Elastic limbs, fantastical accents and crackling sexual chemistry: Dick Van Dyke turns 100

The goofy star of Mary Poppins becomes a centenarian on Saturday. And what a precocious performer he has proved, sustaining scrappy mischief through seven decades of mainstream entertainment All Hollywood stars grow old and die except perhaps one - Dick Van Dyke - who turns 100 today. The real world Peter Pan who used to trip over the ottoman on The Dick Van Dyke Show is still standing. The man who impersonated a wind-up toy in Chitty Chitty Bang Bang hasn’t wound down just yet. He has outlived mentors, co-stars, romantic partners and several studios. He’s even outlived the jokes about his performance in Mary Poppins. These days his mangled cockney accent is regarded with more fondness than contempt. It’s seen as one of the great charms of the 1964 classic, along with the carousel chase or the cartoon dancing penguins. Charm is the magic ingredient of every popular entertainer and few have possessed it in such abundance as Van Dyke, the impoverished son of a travelling cookie salesm...

Raging Grace review – scary movie suffers an absence of scares

An undocumented Filipino cleaner is employed at a vast, remote mansion to care for a bedridden David Hayman, while hiding her daughter Grace

There are interesting ideas – and a tremendous final choir sequence – in this scary movie; it offers a critique of British colonialism, and also plays with the text of Rudyard Kipling’s 1899 poem The White Man’s Burden that urged the United States to assume the thankless imperial task of civilising and subjugating the people of the Philippines, and nobly overlooking how ungrateful they are going to be. There is ingenuity here, and good acting, but the film for me feels flawed by its strained melodrama, an absence of scares and by a very odd scene of almost unreal, farcical absurdity.

Joy (Max Eigenmann) is a Filipino woman in the UK with a young daughter, Grace (Jaeden Paige Boadilla); Joy is doing undocumented work as a cleaner and faces racism and exploitation and imminent expulsion. But then she is employed by the haughty Katherine (Leanne Best) to work in a remote, vast mansion as a housekeeper to Katherine’s bedridden and ailing uncle, Mr Garrett, played with relish by David Hayman. Katherine has no idea about Joy’s daughter and there are some weirdly Feydeau-ish scenes when Joy has to hide the girl and somehow distract Katherine from spotting her.

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