Huma Qureshi heads to Cannes 2026 after making waves at TIFF and BIFF with Bayaan

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Huma Qureshi is all set to return to the prestigious Cannes Film Festival, adding another milestone to her steadily growing international journey. Over the years, the actor has built a strong reputation for balancing mainstream cinema with content-driven performances, and her Cannes 2026 appearance further highlights her expanding global footprint. Having attended Cannes previously as well, Huma has consistently represented Indian cinema on international platforms through her unconventional film choices and impactful performances. Whether it was her breakthrough role in Gangs of Wasseypur or critically appreciated performances in projects like Maharani, Monica O My Darling, Tarla and Leila, the actor has continuously backed stories that stand apart. She also expanded her global reach with Army of the Dead, directed by Zack Snyder. Last year proved to be particularly significant for Huma on the international front. The actor attended both the Toronto International Film Festival and the...
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Tomorrow’s Freedom review – does this man know the way to peace in Israel and Palestine?

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Sombre documentary focuses on the former Palestinian leader Marwan Barghouti, and how he is becoming a Mandela-like figure since his imprisonment in 2002

Here is a film that offers something not generally on offer in the media: an envisioning of the future and a road map, or part of a road map, out of the present situation in Israel and Palestine. It’s about Palestinian leader Marwan Barghouti, an initial supporter of the 1993 and 1995 Oslo peace accords who became progressively disillusioned with the slow choreography of international consensus, and was ultimately imprisoned in 2002 for authorising deadly attacks on Israel. Barghouti’s position is not that he is innocent, but that an Israeli court has no right to try him.

During the long years since, he has gone on hunger strike, been beaten and abused in captivity; his grownup children have themselves been targeted and arrested and his wife Fadwa has been repeatedly refused permission to visit him. But the film shows that something else has been happening as well: the Mandela-isation of Barghouti, a process which the Israeli forces themselves may well come to see as convenient, when in some future time they need an internationally accepted figure with whom to negotiate.

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