‘An overnight success after 25 years? Delicious’: Ted Lasso’s Hannah Waddingham on sexism, stunts and stardom at 51

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The actor seemed destined for a long but unflashy career in musical theatre – until a role as a football club owner in the TV hit changed everything. She talks about her new Hollywood era, calling out misogyny and why she’s ‘more than just camp’ Hannah Waddingham clears her throat. Her voice is a little scratchy. Two days before we meet, the star of Ted Lasso hosted the TV comedy show Saturday Night Live UK. She took part in almost all of the sketches that night, from a skit about “two top-heavy, Reading-based drama teachers” called Janet, to a musical number about how many glasses of wine to drink at a bar, to a bit in which she played the stern northern leader of a speed awareness course. In her opening monologue, she zipped through a variety of accents and impressions. “You see?” she told the cheering crowd. “Range! Range. ” I should have remembered this line when making small talk. We are tucked away in the hidden private dining room of a hotel in London, the city where the actor w...
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Raging Grace review – scary movie suffers an absence of scares

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An undocumented Filipino cleaner is employed at a vast, remote mansion to care for a bedridden David Hayman, while hiding her daughter Grace

There are interesting ideas – and a tremendous final choir sequence – in this scary movie; it offers a critique of British colonialism, and also plays with the text of Rudyard Kipling’s 1899 poem The White Man’s Burden that urged the United States to assume the thankless imperial task of civilising and subjugating the people of the Philippines, and nobly overlooking how ungrateful they are going to be. There is ingenuity here, and good acting, but the film for me feels flawed by its strained melodrama, an absence of scares and by a very odd scene of almost unreal, farcical absurdity.

Joy (Max Eigenmann) is a Filipino woman in the UK with a young daughter, Grace (Jaeden Paige Boadilla); Joy is doing undocumented work as a cleaner and faces racism and exploitation and imminent expulsion. But then she is employed by the haughty Katherine (Leanne Best) to work in a remote, vast mansion as a housekeeper to Katherine’s bedridden and ailing uncle, Mr Garrett, played with relish by David Hayman. Katherine has no idea about Joy’s daughter and there are some weirdly Feydeau-ish scenes when Joy has to hide the girl and somehow distract Katherine from spotting her.

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