Liam Neeson denies anti-vax views after narrating Covid documentary

Taken star lends his voice to a film that questions the legitimacy of vaccines and includes interview with RFK Jr Liam Neeson has lent his voice to a new documentary that questions the legitimacy of vaccines and praises Donald Trump ’s health and human services secretary, Robert F Kennedy Jr . The film, called Plague of Corruption, is narrated by the Taken actor and based on a bestselling book co-authored by Judy Mikovits, a disgraced former scientist who gained notoriety during the Covid pandemic. She claimed Covid was caused by a bad strain of the flu vaccine and urged people not to get vaccinated. Continue reading... from Film | The Guardian https://ift.tt/CZu4oXy via IFTTT

Raging Grace review – scary movie suffers an absence of scares

An undocumented Filipino cleaner is employed at a vast, remote mansion to care for a bedridden David Hayman, while hiding her daughter Grace

There are interesting ideas – and a tremendous final choir sequence – in this scary movie; it offers a critique of British colonialism, and also plays with the text of Rudyard Kipling’s 1899 poem The White Man’s Burden that urged the United States to assume the thankless imperial task of civilising and subjugating the people of the Philippines, and nobly overlooking how ungrateful they are going to be. There is ingenuity here, and good acting, but the film for me feels flawed by its strained melodrama, an absence of scares and by a very odd scene of almost unreal, farcical absurdity.

Joy (Max Eigenmann) is a Filipino woman in the UK with a young daughter, Grace (Jaeden Paige Boadilla); Joy is doing undocumented work as a cleaner and faces racism and exploitation and imminent expulsion. But then she is employed by the haughty Katherine (Leanne Best) to work in a remote, vast mansion as a housekeeper to Katherine’s bedridden and ailing uncle, Mr Garrett, played with relish by David Hayman. Katherine has no idea about Joy’s daughter and there are some weirdly Feydeau-ish scenes when Joy has to hide the girl and somehow distract Katherine from spotting her.

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