Passenger review – generic jumpscare horror offers bumpy journey to nowhere

A demonic entity attaches itself to travellers on the road in this competently directed but hopelessly indistinctive scare-free misfire As Obsession , a micro-budget horror made by a YouTuber , continues to overperform with critics and audiences, and as another twentysomething content creator prepares to break a potential record with the release of Backrooms , here comes a stodgy by-the-book Paramount horror that feels like someone’s embarrassing dad just gatecrashed a college party. While others might be trying to innovate, those involved with Paramount’s generic schedule-filler Passenger are perfectly content to keep things lazily trucking along as they always have. Even if it wasn’t stuck in an unfortunate gen Z genre sandwich, it would still be a struggle to see why anyone would want to hitch a ride with this one. Like February’s cursed misfire Psycho Killer , another junky on-the-road studio horror, Passenger plays like something that would have gone straight to unrated DVD back ...

Raging Grace review – scary movie suffers an absence of scares

An undocumented Filipino cleaner is employed at a vast, remote mansion to care for a bedridden David Hayman, while hiding her daughter Grace

There are interesting ideas – and a tremendous final choir sequence – in this scary movie; it offers a critique of British colonialism, and also plays with the text of Rudyard Kipling’s 1899 poem The White Man’s Burden that urged the United States to assume the thankless imperial task of civilising and subjugating the people of the Philippines, and nobly overlooking how ungrateful they are going to be. There is ingenuity here, and good acting, but the film for me feels flawed by its strained melodrama, an absence of scares and by a very odd scene of almost unreal, farcical absurdity.

Joy (Max Eigenmann) is a Filipino woman in the UK with a young daughter, Grace (Jaeden Paige Boadilla); Joy is doing undocumented work as a cleaner and faces racism and exploitation and imminent expulsion. But then she is employed by the haughty Katherine (Leanne Best) to work in a remote, vast mansion as a housekeeper to Katherine’s bedridden and ailing uncle, Mr Garrett, played with relish by David Hayman. Katherine has no idea about Joy’s daughter and there are some weirdly Feydeau-ish scenes when Joy has to hide the girl and somehow distract Katherine from spotting her.

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