Purr-fect casting: is Orangey the most important movie cat ever?

A new retrospective celebrates the work of the cat credited with roles in Breakfast at Tiffany’s, The Comedy of Terrors and Rhubarb In the midst of Oscar season, it becomes evident just how much work it takes to win an Academy Award, both in on-screen work and off-screen campaigning. Consider, however, that multiple actors have won more than one Oscar. (Emma Stone, one of this year’s best actress nominees, won twice in the past decade.) Only a single cat, meanwhile, has twice won the Patsy – the Picture Animal Top Star of the Year. (The award, given by the American Humane Association, not to be confused with the Humane Society, was discontinued in 1986.) That cat is Orangey, the subject of a small retrospective at New York City’s Metrograph cinema. Plenty of rep houses will play a movie like Breakfast at Tiffany’s around Valentine’s Day; the Metrograph is going deeper into the Orangey catalogue for a wider variety of titles and genres. Breakfast at Tiffany’s does offer Orangey his mo...

Tomorrow’s Freedom review – does this man know the way to peace in Israel and Palestine?

Sombre documentary focuses on the former Palestinian leader Marwan Barghouti, and how he is becoming a Mandela-like figure since his imprisonment in 2002

Here is a film that offers something not generally on offer in the media: an envisioning of the future and a road map, or part of a road map, out of the present situation in Israel and Palestine. It’s about Palestinian leader Marwan Barghouti, an initial supporter of the 1993 and 1995 Oslo peace accords who became progressively disillusioned with the slow choreography of international consensus, and was ultimately imprisoned in 2002 for authorising deadly attacks on Israel. Barghouti’s position is not that he is innocent, but that an Israeli court has no right to try him.

During the long years since, he has gone on hunger strike, been beaten and abused in captivity; his grownup children have themselves been targeted and arrested and his wife Fadwa has been repeatedly refused permission to visit him. But the film shows that something else has been happening as well: the Mandela-isation of Barghouti, a process which the Israeli forces themselves may well come to see as convenient, when in some future time they need an internationally accepted figure with whom to negotiate.

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