‘People who commit heinous crimes can be victims’: Michael Mann on the provocative power of Manhunter at 40

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As a stunning 4K restoration arrives in theaters, the director and cast reflect on creating the disturbing descent into a criminal underworld Michael Mann has shown time and again in films like Thief , Heat , Miami Vice and Public Enemies that he is one of American film’s greatest explorers of the underworld. “It’s like a kind of cultural anthropology,” Mann tells me from his office in Los Angeles. “If you make films, you get to do that in a different place with a different subject every few years. For me, the exploration is the high.” With its unsettling atmosphere and soaring beauty, Mann’s 1986 film Manhunter reimagined how a thriller could look, sound and feel in an early high point for the director. To commemorate its 40th anniversary Manhunter: The Final Cut , a 4K restoration and director’s cut with three minutes of new footage, will see a theatrical release in New York and Los Angeles this weekend with a nationwide US rollout to follow. Continue reading... from Film | The ...
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Poor Things, Anyone But You, Wish: the biggest films coming to Australia on Boxing Day

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Misbehaving mallards, chiselled leading men and Disney in decline … here’s our guide to what’s about to hit a screen near you

In all my years as a loyal Boxing Day cinema-goer, this particular crop of films might be the strangest. Several films here feel beamed in from an alternate universe; others are decidedly creations of our own ghastly world. There are mawkish dramas, aeriform travelogues, and at least two entries which live and die on the power of their stars’ abs. In other words: fitting diversions. Enjoy!

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