Ahaan Panday CONFIRMS next film with Ali Abbas Zafar: “It’s being led by three people under the age of 30”

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Ahaan Panday used the stage at the NDTV Indian of the Year 2025 to confirm his next film, revealing that he will soon be collaborating with filmmaker Ali Abbas Zafar. Fresh off the success of his Bollywood debut Saiyaara, the actor spoke candidly about the project during a brief interaction with the host after accepting his award. Confirming the development, Ahaan said, “It’s an Ali Abbas Zafar film. I don’t know if I should say too much. All I can say is it will start rolling very soon, in the next couple of months. It’s an action film. It’s being led by three people under the age of 30. It has been something that’s not been done for a very long time. For the rest, the audience will have to wait for it.” While he refrained from sharing further details, the confirmation put an end to months of speculation around his next project. Buzz around Ahaan’s follow-up to Saiyaara first surfaced in October this year. Reports suggest that Sharvari will play the female lead, with Bobby Deol expe...
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Raging Grace review – scary movie suffers an absence of scares

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An undocumented Filipino cleaner is employed at a vast, remote mansion to care for a bedridden David Hayman, while hiding her daughter Grace

There are interesting ideas – and a tremendous final choir sequence – in this scary movie; it offers a critique of British colonialism, and also plays with the text of Rudyard Kipling’s 1899 poem The White Man’s Burden that urged the United States to assume the thankless imperial task of civilising and subjugating the people of the Philippines, and nobly overlooking how ungrateful they are going to be. There is ingenuity here, and good acting, but the film for me feels flawed by its strained melodrama, an absence of scares and by a very odd scene of almost unreal, farcical absurdity.

Joy (Max Eigenmann) is a Filipino woman in the UK with a young daughter, Grace (Jaeden Paige Boadilla); Joy is doing undocumented work as a cleaner and faces racism and exploitation and imminent expulsion. But then she is employed by the haughty Katherine (Leanne Best) to work in a remote, vast mansion as a housekeeper to Katherine’s bedridden and ailing uncle, Mr Garrett, played with relish by David Hayman. Katherine has no idea about Joy’s daughter and there are some weirdly Feydeau-ish scenes when Joy has to hide the girl and somehow distract Katherine from spotting her.

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