Hugh Grant says fourth Bridget Jones film will be ‘funny but very sad’

Actor reprises character of Daniel Cleaver but says he won’t play role of ‘60-year-old wandering around looking at young girls’ It is a universally acknowledged truth that Bridget Jones films are packed with humour and comedic scenes that attract viewers in their droves. However, in a slight departure, Hugh Grant has revealed that the fourth film in the series will also be “very sad”. Continue reading... from Film | The Guardian https://ift.tt/ZJoB2VO via IFTTT

Golden Globes 2024: Oppenheimer Succession and Poor Things win big – as it happened

The first starry awards event of the year was dominated by Barbenheimer and the final season of Succession

It was to be expected that Barry Keoghan, who is nominated for Best male actor in a film – drama for his role in Saltburn, would pull out some big guns on the red carpet tonight. You couldn’t play Oliver Quick onscreen and then turn up in a standard suit. But even for Keoghan there is a lot going on with this Louis Vuitton look, from the complementary but simultaneously clashing patterned suit to the pearls and folkloric-looking broach. His stylist, Ilaria Urbinati, is to thank – a veteran image maker who has previously dressed Keoghan in everything from leather waistcoats to bold-patterned Burberry.

Lily Gladstone is one of the strongest frontrunners tonight, favourite to take home the Globe for best actress (drama) for her performance in Scorsese’s devastating Killers of the Flower Moon. She’s the first Native nominee in this category and could make more history very soon.

‘We didn’t have our leading ladies in our sweeping, tragic love stories like classic old Hollywood,’ Gladstone said. ‘So placing this incredible Indigenous cast in these roles that we’ve been excluded from in film history is very restorative. We had so much Osage input into Killers of the Flower Moon, and that really shaped everything you see on screen. I hope this will set a new precedent for people working with communities in Hollywood.’

Continue reading...

from Film | The Guardian https://ift.tt/KSE4lCx
via IFTTT

Comments

Popular posts from this blog

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

Elaha review – sex, patriarchy and second-generation identity

Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth