The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’

From franchise hits to historical epics, joyous musicals to autobiographical family sagas: Steven Spielberg has done it all. As his latest sci-fi film Disclosure Day is released, film-makers, authors and Guardian critics reveal which of his movies means the most to them Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it. In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffa...

Poor Things, Anyone But You, Wish: the biggest films coming to Australia on Boxing Day

Misbehaving mallards, chiselled leading men and Disney in decline … here’s our guide to what’s about to hit a screen near you

In all my years as a loyal Boxing Day cinema-goer, this particular crop of films might be the strangest. Several films here feel beamed in from an alternate universe; others are decidedly creations of our own ghastly world. There are mawkish dramas, aeriform travelogues, and at least two entries which live and die on the power of their stars’ abs. In other words: fitting diversions. Enjoy!

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