Rajkummar Rao, Sanya Malhotra starrer Toaster gets release date; Netflix to drop quirky dark comedy on April 15

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Netflix has announced its upcoming dark comedy Toaster, a film that turns an everyday object into the centre of an increasingly chaotic chain of events. Set to premiere on April 15, 2026, the film promises a quirky and unpredictable narrative that begins with a seemingly trivial situation—a wedding gift that refuses to be forgotten after the wedding itself is called off. Directed by Vivek Das Chaudhary, Toaster marks a significant milestone for Patralekhaa, who steps into production with her banner Kampa Film. The project brings together Rajkummar Rao and Sanya Malhotra in leading roles, supported by a vibrant ensemble that includes Archana Puran Singh, Abhishek Banerjee, Farah Khan, Upendra Limaye, Vinod Rawat, Jitendra Joshi and Seema Pahwa. The film also sees Rajkummar Rao returning to the comedy genre, a space where he has previously earned audience appreciation for his comic timing. With Toaster, he is set to headline a story that blends relatable situations with escalating absu...
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Raging Grace review – scary movie suffers an absence of scares

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An undocumented Filipino cleaner is employed at a vast, remote mansion to care for a bedridden David Hayman, while hiding her daughter Grace

There are interesting ideas – and a tremendous final choir sequence – in this scary movie; it offers a critique of British colonialism, and also plays with the text of Rudyard Kipling’s 1899 poem The White Man’s Burden that urged the United States to assume the thankless imperial task of civilising and subjugating the people of the Philippines, and nobly overlooking how ungrateful they are going to be. There is ingenuity here, and good acting, but the film for me feels flawed by its strained melodrama, an absence of scares and by a very odd scene of almost unreal, farcical absurdity.

Joy (Max Eigenmann) is a Filipino woman in the UK with a young daughter, Grace (Jaeden Paige Boadilla); Joy is doing undocumented work as a cleaner and faces racism and exploitation and imminent expulsion. But then she is employed by the haughty Katherine (Leanne Best) to work in a remote, vast mansion as a housekeeper to Katherine’s bedridden and ailing uncle, Mr Garrett, played with relish by David Hayman. Katherine has no idea about Joy’s daughter and there are some weirdly Feydeau-ish scenes when Joy has to hide the girl and somehow distract Katherine from spotting her.

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