Sharvari leads her generation's biggest film line-up; 2 massive theatrical releases set to arrive in just 28 days

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Sharvari is fast emerging as one of the most exciting talents of her generation, and her growing filmography is proof that the industry’s biggest filmmakers and banners are betting big on her. The young actress has built an enviable line-up that includes Imtiaz Ali’s Main Vaapas Aaunga, Aditya Chopra’s Alpha, Sooraj Barjatya’s Yeh Prem Mol Liya, and YRF and Ali Abbas Zafar’s untitled next, in which she is paired opposite Ahaan Panday. What makes her upcoming slate even more remarkable is that Sharvari has two major theatrical releases within a span of just 28 days. While Main Vaapas Aaunga is set to arrive on June 12, Alpha will hit cinemas on July 10, giving her a huge opportunity to consolidate her place among the most promising young stars in the industry. Sharvari has already sparked a strong conversation with the teaser of Main Vaapas Aaunga, where her innocence and screen presence have stood out instantly. In fact, many on the internet are already calling her the “best-kept sur...
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What a sad loss – Tom Wilkinson was quietly and consistently wonderful

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From The Full Monty to In the Bedroom, Michael Clayton to Eternal Sunshine, the actor – who has died aged 75 – was an intelligent and unshowy delight

For British movie audiences of a certain generation, there is one image of Tom Wilkinson that will always sum up his hold on our hearts: a paunchy, respectable bloke in a dole queue, wearing an anorak over his collar and tie, with a bunch of other depressed but much younger and scruffier males, shyly, almost unconsciously, practising some swaying erotic dance moves to the accompaniment of Donna Summer’s Hot Stuff.

He played the upright, uptight Gerald in the 1997 British comedy The Full Monty, an ex-supervisor at a Sheffield steel mill who got laid off like the blue-collar workers under him but, unlike them, he initially tries concealing his humiliating unemployment from his wife. But Gerald swallows his pride and joins the bizarre male striptease troupe of blokes whose manhood was once deeply bound up with their role as breadwinners, and who are now symbolically reduced to earning a few pounds revealing this same reduced manhood at the climax of a horribly unsexy dance routine. It was a gloriously tender, funny, sweet-natured and lovable performance from Wilkinson: he was the authority figure, the teacher/boss/dad character who had to get off his high horse and admit that he was as lonely and unhappy and need of help as everyone else. It was a part that Wilkinson instinctively knew how to play by showing the vulnerability within the grumpiness.

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