Handcuffs, dog bites and avian warfare: how personal grudges sullied Alfred Hitchcock’s reputation

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The director liked to create tension on-set to draw out stronger performances. But have stories about his psychological tricks been inflated in the retelling? In 1978, shortly after publishing The Art of Alfred Hitchcock, biographer Donald Spoto met the director one last time. At one point, Hitchcock appeared to fall asleep mid-conversation, signalling the end of his involvement with the author. On another occasion, Spoto recalled being bitten by Hitchcock’s West Highland terrier, Sarah, leaving a bruise on his hand. When Hitchcock admonished the dog, Spoto noted it was the first time in four years the director had addressed him by name. These accounts have surfaced in an unearthed transcript of a previously forgotten interview between Spoto and the actor Tippi Hedren in 1980, six months after Hitchcock’s death. But they also suggest something else: an uneasy relationship from the outset, shaped by misreading, distrust and a degree of personal grievance. Continue reading... from F...
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Raging Grace review – scary movie suffers an absence of scares

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An undocumented Filipino cleaner is employed at a vast, remote mansion to care for a bedridden David Hayman, while hiding her daughter Grace

There are interesting ideas – and a tremendous final choir sequence – in this scary movie; it offers a critique of British colonialism, and also plays with the text of Rudyard Kipling’s 1899 poem The White Man’s Burden that urged the United States to assume the thankless imperial task of civilising and subjugating the people of the Philippines, and nobly overlooking how ungrateful they are going to be. There is ingenuity here, and good acting, but the film for me feels flawed by its strained melodrama, an absence of scares and by a very odd scene of almost unreal, farcical absurdity.

Joy (Max Eigenmann) is a Filipino woman in the UK with a young daughter, Grace (Jaeden Paige Boadilla); Joy is doing undocumented work as a cleaner and faces racism and exploitation and imminent expulsion. But then she is employed by the haughty Katherine (Leanne Best) to work in a remote, vast mansion as a housekeeper to Katherine’s bedridden and ailing uncle, Mr Garrett, played with relish by David Hayman. Katherine has no idea about Joy’s daughter and there are some weirdly Feydeau-ish scenes when Joy has to hide the girl and somehow distract Katherine from spotting her.

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