MEGA EXCLUSIVE: After Vikrant Massey’s White, Narcos cinematographer Juan Carlos Gil signs Ranveer Singh’s Pralay

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In an exciting development for Bollywood, two major upcoming films will share the same international cinematographer. Bollywood Hungama has exclusively learnt that Juan Carlos Gil, the acclaimed DOP of Netflix’s global series Narcos and who has shot Vikrant Massey’s big-scale political drama White, has come on board for Ranveer Singh’s upcoming mega-budget film Pralay. A source told Bollywood Hungama, “The team of Pralay is mounting the film on a lavish scale and wants it to have a Hollywood-style visual treatment. Juan Carlos Gil fits the bill perfectly. He is equally excited to come on board, while the team is thrilled to have him shoot this ambitious zombie film.” About Pralay Pralay is highly awaited not just because it’s a mega-budget zombie thriller but also because its Ranveer Singh’s immediate next after the all-time blockbuster, Dhurandhar. It is directed by Jai Mehta and produced by Birla Studios and Hansal Mehta. About White Vikrant Massey’s White is a big-scale human polit...
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Hanging around: how Planet of the Apes became Hollywood’s most resilient franchise

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The success of Kingdom of the Planet of the Apes shows how, for almost 60 years, the series has managed to sustain audience interest

By pure hot-streak longevity, the most impressive feat in Hollywood franchising is the Mission: Impossible series, which began in 1996 and may – may – finally wrap up next year, after eight entries and nearly 30 years without a single continuity reboot. But true to the fictional history of the Planet of the Apes series, it may be the apes who ultimately inherit this title from the petty, small-minded humans. The original Planet of the Apes came out in 1968 – and based on first weekend box office and positive reviews for Kingdom of the Planet of the Apes, the latest installment of a rebooted series that began in 2011, the series will probably remain when the first movie reaches its 60th anniversary in just four years. This may be the most purely resilient series in Hollywood.

Yes, when you factor in reboots, the James Bond series has been kicking around for longer (though not by all that much). But the Bond movies have a lot of things that a lot of people traditionally like in their motion pictures: cars, guns, globe-hopping locations, attractive human beings triumphing over supervillains. The majority of the Planet of the Apes movies have little of this, and instead feature – multi-spoiler alert? – humans losing, badly. It’s a hallmark of the series, whether through the psychological damage inflicted by the original movie’s now-famous twist ending (the ape world isn’t a far-flung planet at all, but Earth!), the deadly Covid-like flu that spreads over the end credits of Rise of the Planet of the Apes, the savage beatings and killings administered for 30 solid minutes at the end of Conquest of the Planet of the Apes, or the total destruction of all life on Earth – amazingly, that last one happens in the second film.

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