Pawan Kalyan’s Ustaad Bhagat Singh to clash with Dhurandhar: The Revenge on March 19

While Yash has played it safe with his Toxic, relocating it as far away from Dhurandhar: The Revenge as possible, another braveheart has decided to take on Aditya Dhar’s sequel head-on. Pawan Kalyan ambitious project Ustaad Bhagat Singh has been preponed from March 22 to March 19, thereby precipitating a direct clash with Dhurandhar 2. Pawan took this flash decision following the postponement of Yash’s Toxic from March 19 to June 4. A source very close to Dhurandhar told this writer that Pawan Kalyan’s airdrop means nothing to the Dhurandhar team. They were not perturbed by the release of Toxic on March 19, they are not taking the competition from Ustaad Bhagat Singh seriously. However, Pawan Kalyan is taking the clash to the highest level. A source close to Pawan revealed, “He firmly feels the March 19 slot and its Eid and Rama Navami holidays offer enough room for more than one blockbuster. He will be vigorously promoting...

Raging Grace review – scary movie suffers an absence of scares

An undocumented Filipino cleaner is employed at a vast, remote mansion to care for a bedridden David Hayman, while hiding her daughter Grace

There are interesting ideas – and a tremendous final choir sequence – in this scary movie; it offers a critique of British colonialism, and also plays with the text of Rudyard Kipling’s 1899 poem The White Man’s Burden that urged the United States to assume the thankless imperial task of civilising and subjugating the people of the Philippines, and nobly overlooking how ungrateful they are going to be. There is ingenuity here, and good acting, but the film for me feels flawed by its strained melodrama, an absence of scares and by a very odd scene of almost unreal, farcical absurdity.

Joy (Max Eigenmann) is a Filipino woman in the UK with a young daughter, Grace (Jaeden Paige Boadilla); Joy is doing undocumented work as a cleaner and faces racism and exploitation and imminent expulsion. But then she is employed by the haughty Katherine (Leanne Best) to work in a remote, vast mansion as a housekeeper to Katherine’s bedridden and ailing uncle, Mr Garrett, played with relish by David Hayman. Katherine has no idea about Joy’s daughter and there are some weirdly Feydeau-ish scenes when Joy has to hide the girl and somehow distract Katherine from spotting her.

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