Death of a Unicorn review – Jenna Ortega shines in B-movie-style satire on big pharma

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Murderous unicorns run amok in Alex Scharfman’s gory American horror that gleefully embraces a lo-fi aesthetic but lacks sufficient bite What if unicorns were badass? What if, rather than the twee, sparkly fairy creatures that distribute magic and glittery microplastic at kids’ themed birthday parties, unicorns were fearsome beasts with deranged amber eyes, huge tombstone teeth that could sever a man’s arm, and horns covered in the entrails of their victims like flesh pennants? It’s an appetising central premise. And this Paul Rudd and Jenna Ortega-starring horror comedy, produced by the achingly hip boutique studio A24, certainly delivers on the grisly, torso-skewering gore. Maybe the jokes could have been sharper, but at least the unicorns’ horns make their point. Killer unicorns are not an entirely novel concept. The ultraviolent 2022 cult feature animation Unicorn Wars – described by its director as “ Bambi meets Apocalypse Now meets the Bible” – pitted unicorns against teddy ...
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Hanging around: how Planet of the Apes became Hollywood’s most resilient franchise

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The success of Kingdom of the Planet of the Apes shows how, for almost 60 years, the series has managed to sustain audience interest

By pure hot-streak longevity, the most impressive feat in Hollywood franchising is the Mission: Impossible series, which began in 1996 and may – may – finally wrap up next year, after eight entries and nearly 30 years without a single continuity reboot. But true to the fictional history of the Planet of the Apes series, it may be the apes who ultimately inherit this title from the petty, small-minded humans. The original Planet of the Apes came out in 1968 – and based on first weekend box office and positive reviews for Kingdom of the Planet of the Apes, the latest installment of a rebooted series that began in 2011, the series will probably remain when the first movie reaches its 60th anniversary in just four years. This may be the most purely resilient series in Hollywood.

Yes, when you factor in reboots, the James Bond series has been kicking around for longer (though not by all that much). But the Bond movies have a lot of things that a lot of people traditionally like in their motion pictures: cars, guns, globe-hopping locations, attractive human beings triumphing over supervillains. The majority of the Planet of the Apes movies have little of this, and instead feature – multi-spoiler alert? – humans losing, badly. It’s a hallmark of the series, whether through the psychological damage inflicted by the original movie’s now-famous twist ending (the ape world isn’t a far-flung planet at all, but Earth!), the deadly Covid-like flu that spreads over the end credits of Rise of the Planet of the Apes, the savage beatings and killings administered for 30 solid minutes at the end of Conquest of the Planet of the Apes, or the total destruction of all life on Earth – amazingly, that last one happens in the second film.

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