Flavours of Iraq review – vivid childhood memories of 80s Baghdad from writer in Paris exile

-
Powerful animation portrays experiences of a French-Iraqi journalist Feurat Alani, with anecdotes about his father, a prominent leftist exile With a title translated a little inelegantly from Le Parfum d’Irak to “flavours of Iraq” when “the perfume of Iraq” might have been simpler and better, this film is a powerful, vivid animation co-directed by Léonard Cohen with its author, French-Iraqi journalist Feurat Alani, robustly narrated in Alani’s first-person by the actor Malik Zidi. The animation style is stylised and expressionist: shapes and forms like silhouette cutouts suggest the piercingly insistent forms of memory. It is about Alani’s childhood and fractured family experience growing up in Paris in the 80s as the son of a prominent leftist Iraqi exile who was forced out of his native country on account of his opposition to Saddam Hussein. The story itself is told through a loose series of flashbacks occasioned by his father’s funeral, at which mourners, members of Iraq’s 1970s soc...
Post a Comment

Hanging around: how Planet of the Apes became Hollywood’s most resilient franchise

-

The success of Kingdom of the Planet of the Apes shows how, for almost 60 years, the series has managed to sustain audience interest

By pure hot-streak longevity, the most impressive feat in Hollywood franchising is the Mission: Impossible series, which began in 1996 and may – may – finally wrap up next year, after eight entries and nearly 30 years without a single continuity reboot. But true to the fictional history of the Planet of the Apes series, it may be the apes who ultimately inherit this title from the petty, small-minded humans. The original Planet of the Apes came out in 1968 – and based on first weekend box office and positive reviews for Kingdom of the Planet of the Apes, the latest installment of a rebooted series that began in 2011, the series will probably remain when the first movie reaches its 60th anniversary in just four years. This may be the most purely resilient series in Hollywood.

Yes, when you factor in reboots, the James Bond series has been kicking around for longer (though not by all that much). But the Bond movies have a lot of things that a lot of people traditionally like in their motion pictures: cars, guns, globe-hopping locations, attractive human beings triumphing over supervillains. The majority of the Planet of the Apes movies have little of this, and instead feature – multi-spoiler alert? – humans losing, badly. It’s a hallmark of the series, whether through the psychological damage inflicted by the original movie’s now-famous twist ending (the ape world isn’t a far-flung planet at all, but Earth!), the deadly Covid-like flu that spreads over the end credits of Rise of the Planet of the Apes, the savage beatings and killings administered for 30 solid minutes at the end of Conquest of the Planet of the Apes, or the total destruction of all life on Earth – amazingly, that last one happens in the second film.

Continue reading...

from Film | The Guardian https://ift.tt/5gxrOtD
via IFTTT

Comments

Post a Comment

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

-
Laura Linney is upstaged by older co-stars Smith and Kathy Bates in this sentimental tale about a group of Dublin women who go on a spiritual journey together Who’s up for a golden-hued heartwarmer set in 60s Ireland starring Kathy Bates and Maggie Smith about women with secret fears and dreams going on a church trip to Lourdes and finally finding the real miracle is their new compassion for each other? The answer to this question could well have been … me. I have a liking for a gentle tale and there is nothing necessarily wrong with, just occasionally, showing Ireland and the church of this period with something other than outrage and horror. But The Miracle Club does not at any time, to use a discredited metaphor, throw away its crutches and walk. And it’s painful to note that this is largely because of the way film can’t convincingly use that estimable actor Laura Linney in a central role. She is upstaged by the older, fruitier performances and doesn’t hold her own with a more seri...
Read more

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

-
Film-maker who directed Keaton in Something’s Gotta Give, and wrote Baby Boom and Father of the Bride, says ‘we have lost a giant’ Film-maker Nancy Meyers has paid tribute to the late Diane Keaton, her “friend of almost 40 years” and collaborator on celebrated comedies Something’s Gotta Give, Baby Boom and Father of the Bride. On Monday, Meyers wrote on Instagram that she’d had a difficult 48 hours since Keaton’s death was announced on Saturday, but “seeing all of your tributes to Diane has been a comfort.” Continue reading... from Film | The Guardian https://ift.tt/TFc820j via IFTTT
Read more

Malaika Arora scolds 16-year-old dancer for inappropriate gestures: “He is winking, giving flying kisses”

-
Bollywood diva Malaika Arora found herself at the center of an unexpected controversy during the filming of Hip Hop India Season 2. The popular dance reality show, judged by Arora alongside choreographer-director Remo D’Souza, took an awkward turn when a 16-year-old contestant made suggestive gestures toward her during his performance. The incident, which left Malaika visibly uncomfortable, was captured on video and has since gone viral. What Happened on Hip Hop India Season 2? The incident unfolded during a recent episode of Hip Hop India Season 2, which streams on Amazon MX Player and showcases India’s top hip-hop talent. While judging a contestant’s performance, Malaika noticed the young dancer directing inappropriate gestures her way, including winking and blowing flying kisses. Clearly taken aback, the actress and fitness icon didn’t hold back her disapproval. In the now-viral footage, she can be heard reprimanding the teenager, sternly demanding, “Mummy ka phone number do!” (Giv...
Read more