John Lennon: The Last Interview review – Soderbergh imagines there’s no people with bland AI clipshow

-
Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder Coming just after his superb feature The Christophers , Steven Soderbergh has now made a surprisingly moderate documentary, dominated and frankly marred by uninteresting and pointless AI. It is about the inadvertently poignant final interview given by John Lennon and Yoko Ono on 8 December 1980 in New York’s Dakota apartment building, hours before his death. The interviewers were Dave Sholin, Laurie Kaye and Ron Hummel from San Francisco’s KFRC radio station. On their way out of the building with the conversation on tape, they were accosted by a creepy stalker-fan; in attempt to calm the man down, Kaye gave him a brand new copy of John and Yoko’s new album Double Fantasy. This sinister man was Lennon’s future murderer who got him to sign an album – perhaps this very album – and later shot him dead. It is a chilling, stomach-turning twist of f...
Post a Comment

What a sad loss – Tom Wilkinson was quietly and consistently wonderful

-

From The Full Monty to In the Bedroom, Michael Clayton to Eternal Sunshine, the actor – who has died aged 75 – was an intelligent and unshowy delight

For British movie audiences of a certain generation, there is one image of Tom Wilkinson that will always sum up his hold on our hearts: a paunchy, respectable bloke in a dole queue, wearing an anorak over his collar and tie, with a bunch of other depressed but much younger and scruffier males, shyly, almost unconsciously, practising some swaying erotic dance moves to the accompaniment of Donna Summer’s Hot Stuff.

He played the upright, uptight Gerald in the 1997 British comedy The Full Monty, an ex-supervisor at a Sheffield steel mill who got laid off like the blue-collar workers under him but, unlike them, he initially tries concealing his humiliating unemployment from his wife. But Gerald swallows his pride and joins the bizarre male striptease troupe of blokes whose manhood was once deeply bound up with their role as breadwinners, and who are now symbolically reduced to earning a few pounds revealing this same reduced manhood at the climax of a horribly unsexy dance routine. It was a gloriously tender, funny, sweet-natured and lovable performance from Wilkinson: he was the authority figure, the teacher/boss/dad character who had to get off his high horse and admit that he was as lonely and unhappy and need of help as everyone else. It was a part that Wilkinson instinctively knew how to play by showing the vulnerability within the grumpiness.

Continue reading...

from Film | The Guardian https://ift.tt/5KWOwYH
via IFTTT

Comments

Post a Comment

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

-
Laura Linney is upstaged by older co-stars Smith and Kathy Bates in this sentimental tale about a group of Dublin women who go on a spiritual journey together Who’s up for a golden-hued heartwarmer set in 60s Ireland starring Kathy Bates and Maggie Smith about women with secret fears and dreams going on a church trip to Lourdes and finally finding the real miracle is their new compassion for each other? The answer to this question could well have been … me. I have a liking for a gentle tale and there is nothing necessarily wrong with, just occasionally, showing Ireland and the church of this period with something other than outrage and horror. But The Miracle Club does not at any time, to use a discredited metaphor, throw away its crutches and walk. And it’s painful to note that this is largely because of the way film can’t convincingly use that estimable actor Laura Linney in a central role. She is upstaged by the older, fruitier performances and doesn’t hold her own with a more seri...
Read more

‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

-
Film-maker who directed Keaton in Something’s Gotta Give, and wrote Baby Boom and Father of the Bride, says ‘we have lost a giant’ Film-maker Nancy Meyers has paid tribute to the late Diane Keaton, her “friend of almost 40 years” and collaborator on celebrated comedies Something’s Gotta Give, Baby Boom and Father of the Bride. On Monday, Meyers wrote on Instagram that she’d had a difficult 48 hours since Keaton’s death was announced on Saturday, but “seeing all of your tributes to Diane has been a comfort.” Continue reading... from Film | The Guardian https://ift.tt/TFc820j via IFTTT
Read more

Malaika Arora scolds 16-year-old dancer for inappropriate gestures: “He is winking, giving flying kisses”

-
Bollywood diva Malaika Arora found herself at the center of an unexpected controversy during the filming of Hip Hop India Season 2. The popular dance reality show, judged by Arora alongside choreographer-director Remo D’Souza, took an awkward turn when a 16-year-old contestant made suggestive gestures toward her during his performance. The incident, which left Malaika visibly uncomfortable, was captured on video and has since gone viral. What Happened on Hip Hop India Season 2? The incident unfolded during a recent episode of Hip Hop India Season 2, which streams on Amazon MX Player and showcases India’s top hip-hop talent. While judging a contestant’s performance, Malaika noticed the young dancer directing inappropriate gestures her way, including winking and blowing flying kisses. Clearly taken aback, the actress and fitness icon didn’t hold back her disapproval. In the now-viral footage, she can be heard reprimanding the teenager, sternly demanding, “Mummy ka phone number do!” (Giv...
Read more