Béla Tarr’s quest for cinematic perfection made him my ideal, impossible mentor | László Nemes

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The Son of Saul director recalls how getting his first job as assistant to the austere master was a hard but inspiring lesson in the most ambitious kind of movie-making News: Hungarian director Béla Tarr dies aged 70 The last time I saw Béla Tarr was a few years ago at the Nexus conference in Amsterdam. We were invited to speak about the state of the world and of the arts. We both thought light and darkness existed in the world, even if our perception about them differed. Béla was already weakened in his body, but the spirit was still ferocious, rebellious, furious. We sat down to talk. It seemed fairly obvious this would be our ultimate, and most heartfelt, conversation. As the former apprentice, I was able to see the master one last time, with all his rage, sorrow, love and hate. I first met Béla in 2004 when he was preparing The Man from London. I wanted to learn film-making and applied to become an assistant on the film. He gave me my first real job: as an assistant, I had to fi...
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Poor Things, Anyone But You, Wish: the biggest films coming to Australia on Boxing Day

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Misbehaving mallards, chiselled leading men and Disney in decline … here’s our guide to what’s about to hit a screen near you

In all my years as a loyal Boxing Day cinema-goer, this particular crop of films might be the strangest. Several films here feel beamed in from an alternate universe; others are decidedly creations of our own ghastly world. There are mawkish dramas, aeriform travelogues, and at least two entries which live and die on the power of their stars’ abs. In other words: fitting diversions. Enjoy!

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