The Fabulous Gold Harvesting Machine review – scavenger’s story reveals a rich seam to mine

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Alfredo Pourailly De La Plaza’s absorbing documentary about an ageing Chilean gold panner is meticulously detailed and doubles as its own act of visual prospecting Out on the remote archipelago of Tierra del Fuego in Chile, Toto Gesell holds on to a profession that hails from bygone times: gold prospecting. Every day, come rain or shine, he puts on his rubber boots and heads to a local creek, where he searches for specks of gold the old-fashioned way: with a pan, a shovel and a homemade sluice. His daily routines are documented with great tenderness in Alfredo Pourailly De La Plaza’s absorbing documentary, shot over nearly a decade. The camera often lingers on Toto’s wrinkled hands, as he carefully handles tiny flecks of the precious metal, or writes down his hopes and dreams in a neatly kept diary. Despite his contentment with this simple way of life, his body is etched with the physical toil of the demanding work. When Jorge, Toto’s worried son, decides to build a trommel from scratc...
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Raging Grace review – scary movie suffers an absence of scares

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An undocumented Filipino cleaner is employed at a vast, remote mansion to care for a bedridden David Hayman, while hiding her daughter Grace

There are interesting ideas – and a tremendous final choir sequence – in this scary movie; it offers a critique of British colonialism, and also plays with the text of Rudyard Kipling’s 1899 poem The White Man’s Burden that urged the United States to assume the thankless imperial task of civilising and subjugating the people of the Philippines, and nobly overlooking how ungrateful they are going to be. There is ingenuity here, and good acting, but the film for me feels flawed by its strained melodrama, an absence of scares and by a very odd scene of almost unreal, farcical absurdity.

Joy (Max Eigenmann) is a Filipino woman in the UK with a young daughter, Grace (Jaeden Paige Boadilla); Joy is doing undocumented work as a cleaner and faces racism and exploitation and imminent expulsion. But then she is employed by the haughty Katherine (Leanne Best) to work in a remote, vast mansion as a housekeeper to Katherine’s bedridden and ailing uncle, Mr Garrett, played with relish by David Hayman. Katherine has no idea about Joy’s daughter and there are some weirdly Feydeau-ish scenes when Joy has to hide the girl and somehow distract Katherine from spotting her.

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