‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

Film-maker who directed Keaton in Something’s Gotta Give, and wrote Baby Boom and Father of the Bride, says ‘we have lost a giant’ Film-maker Nancy Meyers has paid tribute to the late Diane Keaton, her “friend of almost 40 years” and collaborator on celebrated comedies Something’s Gotta Give, Baby Boom and Father of the Bride. On Monday, Meyers wrote on Instagram that she’d had a difficult 48 hours since Keaton’s death was announced on Saturday, but “seeing all of your tributes to Diane has been a comfort.” Continue reading... from Film | The Guardian https://ift.tt/TFc820j via IFTTT

Little Trouble Girls review – monstrous choirmaster spikes a sublime Catholic coming-of-age tale

Utterly absorbing Slovenian debut reinvents the cliched idea of a Catholic girl’s sexual awakening, and proves that no teacher can be as cruel as a music teacher

This elegant and mysterious debut from Slovenian director Urška Djukić, with its superb musical score and sound design, reinvents the cliched idea of a Catholic girl’s sexual awakening. It’s also proof, if proof were needed, that no teacher in the world can be as cruel and abusive as a music teacher. We have already seen JK Simmons’ terrifying jazz instructor in Damien Chazelle’s Whiplash and Isabelle Huppert’s keyboard monster in Michael Haneke’s The Piano Teacher; now there is Slovenian actor and musician Saša Tabaković playing a demanding, yet insidious choirmaster in charge of a group of talented, vulnerable teenage girls. The film incidentally has a lesson for any teenage person watching: if a music teacher asks you to sit next to them on the piano stool with no one else in the room and murmurs “You can confide in me” … you can’t.

The English title is taken from Sonic Youth’s Little Trouble Girl, but otherwise this is strictly a matter of holy music. (The Slovenian original is Kaj Ti Je Deklica, which means “what’s wrong with you girl?”). Lucija (played by newcomer Jara Sofija Ostan) is a shy 16-year-old who is a member of her Catholic school’s female choir; with her sexy, worldly, mercurial best friend Ana-Marija (Mina Švajger) she joins the choir’s special trip across the Italian border for a week in Cividale del Friuli near Trieste; they rehearse in a nunnery, a lovely building with a courtyard featuring an olive tree, which is to assume a poetic quality as Lucija gazes at it during sleepless nights.

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