Netflix launches ‘India Storytelling Initiative’ to strengthen creative talent pipeline

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Netflix has announced a major step towards strengthening India's creative landscape with the launch of the ‘Netflix India Storytelling Initiative’, reaffirming its long-term commitment to the country's growing entertainment industry. The announcement comes after Netflix Co-CEO Ted Sarandos met Hon'ble Prime Minister Shri Narendra Modi to discuss the increasing global appeal of Indian stories and the company's continued investment in India's creative economy. Having worked with India's creative community for over a decade, Netflix has produced more than 200 Originals and filmed across over 100 locations in the country. Building on this foundation, the newly launched initiative aims to support the next generation of storytellers through a multi-phase investment focused on talent development. The programme will establish strategic collaborations with leading Indian institutions to equip aspiring creators with industry-relevant skills across the Animation, Visual E...
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Raging Grace review – scary movie suffers an absence of scares

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An undocumented Filipino cleaner is employed at a vast, remote mansion to care for a bedridden David Hayman, while hiding her daughter Grace

There are interesting ideas – and a tremendous final choir sequence – in this scary movie; it offers a critique of British colonialism, and also plays with the text of Rudyard Kipling’s 1899 poem The White Man’s Burden that urged the United States to assume the thankless imperial task of civilising and subjugating the people of the Philippines, and nobly overlooking how ungrateful they are going to be. There is ingenuity here, and good acting, but the film for me feels flawed by its strained melodrama, an absence of scares and by a very odd scene of almost unreal, farcical absurdity.

Joy (Max Eigenmann) is a Filipino woman in the UK with a young daughter, Grace (Jaeden Paige Boadilla); Joy is doing undocumented work as a cleaner and faces racism and exploitation and imminent expulsion. But then she is employed by the haughty Katherine (Leanne Best) to work in a remote, vast mansion as a housekeeper to Katherine’s bedridden and ailing uncle, Mr Garrett, played with relish by David Hayman. Katherine has no idea about Joy’s daughter and there are some weirdly Feydeau-ish scenes when Joy has to hide the girl and somehow distract Katherine from spotting her.

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