Farhan Akhtar starrer 120 Bahadur creates history; becomes first film ever to release in Defence theatres across India

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India’s exhibition landscape is witnessing a groundbreaking moment as Excel Entertainment and Trigger Happy Studios’ upcoming war epic 120 Bahadur becomes the first film in the country to release across defence theatres nationwide. This landmark initiative, enabled through PictureTime’s mobile cinema network, ensures that a film honouring unparalleled courage will directly reach the brave hearts it pays tribute to. The Farhan Akhtar-starrer is set to screen exclusively for the defence community in more than 800 cinema halls across India when it opens globally on November 21. The rollout, executed by PictureTime in collaboration with GenSync Brat Media, marks a major leap in accessibility, bringing high-quality cinematic experiences to soldiers and their families posted in remote and previously underserved regions. Explaining the scale and impact of the initiative, Sushil Chaudhary, Founder-CEO of PictureTime, highlighted the long-standing gap in entertainment access for armed forces ...
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Raging Grace review – scary movie suffers an absence of scares

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An undocumented Filipino cleaner is employed at a vast, remote mansion to care for a bedridden David Hayman, while hiding her daughter Grace

There are interesting ideas – and a tremendous final choir sequence – in this scary movie; it offers a critique of British colonialism, and also plays with the text of Rudyard Kipling’s 1899 poem The White Man’s Burden that urged the United States to assume the thankless imperial task of civilising and subjugating the people of the Philippines, and nobly overlooking how ungrateful they are going to be. There is ingenuity here, and good acting, but the film for me feels flawed by its strained melodrama, an absence of scares and by a very odd scene of almost unreal, farcical absurdity.

Joy (Max Eigenmann) is a Filipino woman in the UK with a young daughter, Grace (Jaeden Paige Boadilla); Joy is doing undocumented work as a cleaner and faces racism and exploitation and imminent expulsion. But then she is employed by the haughty Katherine (Leanne Best) to work in a remote, vast mansion as a housekeeper to Katherine’s bedridden and ailing uncle, Mr Garrett, played with relish by David Hayman. Katherine has no idea about Joy’s daughter and there are some weirdly Feydeau-ish scenes when Joy has to hide the girl and somehow distract Katherine from spotting her.

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