Imtiaz Ali announces new film with Sharvari, Vedang Raina, Diljit Dosanjh, and Naseeruddin Shah; set for Baisakhi 2026 release

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Imtiaz Ali, the filmmaker known for redefining romance and emotional storytelling in Indian cinema, is set to return to the director’s chair with an untitled project that promises to be a moving tale of love, longing, and identity. Slated for release on Baisakhi 2026, the film will begin shooting in August 2025. Bringing together a compelling blend of talent, the film stars Diljit Dosanjh, Naseeruddin Shah, Vedang Raina, and Sharvari in lead roles. With a contemporary and witty narrative that explores the emotional complexities of human connection, the project is expected to resonate deeply with audiences. Imtiaz’s Signature Blend of Soulful Storytelling Returns Imtiaz Ali continues his tradition of crafting emotionally rich stories grounded in reality and lyricism. The upcoming film, he says, “has a big heart,” and is “set on a large canvas, yet very personal.” "It is a story of a boy and a girl," he shared, "but also a country." He further reflected on the film’s...
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Raging Grace review – scary movie suffers an absence of scares

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An undocumented Filipino cleaner is employed at a vast, remote mansion to care for a bedridden David Hayman, while hiding her daughter Grace

There are interesting ideas – and a tremendous final choir sequence – in this scary movie; it offers a critique of British colonialism, and also plays with the text of Rudyard Kipling’s 1899 poem The White Man’s Burden that urged the United States to assume the thankless imperial task of civilising and subjugating the people of the Philippines, and nobly overlooking how ungrateful they are going to be. There is ingenuity here, and good acting, but the film for me feels flawed by its strained melodrama, an absence of scares and by a very odd scene of almost unreal, farcical absurdity.

Joy (Max Eigenmann) is a Filipino woman in the UK with a young daughter, Grace (Jaeden Paige Boadilla); Joy is doing undocumented work as a cleaner and faces racism and exploitation and imminent expulsion. But then she is employed by the haughty Katherine (Leanne Best) to work in a remote, vast mansion as a housekeeper to Katherine’s bedridden and ailing uncle, Mr Garrett, played with relish by David Hayman. Katherine has no idea about Joy’s daughter and there are some weirdly Feydeau-ish scenes when Joy has to hide the girl and somehow distract Katherine from spotting her.

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