Aamir Khan Productions, Kabir Khan Films and Australia’s Mind Blowing Films announce Silkyara 41 based on Uttarakhand tunnel rescue

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Aamir Khan Productions, Kabir Khan Films and Australian banner Mind Blowing Films have officially announced Silkyara 41, a feature film inspired by the extraordinary rescue operation at the Silkyara Tunnel in Uttarakhand. The project will chronicle the dramatic mission that led to the safe rescue of 41 trapped workers and highlight the contribution of internationally renowned tunnelling expert Professor Arnold Dix. The announcement was made on July 9 in Melbourne and Mumbai, coinciding with a significant moment in India-Australia relations as both nations continue to strengthen bilateral ties. The makers have described Silkyara 41 as a landmark Indo-Australian collaboration that brings together creative talent, storytelling traditions and production expertise from both countries. The film will be directed by Kabir Khan, known for films such as Bajrangi Bhaijaan and '83, while the screenplay has been penned by acclaimed Australian writer Andrew Anastasios, whose credits include The...
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Tomorrow’s Freedom review – does this man know the way to peace in Israel and Palestine?

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Sombre documentary focuses on the former Palestinian leader Marwan Barghouti, and how he is becoming a Mandela-like figure since his imprisonment in 2002

Here is a film that offers something not generally on offer in the media: an envisioning of the future and a road map, or part of a road map, out of the present situation in Israel and Palestine. It’s about Palestinian leader Marwan Barghouti, an initial supporter of the 1993 and 1995 Oslo peace accords who became progressively disillusioned with the slow choreography of international consensus, and was ultimately imprisoned in 2002 for authorising deadly attacks on Israel. Barghouti’s position is not that he is innocent, but that an Israeli court has no right to try him.

During the long years since, he has gone on hunger strike, been beaten and abused in captivity; his grownup children have themselves been targeted and arrested and his wife Fadwa has been repeatedly refused permission to visit him. But the film shows that something else has been happening as well: the Mandela-isation of Barghouti, a process which the Israeli forces themselves may well come to see as convenient, when in some future time they need an internationally accepted figure with whom to negotiate.

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