things that a lot of people traditionally like in their motion pictures: cars, guns, globe-hopping locations, attractive human beings triumphing over supervillains. The majority of the Planet of the Apes movies have little of this, and instead feature – multi-spoiler alert? – humans losing, badly. It’s a hallmark of the series, whether through the psychological damage inflicted by the original movie’s now-famous twist ending (the ape world isn’t a far-flung planet at all, but Earth!), the deadly Covid-like flu that spreads over the end credits of Rise of the Planet of the Apes, the savage beatings and killings administered for 30 solid minutes at the end of Conquest of the Planet of the Apes, or the total destruction of all life on Earth – amazingly, that last one happens in the second film.

Continue reading...

from Film | The Guardian https://ift.tt/5gxrOtD
via IFTTT

Comments

Post a Comment

Popular posts from this blog

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

-
A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
Read more

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

-
He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’” Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily...
Read more

The Portable Door review – Harry Potter-ish YA fantasy carried by hardworking cast

-
Jeffrey Walker’s adaptation of the young-adult fantasy novel retains its edge thanks to its performances, but gets stuck on the whole door thing Adapted from Tom Holt’s 2003 young-adult fantasy novel, this is a passable attempt at kickstarting a new Harry Potter-style franchise set in a fusty-quirky institution, dosed up with extra Gilliamesque grotesquery. Co-produced by the Jim Henson Company, the production design is poky and intense, and the cast – with Christoph Waltz and Sam Neill larking it up – give it their all. But amid all this clutter, it sometimes has trouble moving its story forward. The Portable Door has a nice conceit: the venerable London corporation of JW Wells & Co is responsible for engineering all the daily incidents of coincidence and serendipity that happen in urban life. Not that wet-behind-the-ears intern Paul Carpenter (Patrick Gibson), desperate for any gig, knows the company’s raison d’etre when he signs up. He appears to have no discernible talents wh...
Read more